Art of the Creative Commons

Miłosz Miszczyński is an Assistant Professor at Kozminski University, Poland. He conducts research in the fields of critical studies of organisations and labour. His work includes publications in Organization, Critical Sociology and European Journal of Cultural Studies.

• AcknowledgementsList of IllustrationsIntroduction: The Art of the Creative Commons1 Creative Industries: Opening Copyright with Open Licensing2 Creative Commoning: Commons-Based Peer Production and Networked Value of Objects3 Sound Industry and FreeSound.org4 Studying the Art of the Creative Commons5 The Structure of the Book1 Managing and Organizing Openness in the Digital Economy1 Openness in Business Strategy and Operations1.1 Open Innovation1.2 Open Business2 Participatory Cultures2.1 Open Capital2.2 Open Production3 Openness in Public Policy3.1 Open Data Movement3.2 Open Scholarship3.3 Open Government2 Cultural, Legal and Organisational Foundations of Digital Commons and Peer-Production1 Culture of Resistance and the Roots of the Digital Commons2 Open Licensing: The Legal Foundations of Digital Commoning3 Principles of Digital Peer Production3 Creative Commons: Political Economy of Creative Peer-to-Peer Production1 The Basic Framework of Copyright in Creative Industries2 Creative Industries’ Crisis in the Digital Era3 Opening Creative Industries: Creative Commons as a Remedy to Restrictiveness of Copyright4 Creative Commons: Alternative Production and Distribution in Sound Industry4 Creative Commons: Peer-Production and the Quest for Networked Value1 Metadata and Content Annotation2 Sound Scenes and Their Cross-Fertilisation3 Growing Commons: Providing Representation for Underrepresented Sound4 Sharing Building Blocks: On a Search for Use Value of Content5 The Art of Commoning and Content in Context1 Technical Quality and Context2 Openness and Artistic Experimentation3 Sound Commoning and a Sense of Community6 Acknowledging Authorship: Attribution in the Market Context1 Attribution and Reputation2 Waiving Attribution3 Violation of Creative Commons License4 Public Domain (cc-0) as a Response to Limitations of Protection5 Conclusion7 Art for Art’s Sake?: Commodifying the Commons1 Symbolic Unity of Creative Commons and Creative Industries2 Multiple Channel Content Sales3 Freemium Mode of Sound and Related Products4 Exclusivity of Access and Intermediation5 Curation and Automated Integration6 ConclusionsConclusion The Art of the Creative Commons1 Creative Commons and the Opening of the Creative Industries2 Networked Value and the Commons3 Artistic Work through Commons-Based Production4 Creative Commons in the Political Economy of the Creative Industries5 Future Research on the Art of the CommonsBibliographyIndex