Creolizing Contradance in the Caribbean
350 kr
Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.
Du är på sajten för privatpersoner.
Du är på sajten för privatpersoner.
350 kr
Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.
Peter Manuel is Professor of Music at John Jay College and the CUNY Graduate Center. He is the author of six books and many articles on musics of India, the Caribbean, Spain, and elsewhere, including East Indian Music in the West Indies (Temple). He also plays sitar, jazz piano, and flamenco guitar.
"The European strain represented in the Caribbean by contradance and quadrille is fascinating as part of a growing scholarly recognition of the fundamental importance of that art to many cultures. The focus on dance in addition to music is timely, and the contributors--all very respected scholars-are authoritative, yet lucid. This is a very important book."-Julian Gerstin, Keene State College
Du är på sajten för privatpersoner.
350 kr
Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.
Peter Manuel is Professor of Music at John Jay College and the CUNY Graduate Center. He is the author of six books and many articles on musics of India, the Caribbean, Spain, and elsewhere, including East Indian Music in the West Indies (Temple). He also plays sitar, jazz piano, and flamenco guitar.
"The European strain represented in the Caribbean by contradance and quadrille is fascinating as part of a growing scholarly recognition of the fundamental importance of that art to many cultures. The focus on dance in addition to music is timely, and the contributors--all very respected scholars-are authoritative, yet lucid. This is a very important book."-Julian Gerstin, Keene State College
Du är på sajten för privatpersoner.
350 kr
Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.
Peter Manuel is Professor of Music at John Jay College and the CUNY Graduate Center. He is the author of six books and many articles on musics of India, the Caribbean, Spain, and elsewhere, including East Indian Music in the West Indies (Temple). He also plays sitar, jazz piano, and flamenco guitar.
"The European strain represented in the Caribbean by contradance and quadrille is fascinating as part of a growing scholarly recognition of the fundamental importance of that art to many cultures. The focus on dance in addition to music is timely, and the contributors--all very respected scholars-are authoritative, yet lucid. This is a very important book."-Julian Gerstin, Keene State College