Minjung Kim (b. 1962) studied traditional painting East Asian painting in Seoul. Confronted with the male-dominated Korean art scene she decided in 1991 to study overseas at Milan’s Accademia di Belle Arti di Brera. There, Kim’s practice shifted to abstract paintings, then cutting and burning traditional hanjii paper, disassembling and reimagining the canons of East Asian painting in favor of a meditative yet experimental process all her own.Sam Bardaouil is a curator and museum director. Currently co-director of the Hamburger Bahnhof – Nationalgalerie der Gegenwart in Berlin, he was also curator of the 14th Taipei Biennial, and multiple national pavilions at the Venice Biennale.Andrew Russeth is an art critic based in New York. Currently an editor at Artnet News, he has been executive editor of ARTnews and an editor at Surface and The New York Observer. From late 2020 to early 2024, he was based in Seoul. In 2019, he was awarded the Rabkin Prize for visual arts journalism.Jun Hu is Assistant Professor of Chinese Art and Architecture at University of California Berkeley. His work engages with the history of Chinese architecture and its connections to other scholarly and cultural traditions, and interregional interactions between China, Japan, and Korea.

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Minjung Kim (b. 1962) studied traditional painting East Asian painting in Seoul. Confronted with the male-dominated Korean art scene she decided in 1991 to study overseas at Milan’s Accademia di Belle Arti di Brera. There, Kim’s practice shifted to abstract paintings, then cutting and burning traditional hanjii paper, disassembling and reimagining the canons of East Asian painting in favor of a meditative yet experimental process all her own.Sam Bardaouil is a curator and museum director. Currently co-director of the Hamburger Bahnhof – Nationalgalerie der Gegenwart in Berlin, he was also curator of the 14th Taipei Biennial, and multiple national pavilions at the Venice Biennale.Andrew Russeth is an art critic based in New York. Currently an editor at Artnet News, he has been executive editor of ARTnews and an editor at Surface and The New York Observer. From late 2020 to early 2024, he was based in Seoul. In 2019, he was awarded the Rabkin Prize for visual arts journalism.Jun Hu is Assistant Professor of Chinese Art and Architecture at University of California Berkeley. His work engages with the history of Chinese architecture and its connections to other scholarly and cultural traditions, and interregional interactions between China, Japan, and Korea.

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Minjung Kim (b. 1962) studied traditional painting East Asian painting in Seoul. Confronted with the male-dominated Korean art scene she decided in 1991 to study overseas at Milan’s Accademia di Belle Arti di Brera. There, Kim’s practice shifted to abstract paintings, then cutting and burning traditional hanjii paper, disassembling and reimagining the canons of East Asian painting in favor of a meditative yet experimental process all her own.Sam Bardaouil is a curator and museum director. Currently co-director of the Hamburger Bahnhof – Nationalgalerie der Gegenwart in Berlin, he was also curator of the 14th Taipei Biennial, and multiple national pavilions at the Venice Biennale.Andrew Russeth is an art critic based in New York. Currently an editor at Artnet News, he has been executive editor of ARTnews and an editor at Surface and The New York Observer. From late 2020 to early 2024, he was based in Seoul. In 2019, he was awarded the Rabkin Prize for visual arts journalism.Jun Hu is Assistant Professor of Chinese Art and Architecture at University of California Berkeley. His work engages with the history of Chinese architecture and its connections to other scholarly and cultural traditions, and interregional interactions between China, Japan, and Korea.

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