Codice Maya de Mexico

Andrew D. Turner is a senior research specialist at the Getty Research Institute. Trained as an archaeologist and art historian, Turner's work focuses on ancient Mesoamerican material culture, religion, and symbolism. He has held positions at Yale University and the University of Cambridge; at Getty he is the project lead for the Pre-Hispanic Art Provenance Initiative, which traces the movement of looted pre-Hispanic art through the international art market.

"Codice Maya de Mexico promises 'understanding' in its title and delivers to the highest degree, with all the lucidity and scholarship to be expected from the Getty Research Institute. After decades of see-sawing disputes-some favoring the authenticity of this document, others not- Andrew Turner and his colleagues have landed at where we should have been at the start, when the book first came to our attention in the 1960s. Arising in a time of cultural interplay, Codice Maya de Mexico shows itself to be the earliest, largely complete tome from Indigenous America. Looking to the heavens, and to Venus in particular, this screenfold (or leporello) indicates how predictable planetary movements were linked in Maya minds to cyclic conflicts between gods. And it does so by muting language and highlighting lists of days unencumbered by more elaborate text. Codice Maya thus served as a supple hybrid. Crosscutting societies, it 'lived' between different languages and rituals yet still retained its Maya identity. Codice Maya, a special treasure of the Estados Unidos Mexicanos, has now fulfilled its own manifest destiny by traveling to Los Angeles, a city founded by the precursor of the Mexican republic and a global example today of the benefits of cultural contact. This study and the welcome visit of the codex to the J. Paul Getty Museum provide unrivaled pleasures to all who care about the power of books and what happens when societies collide, mesh, and-as a direct result-strengthen."-Stephen Houston, editor of A Maya Universe In Stone ;; "What a great story: a rare Mesoamerican document, once thought to be a fake and featuring nuanced innovations in the arrangement of its complex astronomical content from a long-regarded archetype, is confirmed half a century later to be the archetype's historical predecessor. You can't make this stuff up. In this tidy, accessible package, Andrew Turner brings together the story of the physical analysis, historical background, and decipherment of Codice Maya de Mexico-the oldest book in the world of the Maya."-Anthony Aveni, Russell Colgate Distinguished University Professor of Astronomy, Anthropology, and Native American Studies Emeritus at Colgate University; "These interconnected essays explore astronomical knowledge, bookmaking practices, artistic and scribal conventions, and belief systems at a significant juncture in Mesoamerican history through analysis of the recently authenticated Codice Maya de Mexico. What I found especially compelling were the complementary methodologies and perspectives employed to contextualize this early codex, framing it not only within the cultural context of its eleventh- or twelfth-century creators but also in terms of its significance to contemporary descendant populations working to reclaim their intellectual heritage." -- Gabrielle Vail, Research Collaborator, Department of Anthropology, University of North Carolina, Chapel Hill