Sean Redmond is Professor of Film and Television at Deakin University.

'Drawing on a rich and diverse range of artistic, creative, everyday, and contemporary interactions, the book wrestles with over-easy definitions, just as it challenges the uneven conditions of late capitalism. To understand the intellectual reach of a creative ethnography read this book, but to explore the complexity of our lonely hearts and their generative potential, you need to sit with it awhile, take on the book’s rhythm, and then set aside space for hope.'Helen Wood, Professor of Media and Cultural Studies, University of Lancaster'There is an elegant, elegiac, quality in the Loneliness Room, where Sean Redmond dwells upon the essence, reasons for and experience(s) of loneliness drawing on an exceptional methodological mosaic of creative participatory ethnography and autoethnography. The Loneliness Room, intended as a creative canvass where people talk about and (re)present their loneliness, is an academic piece of work about loneliness with unprecedented originality and artistry, poetically delivered and premised upon the audio-visual, sensory and artistic narratives of its participants, while also drawing from different kinds of media production (cinematic, documentary, photographic, music, sonic, social media) and is set within a ‘pandemic imagination’.Professor Liza Tsaliki, Department of Communication and Media Studies, National and Kapodistrian University of Athens'The Loneliness Room is a stunning book of creativity and compassion that speaks in ways large and small to a shared experience – we all get lonely from time to time along life’s journey. Using a diverse archive that includes autobiographical writing, feature films, poetry, sound, gender and cultural theory, and the responses of ordinary people like you and me, Sean Redmond has here crafted a moving and innovative ethnography that gives shape and form to an ideology of loneliness that illustrates its broader connections to therapy culture, neoliberal capitalism, and the liquid speed of modernity.'Brenda R. Weber, Provost Professor and Jean C. Robinson Scholar, Department of Gender Studies, Indiana University, Bloomington'This wonderful book made me rethink loneliness. The loneliness room, which each of us can make our own embraces the isolation of loneliness and its creativity and regenerative potential.'Professor Kath Woodward, Emeritus Professor, Faculty of Arts & Social Sciences, School of Social Sciences & Global Studies, Sociology, Open University, UK'During the [Covid-19] lockdowns, individuals were encouraged to practice self-care and change their routines to overcome loneliness. This context supports Redmond’s central argument: our current understandings of loneliness fail to engage with the systemic and social causes of chronic loneliness. This was evident long before the pandemic, and neoliberal capitalism puts the onus on the individual to treat their loneliness – for example, through lifestyle choices – without recognising the economic and political systems that create loneliness and weaken community. Importantly, Redmond does not deny that chronic loneliness is a problem affecting many individuals but instead seeks to redefine how we talk about it.'The Sociological Review'The Loneliness Room is a brilliant example of how complex and contested concepts can be drawn out fromthe intangible, elusive abstract and into the realm of shared understanding [...]It entwines creative practice, participant voice, and scholarly discourse in a way that is both captivating and illuminating.'Visual Studies

• 1 The loneliness room: a creative ethnography of loneliness2 Lonely emulsion: the loneliness in photography3 Dim the lights: loneliness in cinema4 Lonely realities: documenting loneliness5 None but the lonely heart: the sounds of loneliness6 Lonely words: writing loneliness in the post digital age7 A pandemic of creative lonelinessConclusion: if nobody speaks of loneliness roomsBibliographyIndex

Sean Redmond is Professor of Film and Television at Deakin University.

'Drawing on a rich and diverse range of artistic, creative, everyday, and contemporary interactions, the book wrestles with over-easy definitions, just as it challenges the uneven conditions of late capitalism. To understand the intellectual reach of a creative ethnography read this book, but to explore the complexity of our lonely hearts and their generative potential, you need to sit with it awhile, take on the book’s rhythm, and then set aside space for hope.'Helen Wood, Professor of Media and Cultural Studies, University of Lancaster'There is an elegant, elegiac, quality in the Loneliness Room, where Sean Redmond dwells upon the essence, reasons for and experience(s) of loneliness drawing on an exceptional methodological mosaic of creative participatory ethnography and autoethnography. The Loneliness Room, intended as a creative canvass where people talk about and (re)present their loneliness, is an academic piece of work about loneliness with unprecedented originality and artistry, poetically delivered and premised upon the audio-visual, sensory and artistic narratives of its participants, while also drawing from different kinds of media production (cinematic, documentary, photographic, music, sonic, social media) and is set within a ‘pandemic imagination’.Professor Liza Tsaliki, Department of Communication and Media Studies, National and Kapodistrian University of Athens'The Loneliness Room is a stunning book of creativity and compassion that speaks in ways large and small to a shared experience – we all get lonely from time to time along life’s journey. Using a diverse archive that includes autobiographical writing, feature films, poetry, sound, gender and cultural theory, and the responses of ordinary people like you and me, Sean Redmond has here crafted a moving and innovative ethnography that gives shape and form to an ideology of loneliness that illustrates its broader connections to therapy culture, neoliberal capitalism, and the liquid speed of modernity.'Brenda R. Weber, Provost Professor and Jean C. Robinson Scholar, Department of Gender Studies, Indiana University, Bloomington'This wonderful book made me rethink loneliness. The loneliness room, which each of us can make our own embraces the isolation of loneliness and its creativity and regenerative potential.'Professor Kath Woodward, Emeritus Professor, Faculty of Arts & Social Sciences, School of Social Sciences & Global Studies, Sociology, Open University, UK'During the [Covid-19] lockdowns, individuals were encouraged to practice self-care and change their routines to overcome loneliness. This context supports Redmond’s central argument: our current understandings of loneliness fail to engage with the systemic and social causes of chronic loneliness. This was evident long before the pandemic, and neoliberal capitalism puts the onus on the individual to treat their loneliness – for example, through lifestyle choices – without recognising the economic and political systems that create loneliness and weaken community. Importantly, Redmond does not deny that chronic loneliness is a problem affecting many individuals but instead seeks to redefine how we talk about it.'The Sociological Review'The Loneliness Room is a brilliant example of how complex and contested concepts can be drawn out fromthe intangible, elusive abstract and into the realm of shared understanding [...]It entwines creative practice, participant voice, and scholarly discourse in a way that is both captivating and illuminating.'Visual Studies

