Paula J. Massood is Associate Professor of Film Studies, Department of Film, Brooklyn College, CUNY, and author of Black City Cinema: African American Urban Experiences in Film (Temple).

"The Spike Lee Reader includes new and several well-known pieces previously published about Lee's work. The previously published pieces work seamlessly with the newer additions. These pieces provide a foundation to remind readers of the discourse established in response to the first decade of his career concerning representations of gender, sexuality, and class... The Spike Lee Reader is a necessary addition to the library of researchers and scholars in film and cultural studies. It is also a theoretically rich, interdisciplinary text that will be of use for upper division undergraduate and graduate courses on film, popular culture, and Ethnic Studies." -American Studies

• The Spike Lee Reader Table of Contents Acknowledgements We've Gotta Have It: Spike Lee, African American Film, and Cinema Studies Paula J. Massood Chapter 1'Whose Pussy is This': A Feminist Comment bell hooks Chapter 2 Programming with School Daze Toni Cade Bambara Chapter 3 Spike Lee and Black Women Michele Wallace Chapter 4 But Compared to What?: Reading Realism, Representation, and Essentialism in School Daze, Do the Right Thing, and the Spike Lee Discourse Wahneema Lubiano Chapter 5 The Double Truth, Ruth: Do the Right Thing and the Culture of Ambiguity James C. McKelly Chapter 6 Spike Lee and the Fever in the Racial Jungle Ed Guerrero Chapter 7'Spike, Don't Mess Malcolm Up': Courting Controversy and Control in Malcolm X-The Movie Anna Everett Chapter 8 Through the Looking Glass and Over the Rainbow: Exploring the Fairy Tale in Spike Lee's Crooklyn Mark D. Cunningham Chapter 9 Clockers (Spike Lee 1995): Adaptation in Black Keith M. Harris Chapter 10 Reel Men: Get on the Bus and the Shifting Terrain of Black Masculinities S. Craig Watkins Chapter 11 We Shall Overcome: Preserving History and Memory in 4 Little Girls Christine Acham Chapter 12 Spike Lee Meets Aaron Copeland Krin Gabbard Chapter 13 Race and Black American Film Noir: Summer of Sam as Lynching Parable Dan Flory Chapter 14 Racial Kitsch and Black Performance Tavia Nyong'o Chapter 15 I Be Smackin' My Hoes': Paradox and Authenticity in Bamboozled Beretta Smith-Shomade Chapter 16 De Profundis: A Love letter from the Inside Man David Gerstner Notes on Contributors Select Bibliography Filmography (including exec. prod. credits and television segments) Index