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      Red Rose in the Dark

      Self-Constitution through the Poetic Language of Zelda, Amichai, Kosman, and Adaf

      AvDorit Lemberger

      Inbunden, Engelska, 2016

      Del i serien Emunot: Jewish Philosophy and Kabbalah

      1 483 kr

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      Fler format och utgåvor

      E-bok

      2 900 kr

      Beskrivning

      How can we characterize the uniqueness of poetic language? How can we describe the evasive enchantment of the paradox that is created by both universal and autobiographical expression? How does ordinary language function aesthetically while motivating the reader to acknowledge himself and to reveal how far his thinking belongs to the present, the future, or the past? Ludwig Wittgenstein, the central founder of the linguistic turn and the inspiration of countless works, inspires the search of this book for various linguistic functions: Dialogic, aesthetic, and mystical. The search investigates four Modern Hebrew poets: Zelda, Yehuda Amichai, Admiel Kosman, and Shimon Adaf based on their family resemblance of intertextuality in their language-games. The book resists social-cultural categorizations as religious vs. secular poetry or Mizrahi vs. Ashkenazi literature, and instead, focuses on Wittgenstein's aspects, suggesting universal interpretation of these corpuses.

      Produktinformation

      • Utgivningsdatum:2016-07-14
      • Mått:155 x 234 x 27 mm
      • Vikt:766 g
      • Format:Inbunden
      • Språk:Engelska
      • Serie:Emunot: Jewish Philosophy and Kabbalah
      • Antal sidor:430
      • Förlag:Academic Studies Press
      • ISBN:9781618114938
      • Översättare:Edward Levin

      Utforska kategorier

      • Språkvetenskap och lingvistik inom Språk och ordböcker
      • Sociala grupper och identitet inom Samhälle och politik
      • Litteraturvetenskap inom Skönlitteratur

      Mer om författaren

      As a lecturer in the unit of interdisciplinary studies in Bar-Ilan University, Dorit Lemberger's researches exemplify the relevance and importance of linguistic concepts to Hebrew literature and Jewish philosophy. Also, I use psychoanalytic insights in order to show the common linguistic ground of literature and psychoanalysis, as 'talking-cure'.

      Recensioner i media

      “In this stimulating work, Lemberger both exemplifies and explicates Wittgenstein's dictum: ‘Whereof one cannot speak, thereof one must be silent.’ Through the work of poets, who constitute their poetic self in the presence of the Divine, Lemberger demonstrates Wittgenstein's Language Game notion. According to Lemberger, Zelda, Amichai, Kosman, and Adaf—each in their own cultural context—display four distinct modes of self-constitution and a unique Language Game. Thus, Lemberger provides a vigorous analysis of Wittgenstein's thought along with an impressive picture of the trends in Modern Hebrew poetry.”

      Innehållsförteckning

      • PrefaceChapter OnePoetic Grammar: Three Aspects of Aesthetic Judgment1. Examination and Judgment of Aesthetic Language: The Fundamental Tension2. The First Aspect: A Poetic Work as Driving Reflective Introspection3. The Second Aspect: Conscious Change as the Key to Aesthetic Judgment4. The Third Aspect: Showing What Cannot Be SaidSummationChapter TwoDialogical Grammar: Variations of Dialogue in Wittgenstein’s Methodology as Ways of Self-Constitution1. “Family Resemblance” between the Platonic Dialogue and Wittgenstein’s Methodology1.1. Wittgenstein’s Critique of Socrates1.2. Similarities between Wittgensteinian and Socratic Dialogue1.3. Language as a Medium of Thought: Soliloquy as Ordinary Language1.4. Reflective Dialogue: Dialogue between Sense-Perception and Image2. Wittgensteinian Dialogical Grammar in the Philosophical Investigations: Rhetorical, Conversational, Reflective2.1. Dialogism in the Philosophical Investigations: “A Surveyable Representation”2.2. Aspects of Dialogism2.3. Dialogue as Technique2.4. Conversational Dialogue2.5. Reflective DialogueChapter ThreeSelf-Constitution through Mystical Grammar: The Urge and Its ExpressionsThree Channels of Mystical Grammar1. Preliminary Considerations: Theology as Grammar and the Metaphysical Subject2. The Mystical-Religious Channel: The Religious Aspect of Mystical Grammar3. Who Is Experiencing? The Paradox of the I and the “Solution” of the Mystic Subject4. I as Object—I as Subject: From James to Wittgenstein5. From Perfectionism to Confession: Work on OneselfChapter FourZelda: The Complex Self-Constitution of the Believer1. Expression and Conversion between Everyday and Poetic Grammar2. Dialogic Grammar: Internal and External Observations3. Mystical Grammar: Perfectionism and Metaphysics as Zelda’s Varieties of Religious ExperienceChapter FiveYehuda Amichai: Amen and Love1. The Poetics of Change: The Grammaticalization of Experience2. Dialogic Grammar: The Importance of Otherness3. Reconstruction of the Subject: The Mystical Grammar of Open Closed Open3.1. The Mechanism of Change as the Key to Perfectionism3.2. The Conception of an Individual God: God as Change and as Interlocutor3.3. The Encounter with Biblical Word-Games as the Key to the Reconstruction of the Self3.4. The Refashioning of Religious Rituals as an Expression of Intersubjective Change of the SelfChapter SixAdmiel Kosman: We Reached GodThe Popping Self1. The Poetic Grammar of Revolution: The New Believer1.1. How to Do Things with Words: The Weekly Torah Portion1.2. When All the Words Are Finished—All Is Intoxicated from Clarity2. Dialogical Grammar: Self-Constitution as Conversational Process3. Mystical Grammar: Private Pain and Manifestation of the OtherChapter SevenShimon Adaf: Poetry as Philosophy and Philosophy as PoetryThe Nobility of Pain1. Icarus Monologue: The Poetic Grammar of Hybrid Imagination2. What I Thought Shadow Is the Real Body: The Dialogical Grammar of Place, Time, and Memory2.1. Poetry as a Chronological and Thematic Point of Departure2.2. The Subject as the Limit of the World3. Aviva-No: The Grammar of Mourning4. The Way Music SpeaksSummation: “As if I Could Read the Darkness”Index
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