Tammy L. Anderson is Associate Professor in the Department of Sociology and Criminal Justice at the University of Delaware. She is the author of Neither Villain, Nor Victim: Empowerment and Agency Among Women Substance Abusers. For more information about her work, please visit www.udel.edu/soc/tammya.

"Anderson clearly has a passion for the subject matter and a keen focus on the 'decline' of rave culture which is to be commended. There is a need for in-depth considerations of post-rave club cultures as embedded in global, national, local and virtual spaces. The thoroughness of Anderson's empirical work, and her engagement with the data is useful and gives voice to young (and not so young!) people and culture."-Karenza Moore, Lancaster University

• Acknowledgments 1. Introduction 2. Corporate Raves, Weeklies, Underground Parties, and More: Defining the Rave– Club Culture Continuum 3. Loyalists, Spillovers, and Other Party People: Personal and Collective Identities in the Post-rave Era 4. From 1990s Massives to Raves’ Death?: Forces of Cultural Change 5. “Players and Their Tracks”: Types of Cultural Work in the EDM Scene 6. EDM as a Vibrant Global Scene 7. Twenty- First- Century Scenes, Sounds, and Selves Appendix: Methods Notes References Index

Tammy L. Anderson is Associate Professor in the Department of Sociology and Criminal Justice at the University of Delaware. She is the author of Neither Villain, Nor Victim: Empowerment and Agency Among Women Substance Abusers. For more information about her work, please visit www.udel.edu/soc/tammya.

"Anderson clearly has a passion for the subject matter and a keen focus on the 'decline' of rave culture which is to be commended. There is a need for in-depth considerations of post-rave club cultures as embedded in global, national, local and virtual spaces. The thoroughness of Anderson's empirical work, and her engagement with the data is useful and gives voice to young (and not so young!) people and culture."-Karenza Moore, Lancaster University

• Acknowledgments 1. Introduction 2. Corporate Raves, Weeklies, Underground Parties, and More: Defining the Rave– Club Culture Continuum 3. Loyalists, Spillovers, and Other Party People: Personal and Collective Identities in the Post-rave Era 4. From 1990s Massives to Raves’ Death?: Forces of Cultural Change 5. “Players and Their Tracks”: Types of Cultural Work in the EDM Scene 6. EDM as a Vibrant Global Scene 7. Twenty- First- Century Scenes, Sounds, and Selves Appendix: Methods Notes References Index

Tammy L. Anderson is Associate Professor in the Department of Sociology and Criminal Justice at the University of Delaware. She is the author of Neither Villain, Nor Victim: Empowerment and Agency Among Women Substance Abusers. For more information about her work, please visit www.udel.edu/soc/tammya.

"Anderson clearly has a passion for the subject matter and a keen focus on the 'decline' of rave culture which is to be commended. There is a need for in-depth considerations of post-rave club cultures as embedded in global, national, local and virtual spaces. The thoroughness of Anderson's empirical work, and her engagement with the data is useful and gives voice to young (and not so young!) people and culture."-Karenza Moore, Lancaster University

• Acknowledgments 1. Introduction 2. Corporate Raves, Weeklies, Underground Parties, and More: Defining the Rave– Club Culture Continuum 3. Loyalists, Spillovers, and Other Party People: Personal and Collective Identities in the Post-rave Era 4. From 1990s Massives to Raves’ Death?: Forces of Cultural Change 5. “Players and Their Tracks”: Types of Cultural Work in the EDM Scene 6. EDM as a Vibrant Global Scene 7. Twenty- First- Century Scenes, Sounds, and Selves Appendix: Methods Notes References Index