Meiqin Wang specialises in modern and contemporary Chinese art and teaches Asian art history courses in the Art Department at California State University, Northridge

• Introduction Artistic remediation and ecological transformation: navigating the intersection of art and ecology in East and Southeast Asia – Meiqin Wang1 The prescription from ecological art: non-human perspective and eastern philosophies as ways to remedy – Zheng Wan2 Landscape painting without nature: Honda Takeshi’s art from an ecocritical viewpoint – Hiroki Yamamoto3 Micro-acts in public spaces: Yuko Mohri’s Moré Moré (Leaky) series – Kristen Sharp4 Towards a posthumanistic approach: Exploring Danka ethnicity-based artworks – Jian Xiao and Linlin Wei5 Healing Garden Project: Eco-public artivism and the development of ecological aesthetics in contemporary China – Meiqin Wang6 Art for regenerating tribal tradition and environmental sustainability: The Mipaliw Land Art Festival – Wei-Hsiu Tung7 Benesse Art Site Naoshima and sustainable living: activating effective climate change adaptation with art project – Midori Yamamura8 A socially engaged approach to preserving disappearing villages: The case of artistic activism in New Who Art Village – Danzhou Li9 ‘Infra-aesthetics’ of sand mining in Southeast Asia: artistic visualities and their audiences – Stephanie Benzaquen-Gautier10 From reaction to relation: The deliberative approach of Pangrok Sulap in environmental art activism – Krystie Ng11 Fighting military imperialism with ecofeminism: The artistic practice of Gangjeong peace activism – Vicki Sung-yeon Kwon

Meiqin Wang specialises in modern and contemporary Chinese art and teaches Asian art history courses in the Art Department at California State University, Northridge

• Introduction Artistic remediation and ecological transformation: navigating the intersection of art and ecology in East and Southeast Asia – Meiqin Wang1 The prescription from ecological art: non-human perspective and eastern philosophies as ways to remedy – Zheng Wan2 Landscape painting without nature: Honda Takeshi’s art from an ecocritical viewpoint – Hiroki Yamamoto3 Micro-acts in public spaces: Yuko Mohri’s Moré Moré (Leaky) series – Kristen Sharp4 Towards a posthumanistic approach: Exploring Danka ethnicity-based artworks – Jian Xiao and Linlin Wei5 Healing Garden Project: Eco-public artivism and the development of ecological aesthetics in contemporary China – Meiqin Wang6 Art for regenerating tribal tradition and environmental sustainability: The Mipaliw Land Art Festival – Wei-Hsiu Tung7 Benesse Art Site Naoshima and sustainable living: activating effective climate change adaptation with art project – Midori Yamamura8 A socially engaged approach to preserving disappearing villages: The case of artistic activism in New Who Art Village – Danzhou Li9 ‘Infra-aesthetics’ of sand mining in Southeast Asia: artistic visualities and their audiences – Stephanie Benzaquen-Gautier10 From reaction to relation: The deliberative approach of Pangrok Sulap in environmental art activism – Krystie Ng11 Fighting military imperialism with ecofeminism: The artistic practice of Gangjeong peace activism – Vicki Sung-yeon Kwon

Meiqin Wang specialises in modern and contemporary Chinese art and teaches Asian art history courses in the Art Department at California State University, Northridge

• Introduction Artistic remediation and ecological transformation: navigating the intersection of art and ecology in East and Southeast Asia – Meiqin Wang1 The prescription from ecological art: non-human perspective and eastern philosophies as ways to remedy – Zheng Wan2 Landscape painting without nature: Honda Takeshi’s art from an ecocritical viewpoint – Hiroki Yamamoto3 Micro-acts in public spaces: Yuko Mohri’s Moré Moré (Leaky) series – Kristen Sharp4 Towards a posthumanistic approach: Exploring Danka ethnicity-based artworks – Jian Xiao and Linlin Wei5 Healing Garden Project: Eco-public artivism and the development of ecological aesthetics in contemporary China – Meiqin Wang6 Art for regenerating tribal tradition and environmental sustainability: The Mipaliw Land Art Festival – Wei-Hsiu Tung7 Benesse Art Site Naoshima and sustainable living: activating effective climate change adaptation with art project – Midori Yamamura8 A socially engaged approach to preserving disappearing villages: The case of artistic activism in New Who Art Village – Danzhou Li9 ‘Infra-aesthetics’ of sand mining in Southeast Asia: artistic visualities and their audiences – Stephanie Benzaquen-Gautier10 From reaction to relation: The deliberative approach of Pangrok Sulap in environmental art activism – Krystie Ng11 Fighting military imperialism with ecofeminism: The artistic practice of Gangjeong peace activism – Vicki Sung-yeon Kwon