Thomas C. Hubka is professor emeritus in the Department of Architecture and Urban Planning at the University of Wisconsin–Milwaukee. In 2006 he received the Vernacular Architecture Forum’s Henry Glassie Award in recognition of his lifetime of achievement. His most recent book is How the Working-Class Home Became Modern, 1900–1940.

Praise for the previous edition:"An unexpected small masterpiece that has some of the suspense of a detective story and, at times, the poignance of deeply felt, sympathetic social history."--Robert Campbell, Boston Globe

• AcknowledgmentsIntroduction to the New EditionPrefacePreface to the Twentieth-Anniversary EditionI. CONNECTED FARM BUILDINGS1. Appearance and ActualityII. PATTERN IN CONNECTED FARM BUILDINGS2. The Buildings3. The Buildings and the Land4. Permanence and Change5. Pattern in Building and FarmingIII REASONS FOR MAKING CONNECTED FARM BUILDINGS6. Tobias Walker Moves His Shed7. Why Tobias Walker Moved His ShedNotesBibliographyGlossaryIndexFigure Credits

Thomas C. Hubka is professor emeritus in the Department of Architecture and Urban Planning at the University of Wisconsin–Milwaukee. In 2006 he received the Vernacular Architecture Forum’s Henry Glassie Award in recognition of his lifetime of achievement. His most recent book is How the Working-Class Home Became Modern, 1900–1940.

Praise for the previous edition:"An unexpected small masterpiece that has some of the suspense of a detective story and, at times, the poignance of deeply felt, sympathetic social history."--Robert Campbell, Boston Globe

• AcknowledgmentsIntroduction to the New EditionPrefacePreface to the Twentieth-Anniversary EditionI. CONNECTED FARM BUILDINGS1. Appearance and ActualityII. PATTERN IN CONNECTED FARM BUILDINGS2. The Buildings3. The Buildings and the Land4. Permanence and Change5. Pattern in Building and FarmingIII REASONS FOR MAKING CONNECTED FARM BUILDINGS6. Tobias Walker Moves His Shed7. Why Tobias Walker Moved His ShedNotesBibliographyGlossaryIndexFigure Credits

Thomas C. Hubka is professor emeritus in the Department of Architecture and Urban Planning at the University of Wisconsin–Milwaukee. In 2006 he received the Vernacular Architecture Forum’s Henry Glassie Award in recognition of his lifetime of achievement. His most recent book is How the Working-Class Home Became Modern, 1900–1940.

Praise for the previous edition:"An unexpected small masterpiece that has some of the suspense of a detective story and, at times, the poignance of deeply felt, sympathetic social history."--Robert Campbell, Boston Globe

• AcknowledgmentsIntroduction to the New EditionPrefacePreface to the Twentieth-Anniversary EditionI. CONNECTED FARM BUILDINGS1. Appearance and ActualityII. PATTERN IN CONNECTED FARM BUILDINGS2. The Buildings3. The Buildings and the Land4. Permanence and Change5. Pattern in Building and FarmingIII REASONS FOR MAKING CONNECTED FARM BUILDINGS6. Tobias Walker Moves His Shed7. Why Tobias Walker Moved His ShedNotesBibliographyGlossaryIndexFigure Credits