Keith B. Wagner is a Visiting Professor at Sungshin Women's University and an Affiliated Researcher at LUT UniversityRoland-François Lack was a Senior Lecturer in French Studies at University College London

'This collection opens up vistas to what is often forgotten or not seen in a global city like London. The contributors reveal deep histories of the different Londons on screen, and their profound knowledge about the subject make this a great read.'Saskia Sassen, The Robert S. Lind Professor of Sociology, Columbia University'The originality of this collection's contribution is its focus on filmed London as a global space... The contributors examine these questions richly and diversly, reflecting on how 'globality' slides often ambivalently across multiculturalism, cosmopolitanism, imperial legacy migration and neoliberal flows of global capital and labour.’The London Journal: A Review of Metropolitan Society Past and Present

• Introduction: Global London on screen: visitors, cosmopolitans and migratory cinematic visions of a superdiverse city – Keith B. Wagner1 ‘God is everywhere!’: engineering the immigrant landscape of Emeric Pressburger’s Miracle in Soho – Jingan MacPherson Young2 Dropping out: interiority, claustrophobia and decadence in cosmopolitan London cinema of the 1960s and 1970s – Kevin M. Flanagan3 On location in 1970s London: an interview with Gavrik Losey – Paul Newland4 Outside in: Twilight City and the birth of global London – Malini Guha5 ‘Where I come from, we eat places like this for breakfast’: Aki Kaurismäki’s I Hired a Contract Killer as transnational representation of local London – Claire MonkBollywood’s London: the moral-political undertow of London’s Hindi cinema presence – Shakuntala Banaji and Rahoul Masrani7 Brazucas on screen: the Brazilian diaspora in London as depicted in Henrique Goldman’s Jean Charles – Stephanie Dennison8 A critical analysis of the Nollywood film Osuofia in London – Uchenna Onuzulike9 Poetics of double erasure: British East/South-East Asian cinema and Lilting – Victor Fan10 Global Hollywood and the London set piece – Lawrence Webb11 Performative liveness in Lost in London: cinematic streaming and the digital happening in globalising London – Michael A. Unger and Keith B. Wagner12 Borders and cosmopolitanism in the global city: London River – Ana Virginia López Fuentes13 Utopia as a cosmopolitan method in Alfonso Cuarón’s Children of Men – Mónica MartínEpilogue: The rise of sourdough bread: The Street, gentrification and Brexit – Charlotte BrunsdonIndex

Keith B. Wagner is a Visiting Professor at Sungshin Women's University and an Affiliated Researcher at LUT UniversityRoland-François Lack was a Senior Lecturer in French Studies at University College London

'This collection opens up vistas to what is often forgotten or not seen in a global city like London. The contributors reveal deep histories of the different Londons on screen, and their profound knowledge about the subject make this a great read.'Saskia Sassen, The Robert S. Lind Professor of Sociology, Columbia University'The originality of this collection's contribution is its focus on filmed London as a global space... The contributors examine these questions richly and diversly, reflecting on how 'globality' slides often ambivalently across multiculturalism, cosmopolitanism, imperial legacy migration and neoliberal flows of global capital and labour.’The London Journal: A Review of Metropolitan Society Past and Present

• Introduction: Global London on screen: visitors, cosmopolitans and migratory cinematic visions of a superdiverse city – Keith B. Wagner1 ‘God is everywhere!’: engineering the immigrant landscape of Emeric Pressburger’s Miracle in Soho – Jingan MacPherson Young2 Dropping out: interiority, claustrophobia and decadence in cosmopolitan London cinema of the 1960s and 1970s – Kevin M. Flanagan3 On location in 1970s London: an interview with Gavrik Losey – Paul Newland4 Outside in: Twilight City and the birth of global London – Malini Guha5 ‘Where I come from, we eat places like this for breakfast’: Aki Kaurismäki’s I Hired a Contract Killer as transnational representation of local London – Claire MonkBollywood’s London: the moral-political undertow of London’s Hindi cinema presence – Shakuntala Banaji and Rahoul Masrani7 Brazucas on screen: the Brazilian diaspora in London as depicted in Henrique Goldman’s Jean Charles – Stephanie Dennison8 A critical analysis of the Nollywood film Osuofia in London – Uchenna Onuzulike9 Poetics of double erasure: British East/South-East Asian cinema and Lilting – Victor Fan10 Global Hollywood and the London set piece – Lawrence Webb11 Performative liveness in Lost in London: cinematic streaming and the digital happening in globalising London – Michael A. Unger and Keith B. Wagner12 Borders and cosmopolitanism in the global city: London River – Ana Virginia López Fuentes13 Utopia as a cosmopolitan method in Alfonso Cuarón’s Children of Men – Mónica MartínEpilogue: The rise of sourdough bread: The Street, gentrification and Brexit – Charlotte BrunsdonIndex

Keith B. Wagner is a Visiting Professor at Sungshin Women's University and an Affiliated Researcher at LUT UniversityRoland-François Lack was a Senior Lecturer in French Studies at University College London

'This collection opens up vistas to what is often forgotten or not seen in a global city like London. The contributors reveal deep histories of the different Londons on screen, and their profound knowledge about the subject make this a great read.'Saskia Sassen, The Robert S. Lind Professor of Sociology, Columbia University'The originality of this collection's contribution is its focus on filmed London as a global space... The contributors examine these questions richly and diversly, reflecting on how 'globality' slides often ambivalently across multiculturalism, cosmopolitanism, imperial legacy migration and neoliberal flows of global capital and labour.’The London Journal: A Review of Metropolitan Society Past and Present

• Introduction: Global London on screen: visitors, cosmopolitans and migratory cinematic visions of a superdiverse city – Keith B. Wagner1 ‘God is everywhere!’: engineering the immigrant landscape of Emeric Pressburger’s Miracle in Soho – Jingan MacPherson Young2 Dropping out: interiority, claustrophobia and decadence in cosmopolitan London cinema of the 1960s and 1970s – Kevin M. Flanagan3 On location in 1970s London: an interview with Gavrik Losey – Paul Newland4 Outside in: Twilight City and the birth of global London – Malini Guha5 ‘Where I come from, we eat places like this for breakfast’: Aki Kaurismäki’s I Hired a Contract Killer as transnational representation of local London – Claire MonkBollywood’s London: the moral-political undertow of London’s Hindi cinema presence – Shakuntala Banaji and Rahoul Masrani7 Brazucas on screen: the Brazilian diaspora in London as depicted in Henrique Goldman’s Jean Charles – Stephanie Dennison8 A critical analysis of the Nollywood film Osuofia in London – Uchenna Onuzulike9 Poetics of double erasure: British East/South-East Asian cinema and Lilting – Victor Fan10 Global Hollywood and the London set piece – Lawrence Webb11 Performative liveness in Lost in London: cinematic streaming and the digital happening in globalising London – Michael A. Unger and Keith B. Wagner12 Borders and cosmopolitanism in the global city: London River – Ana Virginia López Fuentes13 Utopia as a cosmopolitan method in Alfonso Cuarón’s Children of Men – Mónica MartínEpilogue: The rise of sourdough bread: The Street, gentrification and Brexit – Charlotte BrunsdonIndex