Meiqin Wang – författare

This book explores the relationship between the ongoing urbanization in China and the production of contemporary Chinese art since the beginning of the twenty-first century. Wang provides a detailed analysis of artworks and methodologies of art-making from eight contemporary artists who employ a wide range of mediums, including painting, sculpture, photography, installation, video, and performance. She also sheds light on the relationship between these artists and their sociocultural origins, investigating their provocative responses to various processes and problems brought about by Chinese urbanization. With this urbanization comes a fundamental shift of the philosophical and aesthetic foundations in the practice of Chinese art: from a strong affiliation with nature and countryside to one that is complexly associated with the city and the urban world.

This book provides an in-depth and thematic analysis of socially engaged art in Mainland China, exploring its critical responses to and creative interventions in China’s top-down, pro-urban, and profit-oriented socioeconomic transformations. It focuses on the socially conscious practices of eight art professionals who assume the role of artist, critic, curator, educator, cultural entrepreneur, and social activist, among others, as they strive to expose the injustice and inequality many Chinese people have suffered, raise public awareness of pressing social and environmental problems, and invent new ways and infrastructures to support various underprivileged social groups.

This edited volume provides a multifaceted investigation of the dynamic interrelations between visual arts and urbanization in contemporary Mainland China with a focus on unseen representations and urban interventions brought about by the transformations of the urban space and the various problems associated with it. Through a wide range of illuminating case studies, the authors demonstrate how innovative artistic and creative practices initiated by various stakeholders not only raise critical awareness on socio-political issues of Chinese urbanization but also actively reshape the urban living spaces. The formation of new collaborations, agencies, aesthetics and cultural production sites facilitate diverse forms of cultural activism as they challenge the dominant ways of interpreting social changes and encourage civic participation in the production of alternative meanings in and of the city. Their significance lies in their potential to question current values and power structures as well as to foster new subjectivities for disparate individuals and social groups.

This book provides an in-depth and thematic analysis of socially engaged art in Mainland China, exploring its critical responses to and creative interventions in China’s top-down, pro-urban, and profit-oriented socioeconomic transformations. It focuses on the socially conscious practices of eight art professionals who assume the role of artist, critic, curator, educator, cultural entrepreneur, and social activist, among others, as they strive to expose the injustice and inequality many Chinese people have suffered, raise public awareness of pressing social and environmental problems, and invent new ways and infrastructures to support various underprivileged social groups.

This book explores the relationship between the ongoing urbanization in China and the production of contemporary Chinese art since the beginning of the twenty-first century. Wang provides a detailed analysis of artworks and methodologies of art-making from eight contemporary artists who employ a wide range of mediums, including painting, sculpture, photography, installation, video, and performance. She also sheds light on the relationship between these artists and their sociocultural origins, investigating their provocative responses to various processes and problems brought about by Chinese urbanization. With this urbanization comes a fundamental shift of the philosophical and aesthetic foundations in the practice of Chinese art: from a strong affiliation with nature and countryside to one that is complexly associated with the city and the urban world.

This anthology brings together new research from twelve scholars to examine the relationship between contemporary art and ecological concerns in East and Southeast Asia. Centred on the idea of artistic remediation, it explores the many ways art responds to and challenges systemic anthropogenic damage to the environment. The volume argues that a significant ecological shift is taking place within art and art history, one that reframes human–nature relationships and emphasises the interconnectedness of all life on Earth. Bridging art studies, activism, and environmental research, the book analyses how artists in the region engage with ecocritical reflection, biodiversity advocacy, sustainable practices, and environmental justice. Offering timely and critical perspectives, it highlights diverse scholarly voices grounded in the cultural, artistic, and environmental specificities of local communities and contexts across East and Southeast Asia.

This book offers a multifaceted investigation of the dynamic interrelations between visual arts and representation interdependent to urban spaces in China.

The two-volume set LNCS 15543 and 15544 constitutes revised selected papers of the 20th International Conference on Information Security and Cryptology, Inscrypt 2024, held in Kunming, China, during December 14–16, 2024. The 46 full papers presented in these proceedings were carefully reviewed and selected from 156 submissions. The papers were organized in the following topical sections: Part I : Big data and cloud security; Foundations of Cryptography; Implementation of Cryptosystems; Key Exchange; AI and Security; Security Analysis; Privacy-enhancing technologies; Watermarking. Part II : Public Key Cryptosystems; Security Protocols Analysis; Symmetric Cryptanalysis; Quantum and Post Quantum Cryptography.