Hailed by the Los Angeles Times as having 'an imagination that most of us would kill for,' Nalo Hopkinson and her Afro-Caribbean, Canadian, and American influences shine in truly unique stories that are gorgeously strange, inventively subversive, and vividly beautiful. In Hopkinson's first collection of stories since 2015, a woman and her cyborg pig eke out a living in a future waterworld; two scientists contemplate the cavernous remains of an alien life-form; and an artist creates nanotechnology that asserts Blackness where it is least welcome.

Hailed by the Los Angeles Times as having 'an imagination that most of us would kill for,' Nalo Hopkinson and her Afro-Caribbean, Canadian, and American influences shine in truly unique stories that are gorgeously strange, inventively subversive, and vividly beautiful. In Hopkinson's first collection of stories since 2015, a woman and her cyborg pig eke out a living in a future waterworld; two scientists contemplate the cavernous remains of an alien life-form; and an artist creates nanotechnology that asserts Blackness where it is least welcome.

Hailed by the Los Angeles Times as having 'an imagination that most of us would kill for,' Nalo Hopkinson and her Afro-Caribbean, Canadian, and American influences shine in truly unique stories that are gorgeously strange, inventively subversive, and vividly beautiful. In Hopkinson's first collection of stories since 2015, a woman and her cyborg pig eke out a living in a future waterworld; two scientists contemplate the cavernous remains of an alien life-form; and an artist creates nanotechnology that asserts Blackness where it is least welcome.