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    1. Samhälle och politik
    2. Samhälle och kultur
    3. Kultur och medier
    4. Kulturvetenskap

    Politics and Culture in Twentieth-Century Germany

    AvWilliam Niven,James Jordan

    Inbunden, Engelska, 2003

    Del 1 i serien Studies in German Literature Linguistics and Culture

    1 224 kr

    Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt över 249 kr.

    Beskrivning

    New essays on the influence of politics on 20c. German culture, not only during the Nazi and Cold War eras but in periods when the effects are less obvious.The cultural history of 20th-century Germany, more perhaps than that of any other European country, was decisively influenced by political forces and developments. This volume of essays focuses on the relationship between German politics and culture, which is most obvious in the case of the Third Reich and the German Democratic Republic, where the one-party control of all areas of life was extended to the arts; these were expected to conform to the idealsof the day. But the relationship between politics and the arts has not always been one purely of coercion, censorship, collusion, and opportunism. Many writers greeted the First World War with quite voluntary enthusiasm; others conjured up the National Socialist revolution in intense Expressionist images long before 1933. The GDR was heralded by writers returning from Nazi exile as the anti-fascist answer to the Third Reich. And in West Germany, politicsdid not dictate artistic norms, nor was it greeted with any great enthusiasm among intellectuals, but writers did tend to ally themselves with particular parties. To an extent, the pre-1990 literary establishment in the Federal Republic was dominated by a left-liberal consensus that German division was the just punishment for Auschwitz. United Germany began its existence with a fierce literary debate in 1990-92, with leading literary critics arguing that East and West German literature had basically shored up the political order in the two countries. Now a new literature was required, one that was free of ideology, intensely subjective and experimental in its aesthetic. In 1998, the author Martin Walser called for an end to the author's role as "conscience of the nation" and for the right to subjective experience. This is the first book to examine this crucial relationship between politics and culture in Germany.William Niven and James Jordan are readers in German at the University of Nottingham Trent.

    Produktinformation

    • Utgivningsdatum:2003-07-01
    • Mått:152 x 229 x 30 mm
    • Vikt:604 g
    • Format:Inbunden
    • Språk:Engelska
    • Serie:Studies in German Literature Linguistics and Culture
    • Antal sidor:280
    • Förlag:Boydell & Brewer Ltd
    • ISBN:9781571132239

    Utforska kategorier

    • Kulturvetenskap inom Samhälle och politik
    • Politik och statsskick inom Samhälle och politik

    Mer om författaren

    BILL NIVEN is Professor Emeritus of History at Nottingham Trent University, UK DAVID ROBB is Senior Lecturer in Music at Queens University Belfast. STUART TABERNER is Professor of German at the University of Leeds, UK. He is Research Associate in the Department of Afrikaans and Dutch, German and French at the University of the Free State, South Africa. BILL NIVEN is Professor Emeritus of History at Nottingham Trent University, UK

    Recensioner i media

    These essays are lively discussions of a uniquely German problem.

    Innehållsförteckning

    • Introduction - William NivenFrom Nature to Modernism: The Concept and Discourse of Culture in Its Development from the Nineteenth into the Twentieth CenturyTwentieth Century - Fritz WefelmeyerThe German "Geist und Macht" Dichotomy: Just a Game of Red Indians? - "In the Exile of Internment" or "Von Versuchen, aus einer Not eine Tugend zu machen": German-speaking Women Interned by the British During the Second World Warby the British During the Second World War - Charmian Brinson"Deutschland lebt an der Nahtstelle, an der Bruchstelle": Literature and Politics in Germany 1933-1950 - David Basker"Das habe ich getan, sagt mein Gedächtnis. Das kann ich nicht getan haben, sagt mein Stolz!..." History and Morality in Hochhuth's Effis Nachtin Hochhuth's Effis Nacht - Hans-Joachim HahnStefan Heym and GDR Cultural Politics - Reinhard ZachauReviving the Dead: Montage and Temporal Dislocation in Karls Enkel's Liedertheater - David G. RobbLiving Without Utopia: Four Women Writers' Responses to the Demise of the GDR - Gisela ShawA Worm's Eye View and a Bird's Eye View: Culture and Politics in Berlin since 1989 - Ulrike ZitzlspergerRemembering for the Future, Engaging with the Present: National Memory Management and the Dialectic of Normality in the Berlin Republicin the Berlin Republic - Caroline Gay"Wie kannst due mich lieben?": "Normalizing" the Relationship between Germans and Jews in the 1990s Films Aimée und Jaguar and MeschuggeJaguar and Meschugge - Stuart TabernerModels of the Intellectual in Contemporary France and Germany: Silence and Communication - John Marks