Karina Aveyard is a University of Sydney Postdoctoral Research Fellow based in the Department of Media and Communications. She is the author of The Lure of the Big Screen: Cinema in Rural Australia and the United Kingdom (2015), and co-editor of the collected volumes Watching Films: New Perspectives on Movie-Going, Exhibition and Reception (2013) and New Patterns in Global Television Formats (2016). Albert Moran is a professor in the School of Humanities at Griffith University. He has helped to pioneer research in Australian film and television history. His scholarly output includes more than 30 books (authored or edited) and more than 100 refereed papers.Errol Vieth was associate dean for research in the Faculty of Informatics and Communication at Central Queensland University.

This second edition of Moran and Vieth's dictionary retains its predecessor’s key features: separate chronologies and brief historical overviews of the Australia and New Zealand/Aotearoa film industries; up-to-date entries on each country’s films, cinematic personnel, organizations, genres, and themes; and an in-depth combined bibliography. Aveyard (Univ. of Sydney, Australia) and Moran (independent scholar) thoroughly revised the entries throughout; Vieth is credited posthumously as coauthor of the first edition (CH, May'06, 43-5004). Additions include recent innovations like digital cinema and such notable films as Animal Kingdom, Australia, Happy Feet, the Hobbit trilogy, and Lion. . . the extensive cross-references prove useful: terms with their own entries are boldfaced in the text. The bibliography, slimmed down to 55 pages. . . does provide a useful historical perspective. As the authors note, this dictionary is not meant to be exhaustive, but it supplements some of the more thorough, though somewhat dated, sources listed in the bibliography, e.g., The Oxford Companion to Australian Film, ed. by Brian McFarlane, Geoff Mayer, and Ina Bertrand (CH, Sep'00, 38-0024), and Celluloid Dreams: A Century of Film in New Zealand, editor in chief Geoffrey Churchman (1997).Summing Up: Recommended. All readers.

• Editor’s Foreword PrefaceReader’s NoteAUSTRALIAAcronyms and AbbreviationsChronologyIntroductionThe DictionaryNEW ZEALAND/AOTEAROAAcronyms and AbbreviationsChronologyIntroductionThe DictionaryBibliographyAbout the Authors

Karina Aveyard is a University of Sydney Postdoctoral Research Fellow based in the Department of Media and Communications. She is the author of The Lure of the Big Screen: Cinema in Rural Australia and the United Kingdom (2015), and co-editor of the collected volumes Watching Films: New Perspectives on Movie-Going, Exhibition and Reception (2013) and New Patterns in Global Television Formats (2016). Albert Moran is a professor in the School of Humanities at Griffith University. He has helped to pioneer research in Australian film and television history. His scholarly output includes more than 30 books (authored or edited) and more than 100 refereed papers.Errol Vieth was associate dean for research in the Faculty of Informatics and Communication at Central Queensland University.

This second edition of Moran and Vieth's dictionary retains its predecessor’s key features: separate chronologies and brief historical overviews of the Australia and New Zealand/Aotearoa film industries; up-to-date entries on each country’s films, cinematic personnel, organizations, genres, and themes; and an in-depth combined bibliography. Aveyard (Univ. of Sydney, Australia) and Moran (independent scholar) thoroughly revised the entries throughout; Vieth is credited posthumously as coauthor of the first edition (CH, May'06, 43-5004). Additions include recent innovations like digital cinema and such notable films as Animal Kingdom, Australia, Happy Feet, the Hobbit trilogy, and Lion. . . the extensive cross-references prove useful: terms with their own entries are boldfaced in the text. The bibliography, slimmed down to 55 pages. . . does provide a useful historical perspective. As the authors note, this dictionary is not meant to be exhaustive, but it supplements some of the more thorough, though somewhat dated, sources listed in the bibliography, e.g., The Oxford Companion to Australian Film, ed. by Brian McFarlane, Geoff Mayer, and Ina Bertrand (CH, Sep'00, 38-0024), and Celluloid Dreams: A Century of Film in New Zealand, editor in chief Geoffrey Churchman (1997).Summing Up: Recommended. All readers.

• Editor’s Foreword PrefaceReader’s NoteAUSTRALIAAcronyms and AbbreviationsChronologyIntroductionThe DictionaryNEW ZEALAND/AOTEAROAAcronyms and AbbreviationsChronologyIntroductionThe DictionaryBibliographyAbout the Authors

Karina Aveyard is a University of Sydney Postdoctoral Research Fellow based in the Department of Media and Communications. She is the author of The Lure of the Big Screen: Cinema in Rural Australia and the United Kingdom (2015), and co-editor of the collected volumes Watching Films: New Perspectives on Movie-Going, Exhibition and Reception (2013) and New Patterns in Global Television Formats (2016). Albert Moran is a professor in the School of Humanities at Griffith University. He has helped to pioneer research in Australian film and television history. His scholarly output includes more than 30 books (authored or edited) and more than 100 refereed papers.Errol Vieth was associate dean for research in the Faculty of Informatics and Communication at Central Queensland University.

This second edition of Moran and Vieth's dictionary retains its predecessor’s key features: separate chronologies and brief historical overviews of the Australia and New Zealand/Aotearoa film industries; up-to-date entries on each country’s films, cinematic personnel, organizations, genres, and themes; and an in-depth combined bibliography. Aveyard (Univ. of Sydney, Australia) and Moran (independent scholar) thoroughly revised the entries throughout; Vieth is credited posthumously as coauthor of the first edition (CH, May'06, 43-5004). Additions include recent innovations like digital cinema and such notable films as Animal Kingdom, Australia, Happy Feet, the Hobbit trilogy, and Lion. . . the extensive cross-references prove useful: terms with their own entries are boldfaced in the text. The bibliography, slimmed down to 55 pages. . . does provide a useful historical perspective. As the authors note, this dictionary is not meant to be exhaustive, but it supplements some of the more thorough, though somewhat dated, sources listed in the bibliography, e.g., The Oxford Companion to Australian Film, ed. by Brian McFarlane, Geoff Mayer, and Ina Bertrand (CH, Sep'00, 38-0024), and Celluloid Dreams: A Century of Film in New Zealand, editor in chief Geoffrey Churchman (1997).Summing Up: Recommended. All readers.

• Editor’s Foreword PrefaceReader’s NoteAUSTRALIAAcronyms and AbbreviationsChronologyIntroductionThe DictionaryNEW ZEALAND/AOTEAROAAcronyms and AbbreviationsChronologyIntroductionThe DictionaryBibliographyAbout the Authors