• 1 The loneliness room: a creative ethnography of loneliness2 Lonely emulsion: the loneliness in photography3 Dim the lights: loneliness in cinema4 Lonely realities: documenting loneliness5 None but the lonely heart: the sounds of loneliness6 Lonely words: writing loneliness in the post digital age7 A pandemic of creative lonelinessConclusion: if nobody speaks of loneliness roomsBibliographyIndex

Sean Redmond is Professor of Film and Television at Deakin University.

'Drawing on a rich and diverse range of artistic, creative, everyday, and contemporary interactions, the book wrestles with over-easy definitions, just as it challenges the uneven conditions of late capitalism. To understand the intellectual reach of a creative ethnography read this book, but to explore the complexity of our lonely hearts and their generative potential, you need to sit with it awhile, take on the book’s rhythm, and then set aside space for hope.'Helen Wood, Professor of Media and Cultural Studies, University of Lancaster'There is an elegant, elegiac, quality in the Loneliness Room, where Sean Redmond dwells upon the essence, reasons for and experience(s) of loneliness drawing on an exceptional methodological mosaic of creative participatory ethnography and autoethnography. The Loneliness Room, intended as a creative canvass where people talk about and (re)present their loneliness, is an academic piece of work about loneliness with unprecedented originality and artistry, poetically delivered and premised upon the audio-visual, sensory and artistic narratives of its participants, while also drawing from different kinds of media production (cinematic, documentary, photographic, music, sonic, social media) and is set within a ‘pandemic imagination’.Professor Liza Tsaliki, Department of Communication and Media Studies, National and Kapodistrian University of Athens'The Loneliness Room is a stunning book of creativity and compassion that speaks in ways large and small to a shared experience – we all get lonely from time to time along life’s journey. Using a diverse archive that includes autobiographical writing, feature films, poetry, sound, gender and cultural theory, and the responses of ordinary people like you and me, Sean Redmond has here crafted a moving and innovative ethnography that gives shape and form to an ideology of loneliness that illustrates its broader connections to therapy culture, neoliberal capitalism, and the liquid speed of modernity.'Brenda R. Weber, Provost Professor and Jean C. Robinson Scholar, Department of Gender Studies, Indiana University, Bloomington'This wonderful book made me rethink loneliness. The loneliness room, which each of us can make our own embraces the isolation of loneliness and its creativity and regenerative potential.'Professor Kath Woodward, Emeritus Professor, Faculty of Arts & Social Sciences, School of Social Sciences & Global Studies, Sociology, Open University, UK'During the [Covid-19] lockdowns, individuals were encouraged to practice self-care and change their routines to overcome loneliness. This context supports Redmond’s central argument: our current understandings of loneliness fail to engage with the systemic and social causes of chronic loneliness. This was evident long before the pandemic, and neoliberal capitalism puts the onus on the individual to treat their loneliness – for example, through lifestyle choices – without recognising the economic and political systems that create loneliness and weaken community. Importantly, Redmond does not deny that chronic loneliness is a problem affecting many individuals but instead seeks to redefine how we talk about it.'The Sociological Review'The Loneliness Room is a brilliant example of how complex and contested concepts can be drawn out fromthe intangible, elusive abstract and into the realm of shared understanding [...]It entwines creative practice, participant voice, and scholarly discourse in a way that is both captivating and illuminating.'Visual Studies

• 1 The loneliness room: a creative ethnography of loneliness2 Lonely emulsion: the loneliness in photography3 Dim the lights: loneliness in cinema4 Lonely realities: documenting loneliness5 None but the lonely heart: the sounds of loneliness6 Lonely words: writing loneliness in the post digital age7 A pandemic of creative lonelinessConclusion: if nobody speaks of loneliness roomsBibliographyIndex