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Susangeline Y. Patrick - Interreligious and Global Perspectives of Christian Art in China and Taiwan, 1552–1650, Inbunden

Inbunden, Engelska, 2026

Interreligious and Global Perspectives of Christian Art in China and Taiwan, 1552–1650

Av Susangeline Y. Patrick

1203 kr

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Beskrivning
This book considers how European and Asian Christian missionaries communicated religious doctrine through the visual arts in sixteenth- and seventeenth-century Greater China.Zooming in on these rich cross-cultural and inter-religious artifacts, Susangeline Patrick reveals how Christian images and visual culture reflected, interacted with, and influenced spiritual and sociopolitical powers during the period. Across eight chapters, Patrick expands the meaning of “liturgical art” within this historical and geographical context, locating religious visual arts within alternative spheres such as Christian charitable institutions, cartography, and bodily behavior, intentionally shedding light on Christian women’s initiatives and participation in art, devotion, and power. In essence, this book underscores the interreligious and global aspects of encounters which shaped and impacted the production, circulation, and outcome of devotional art.
Produktinformation
  • Utgivningsdatum: 2026-09-03
  • Mått: 160 x 230 x 22 mm
  • Vikt: 540 g
  • Format: Inbunden
  • Språk: Engelska
  • Antal sidor: 280
  • Förlag: Bloomsbury Publishing Plc
  • ISBN: 9781666954791
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Susangeline Y. Patrick is Professor of World Christianity at Nazarene Theological Seminary in Kansas City, Missouri. She is also a faculty member at NAIITS: An Indigenous Learning Community, and a Visiting Researcher at the Center for Global Christianity and Mission, Boston University, USA.

Recensioner i media

Susangeline Patrick’s scholarly breadth is on full display in this book. Art as contextualization, art as spiritual battleground, art as power, devotion, and didactic tool. She masterfully weaves together the history of five religious orders and four continents. Patrick’s attention to the visual culture of Asian women, Protestants, and the mendicant orders fills a lacuna in the scholarship. A concise, evocative, and stimulating text. Highly recommended.

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