Greg M. Colón Semenza is Professor of English at the University of Connecticut, USA. His books include How to Build a Life in the Humanities (2015), The English Renaissance in Popular Culture (2010), Graduate Study for the 21st Century: How to Build an Academic Career in the Humanities (2005; 2nd ed. 2010), Milton in Popular Culture (2006), and Sport, Politics, and Literature in the English Renaissance (2004). He has published numerous essays on film and adaptation and is now working on a book about Powell and Pressburger's wartime films. Bob Hasenfratz is Professor of English and Department Head at the University of Connecticut, USA. His books include Reading Old English (2005/11), Ancrene Wisse (2001), and Beowulf Scholarship: An Annotated Bibliography 1979-1990 (1993). He has written articles on medieval literature and culture and edits the Journal of Medieval Religious Cultures.

This rich analysis will appeal to Anglophile literature and film buffs alike.

• List of FiguresAcknowledgmentsIntroduction 1. Attractions, Tricks, and Fairy-Tales: Visual and Theatrical Culture in the Brit-Lit Film, 1896-1907 2. “Crude, Vicious, and Lascivious Entertainments:” The Rise of the Brit-Lit Feature Film, 1907-19203. Inter-Nationalizing the Brit-Lit Film: Hollywood and the World Film Market, 1920-1927 4. Sound, Studios, and Censorship: The Brit-Lit Film, 1927-1939 5. The Empire Strikes Back: Britain's Reclamation of Brit-Lit, 1939-1957 6. Traditions and Revolutions: The Brit-Lit Film, 1957-1979 7. The Brit-Lit Film after Film: 1979-2015 Notes BibliographyIndex

Greg M. Colón Semenza is Professor of English at the University of Connecticut, USA. His books include How to Build a Life in the Humanities (2015), The English Renaissance in Popular Culture (2010), Graduate Study for the 21st Century: How to Build an Academic Career in the Humanities (2005; 2nd ed. 2010), Milton in Popular Culture (2006), and Sport, Politics, and Literature in the English Renaissance (2004). He has published numerous essays on film and adaptation and is now working on a book about Powell and Pressburger's wartime films. Bob Hasenfratz is Professor of English and Department Head at the University of Connecticut, USA. His books include Reading Old English (2005/11), Ancrene Wisse (2001), and Beowulf Scholarship: An Annotated Bibliography 1979-1990 (1993). He has written articles on medieval literature and culture and edits the Journal of Medieval Religious Cultures.

This rich analysis will appeal to Anglophile literature and film buffs alike.

• List of FiguresAcknowledgmentsIntroduction 1. Attractions, Tricks, and Fairy-Tales: Visual and Theatrical Culture in the Brit-Lit Film, 1896-1907 2. “Crude, Vicious, and Lascivious Entertainments:” The Rise of the Brit-Lit Feature Film, 1907-19203. Inter-Nationalizing the Brit-Lit Film: Hollywood and the World Film Market, 1920-1927 4. Sound, Studios, and Censorship: The Brit-Lit Film, 1927-1939 5. The Empire Strikes Back: Britain's Reclamation of Brit-Lit, 1939-1957 6. Traditions and Revolutions: The Brit-Lit Film, 1957-1979 7. The Brit-Lit Film after Film: 1979-2015 Notes BibliographyIndex