Tomoko Tamari is Senior Lecturer in Sociology at Goldsmiths, University of London.

"A lucidly imaginative and critical mapping of digital media culture via animation, the body, and affect. Essential reading for anybody with a nervous system in this digital age." Matthew Fuller, Goldsmiths, University of London "With advancing technologies calling into question what is real, trustworthy or solid, there is perhaps no more important question than that of human perception. Taking questions of subjectivity, affect, and embodiment as key anchor points, this book provides crucial insights into how perception is animated and challenged by emerging information technologies." David Beer, University of York “This book spirals out from hand-drawn cells to neurotemporalities, strategic military maps, deep learning, and deep fakes, exploring a vast new galaxy of animation.” Aden Evens, Dartmouth College

• Introduction: Human Perception and Digital Information Technologies – Tomoko TamariPart 1. Animation and Consciousness1. Pastures New: Atmospheres, Mud, and Moods – Esther Leslie2. The Neurodynamics of Technically Mediated Motion: Perceptual vs. Conceptual Animation in Artworks of Nam June Paik and Bill Viola – N. Katherine Hayles3. Moving Images and Human Perception: Affect in Hand-Drawn Animation and Computer-Generated Imagery – Tomoko Tamari4. New Punctums, Proto-Perceptions, and Animated Entanglements – Tony D. SampsonPart 2. Affective Experience and Expression5. On Pixar’s Marvellous Astonishment: When Synthetic Bodies Meet Photorealistic Worlds – Eric S. Jenkins6. Player and Avatar in Motion: Affective Encounters – Daniela BrunsPart 3. Data Visualization: Space and Time7. Animation, Data, and the Plasticity of the Real: From the Military Survey of Scotland to Synthetic Training Environments – Pasi Väliaho8. Chronoclasm: Real-Time Data Animation – Sean CubittPart 4. Image Formation and Embodiment9. Deepfake Face-Swap Animations and Affect – Mette-Marie Zacher Sørensen10. Deepfake Reality, Societies for Technical Feeling, and the Phenomenotechnics of Animation – Mark B.N. Hansen

Tomoko Tamari is Senior Lecturer in Sociology at Goldsmiths, University of London.

"A lucidly imaginative and critical mapping of digital media culture via animation, the body, and affect. Essential reading for anybody with a nervous system in this digital age." Matthew Fuller, Goldsmiths, University of London "With advancing technologies calling into question what is real, trustworthy or solid, there is perhaps no more important question than that of human perception. Taking questions of subjectivity, affect, and embodiment as key anchor points, this book provides crucial insights into how perception is animated and challenged by emerging information technologies." David Beer, University of York “This book spirals out from hand-drawn cells to neurotemporalities, strategic military maps, deep learning, and deep fakes, exploring a vast new galaxy of animation.” Aden Evens, Dartmouth College

• Introduction: Human Perception and Digital Information Technologies – Tomoko TamariPart 1. Animation and Consciousness1. Pastures New: Atmospheres, Mud, and Moods – Esther Leslie2. The Neurodynamics of Technically Mediated Motion: Perceptual vs. Conceptual Animation in Artworks of Nam June Paik and Bill Viola – N. Katherine Hayles3. Moving Images and Human Perception: Affect in Hand-Drawn Animation and Computer-Generated Imagery – Tomoko Tamari4. New Punctums, Proto-Perceptions, and Animated Entanglements – Tony D. SampsonPart 2. Affective Experience and Expression5. On Pixar’s Marvellous Astonishment: When Synthetic Bodies Meet Photorealistic Worlds – Eric S. Jenkins6. Player and Avatar in Motion: Affective Encounters – Daniela BrunsPart 3. Data Visualization: Space and Time7. Animation, Data, and the Plasticity of the Real: From the Military Survey of Scotland to Synthetic Training Environments – Pasi Väliaho8. Chronoclasm: Real-Time Data Animation – Sean CubittPart 4. Image Formation and Embodiment9. Deepfake Face-Swap Animations and Affect – Mette-Marie Zacher Sørensen10. Deepfake Reality, Societies for Technical Feeling, and the Phenomenotechnics of Animation – Mark B.N. Hansen

Tomoko Tamari is Senior Lecturer in Sociology at Goldsmiths, University of London.

"A lucidly imaginative and critical mapping of digital media culture via animation, the body, and affect. Essential reading for anybody with a nervous system in this digital age." Matthew Fuller, Goldsmiths, University of London "With advancing technologies calling into question what is real, trustworthy or solid, there is perhaps no more important question than that of human perception. Taking questions of subjectivity, affect, and embodiment as key anchor points, this book provides crucial insights into how perception is animated and challenged by emerging information technologies." David Beer, University of York “This book spirals out from hand-drawn cells to neurotemporalities, strategic military maps, deep learning, and deep fakes, exploring a vast new galaxy of animation.” Aden Evens, Dartmouth College

• Introduction: Human Perception and Digital Information Technologies – Tomoko TamariPart 1. Animation and Consciousness1. Pastures New: Atmospheres, Mud, and Moods – Esther Leslie2. The Neurodynamics of Technically Mediated Motion: Perceptual vs. Conceptual Animation in Artworks of Nam June Paik and Bill Viola – N. Katherine Hayles3. Moving Images and Human Perception: Affect in Hand-Drawn Animation and Computer-Generated Imagery – Tomoko Tamari4. New Punctums, Proto-Perceptions, and Animated Entanglements – Tony D. SampsonPart 2. Affective Experience and Expression5. On Pixar’s Marvellous Astonishment: When Synthetic Bodies Meet Photorealistic Worlds – Eric S. Jenkins6. Player and Avatar in Motion: Affective Encounters – Daniela BrunsPart 3. Data Visualization: Space and Time7. Animation, Data, and the Plasticity of the Real: From the Military Survey of Scotland to Synthetic Training Environments – Pasi Väliaho8. Chronoclasm: Real-Time Data Animation – Sean CubittPart 4. Image Formation and Embodiment9. Deepfake Face-Swap Animations and Affect – Mette-Marie Zacher Sørensen10. Deepfake Reality, Societies for Technical Feeling, and the Phenomenotechnics of Animation – Mark B.N. Hansen