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Elías J. Palti - Dystopias in Nineteenth-Century Latin American Literature, Inbunden

Inbunden, Engelska, 2026

Dystopias in Nineteenth-Century Latin American Literature

Av Elías J. Palti

Del i serien Bucknell Studies in Latin American Literature and Theory

2060 kr

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Beskrivning
How did nineteenth-century Latin American novelists respond to moments when history itself seemed to come undone? Rather than treating dystopia as a futuristic genre, Palti traces its emergence from concrete political crises in Mexico, Argentina, and Brazil, as writers confronted national defeat, dictatorship, and revolutionary uncertainty. Reading Mexican fiction written after the U.S. occupation; Argentine texts produced under Juan Manuel de Rosas, including works by Esteban Echeverría, Domingo F. Sarmiento, and José Mármol; and Brazilian novels from the transition from Empire to Republic, with particular attention to Machado de Assis, the book shows how narrative form begins to falter. Plots stall, identities fragment, and stories resist closure. These breakdowns constitute early dystopian modes—atopia-atropia, heterotopia, and transtopia—through which literature registers the collapse of historical intelligibility. By locating dystopia in narrative form rather than theme, Palti offers a rich new account of literature under political catastrophe.Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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Elías J. Palti is a consulting professor at the University of Buenos Aires in Argentina, and formerly a full professor there and at the National University of Quilmes in Buenos Aires. He is the author of more than 200 publications, including An Archaeology of the Political: Regimes of Power from the Seventeenth Century to the Present, Misplaced Ideas? Political-Intellectual History in Latin America, and Intellectual History and the Problem of Conceptual Change.

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"From one of the most important political thinkers in Latin America, Palti's Dystopias in Nineteenth-Century Latin American Literature offers both conceptual and historical illuminations, adding to his lifelong critical project to redefine the terms through which we consider the century that formed the region." - Ignacio M. Sánchez Prado, author of Strategic Occidentalism: On Mexican Fiction, the Neoliberal Book Market, and the Question of World Literature"To say that this is a timely book would be an understatement. Far from a mere catalogue of nineteenth-century Latin American novels about social failure or catastrophe, Elias Palti's work offers an encyclopedic theoretical rethinking of dystopia (and, by extension, utopia), and uncovers the myriad ways in which societal crisis can be portrayed in narrative." - Aníbal González-Pérez, author of In Search of the Sacred Book: Religion and the Contemporary Latin American Novel"This compelling and original study offers a richly comparative account of how nineteenth-century Latin American writers confronted crises of representation amid political upheaval. What emerges is a sophisticated account of how literature responds to historical impasse—not by mirroring reality, but by reconfiguring the very parameters of mimesis. By foregrounding form and advancing representation as restaging, this study shows how literary texts produce meaning at the limits of historical intelligibility, giving rise to strikingly original dystopic fictions." - Ana Sabau, author of Riot and Rebellion in Mexico: The Making of a Race War Paradigm"Intellectual historian Elías Palti has explored a vast sweep of discourses that have structured our ideological, aesthetic, and political visions. Here we can see the foundations of his intellectual development where the interdisciplinary focus on Mexico, Argentina, and Brazil seeks to understand how individuals experienced the events that swept them up into unique, seemingly unintelligible currents. Palti sees literature as a privileged window on experience, where cultural discourses are shaped and can collapse. From early revolutions in Mexico and Argentina to slavery and empire's fall at century's end in Brazil, and beyond, writing is a testing ground, a model, a warning, a lament, or a triumphant celebration. Nations were not yet secured but writing could build invisible nations and subjects could be redefined through imaginaries unique to their time and place." - Gwen Kirkpatrick, editor of Leopold Lugones: Selected Writings

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