Wendy Everett is Reader in French and Film. She is a graduate of the University of Wales, and carried out postgraduate research in London, and Paris, where she also lectured and worked as a freelance translator. Her principal research interests are in European cinema, and recent publications in this field include Revisiting Space (Peter Lang, 2005), European Identity in Cinema (Intellect, 2005), Terence Davies (Manchester University Press, 2004) and The Seeing Century: Film, Vision, and Identity (Rodopi, 2000), as well as numerous journal articles and book chapters. She regularly lectures and gives papers in Europe and the US.

• List of IllustrationsIntroductionPART I: SPACEChapter 1. Exile and Displacement in the Cinema of Tony Gatlif: Les Princes (1983) and Gadjo dilo (1998)Carrie TarrChapter 2. Leaving Home: Exile and Displacement in Contemporary European CinemaWendy EverettChapter 3. The Exile of Remembering: Movement and Memory in Chris Marker’s Sans SoleilCatherine LuptonPART II: TIMEChapter 4. ‘Island of Tears’: Georges Perec, Ellis Island and the Exile’s Lost PastPeter WagstaffChapter 5. Forced Migration and Involuntary Memory: the Work of Arnold DaghaniDeborah SchultzChapter 6. Chantal Akerman: a Struggle with ExileLieve SpaasChapter 7. Memory and Exile in the Bill Douglas TrilogyChristine SprenglerPART III: BODYChapter 8. Exile and the BodyGabriele GriffinChapter 9. The Transgendered Individual as Exilic Travelling SubjectFeroza BasuChapter 10. Andy Warhol and the Strategic Exile of the SelfChris HorrocksChapter 11. Exiles of Normality: Photography and the Representation of Diseased BodiesRichard Sawdon SmithNotes on ContributorsSelect BibliographySelect FilmographyIndex