JOHANNES ENDRES is Professor of Comparative Literature and Art History at the University of California, Riverside. CHRISTOPH ZELLER is Professor of German and European Studies at Vanderbilt University. ROLF J. GOEBEL is Distinguished Professor of German, Emeritus, at the University of Alabama in Huntsville.

[T]he theoretical underpinnings, issues raised, and points made throughout the volume are useful beyond their immediate applications. They pose questions of access, data collection, ethics, and economics that will interest scholars of the history of collections, museum studies, digital humanities, library and information sciences, and related fields of literary theory and criticism and media studies.

• Introduction: Collecting in the Digital Age - Christoph Zeller1: Collecting: Defining the Subject - Johannes EndresPART I. Spaces of Collecting2: Collector as Curator: Collecting in the Post-Internet Age - Boris Groys3: Should Libraries Still Be Charged with Collecting in a Digital Environment? - Michael Knoche4: Museums and Collecting as/and Media in the Digital Age - Peter M. McIsaacPART II. Recollection5: Quality Storage: Collecting as a Technique of Reading - Nikolaus Wegmann6: Phenomenology of Memory in an Age of Big Data - Clifford B. Anderson7: Collecting the Cultural Memory of Palmyra - Erin L. Thompson8: Conservation in the Digital Age - Jessica WalthewPART III. Virtuality9: Music and the Limits of Collectibility - Rolf J. Goebel10: Cat Art and Climate Change: Collecting in the Data Anthropocene - Edward DawsonPART IV. Economics11: Doomed to Collect: Dataveillance as Inner Logic of the Internet - Roberto Simanowski12: Data Collection in the Age of Surveillance Capitalism - Douglas C. SchmidtNotes on the ContributorsIndex

JOHANNES ENDRES is Professor of Comparative Literature and Art History at the University of California, Riverside. CHRISTOPH ZELLER is Professor of German and European Studies at Vanderbilt University. ROLF J. GOEBEL is Distinguished Professor of German, Emeritus, at the University of Alabama in Huntsville.

[T]he theoretical underpinnings, issues raised, and points made throughout the volume are useful beyond their immediate applications. They pose questions of access, data collection, ethics, and economics that will interest scholars of the history of collections, museum studies, digital humanities, library and information sciences, and related fields of literary theory and criticism and media studies.

• Introduction: Collecting in the Digital Age - Christoph Zeller1: Collecting: Defining the Subject - Johannes EndresPART I. Spaces of Collecting2: Collector as Curator: Collecting in the Post-Internet Age - Boris Groys3: Should Libraries Still Be Charged with Collecting in a Digital Environment? - Michael Knoche4: Museums and Collecting as/and Media in the Digital Age - Peter M. McIsaacPART II. Recollection5: Quality Storage: Collecting as a Technique of Reading - Nikolaus Wegmann6: Phenomenology of Memory in an Age of Big Data - Clifford B. Anderson7: Collecting the Cultural Memory of Palmyra - Erin L. Thompson8: Conservation in the Digital Age - Jessica WalthewPART III. Virtuality9: Music and the Limits of Collectibility - Rolf J. Goebel10: Cat Art and Climate Change: Collecting in the Data Anthropocene - Edward DawsonPART IV. Economics11: Doomed to Collect: Dataveillance as Inner Logic of the Internet - Roberto Simanowski12: Data Collection in the Age of Surveillance Capitalism - Douglas C. SchmidtNotes on the ContributorsIndex

JOHANNES ENDRES is Professor of Comparative Literature and Art History at the University of California, Riverside. CHRISTOPH ZELLER is Professor of German and European Studies at Vanderbilt University. ROLF J. GOEBEL is Distinguished Professor of German, Emeritus, at the University of Alabama in Huntsville.

[T]he theoretical underpinnings, issues raised, and points made throughout the volume are useful beyond their immediate applications. They pose questions of access, data collection, ethics, and economics that will interest scholars of the history of collections, museum studies, digital humanities, library and information sciences, and related fields of literary theory and criticism and media studies.

• Introduction: Collecting in the Digital Age - Christoph Zeller1: Collecting: Defining the Subject - Johannes EndresPART I. Spaces of Collecting2: Collector as Curator: Collecting in the Post-Internet Age - Boris Groys3: Should Libraries Still Be Charged with Collecting in a Digital Environment? - Michael Knoche4: Museums and Collecting as/and Media in the Digital Age - Peter M. McIsaacPART II. Recollection5: Quality Storage: Collecting as a Technique of Reading - Nikolaus Wegmann6: Phenomenology of Memory in an Age of Big Data - Clifford B. Anderson7: Collecting the Cultural Memory of Palmyra - Erin L. Thompson8: Conservation in the Digital Age - Jessica WalthewPART III. Virtuality9: Music and the Limits of Collectibility - Rolf J. Goebel10: Cat Art and Climate Change: Collecting in the Data Anthropocene - Edward DawsonPART IV. Economics11: Doomed to Collect: Dataveillance as Inner Logic of the Internet - Roberto Simanowski12: Data Collection in the Age of Surveillance Capitalism - Douglas C. SchmidtNotes on the ContributorsIndex