Born in Québec City, Canada, in 1966, Guy Delisle now lives in the south of France with his wife and two children. Delisle spent ten years working in animation, which allowed him to learn about movement and drawing. He is best known for his travelogues about life in faraway countries: Burma Chronicles, Jerusalem: Chronicles from the Holy City, Pyongyang, and Shenzhen. He has since expanded his oeuvre by telling a Doctors Without Borders acquaintance’s story as a nail-biting thriller (Hostage) and revisiting his teen years and first summer job (Factory Summers).

One of Publishers Weekly’s Most Anticipated Books of Spring 2021!"One of the greatest modern cartoonists."—The Guardian"This intimate book feels near mythic by the end: a real artist of paper emerging from the place where paper is made."—New York Times Best Graphic Novels of 2021"[Delisle's] textured drawings capture the characters with insight and gentle humor, as well as terrifying close calls with dangerous machinery. [He] pinpoints the lesson learned those summers: 'You can see the benefit of staying in school.' This should please Delisle’s loyal fans with its peek into his young adulthood."—Publishers Weekly"A carefully observed portrait of a time and place, as well as a deeply personal coming-of-age tale. Not to be missed."—Tom Batten, Library Journal, Starred Review"Factory Summers is the key to Delisle’s nonfiction oeuvre: It shows his growing curiosity, in those formative years, both about how things function structurally and about people—and how he learned to listen to them. Its light touch makes a big impact."—Hillary Chute, New York Times"The legendary Québécois illustrator revisits the summers he spent as a teenager working at a pulp-and-paper plant. The book details the quiet (and not-so-quiet) desperation of his older co-workers, while conjuring up the fugitive pleasures of those times now long past. Its portrait of his distant father, an executive at the plant, is at once sweet and bitter."—The Globe and Mail, Best Books of 2021"Wry, illuminating... Delisle's endlessly droll observations result in a captivating, beguiling self-portrait of an artist-in-the-making as a hardworking teen."—Shelf Awareness"In this black-and-white coming-of-age graphic memoir, Delisle... recalls with poignancy and humour the class tensions that permeated the summers he spent working, starting at age 16, on the floor of the Quebec City pulp mill where his father was manager for 30 years."—The Globe and Mail"With smart use of a limited color palate, Factory Summers provides a personal history right alongside important lessons on work, climate, how we learn to navigate the world as a young adult, and, in the end, on the nature of family."—Booklist"Factory Summers evokes all the formative memories associated with that first summer job—the eclectic coworkers, the long hours and the bittersweetness of clocking out for the last time."—Maisonneuve"In his subtle, matter-of-fact way, Delisle has shown us that art and story can be an escape, for him and for us, not just as a temporary means of withdrawal from reality but as a means of survival."—The Comics Journal"Delisle’s signature greyscale line drawings, eye for architectural and mechanical details as well as his expressive caricatures bring his memories to vivid life."—Winnipeg Free Press

Born in Québec City, Canada, in 1966, Guy Delisle now lives in the south of France with his wife and two children. Delisle spent ten years working in animation, which allowed him to learn about movement and drawing. He is best known for his travelogues about life in faraway countries: Burma Chronicles, Jerusalem: Chronicles from the Holy City, Pyongyang, and Shenzhen. He has since expanded his oeuvre by telling a Doctors Without Borders acquaintance’s story as a nail-biting thriller (Hostage) and revisiting his teen years and first summer job (Factory Summers).

One of Publishers Weekly’s Most Anticipated Books of Spring 2021!"One of the greatest modern cartoonists."—The Guardian"This intimate book feels near mythic by the end: a real artist of paper emerging from the place where paper is made."—New York Times Best Graphic Novels of 2021"[Delisle's] textured drawings capture the characters with insight and gentle humor, as well as terrifying close calls with dangerous machinery. [He] pinpoints the lesson learned those summers: 'You can see the benefit of staying in school.' This should please Delisle’s loyal fans with its peek into his young adulthood."—Publishers Weekly"A carefully observed portrait of a time and place, as well as a deeply personal coming-of-age tale. Not to be missed."—Tom Batten, Library Journal, Starred Review"Factory Summers is the key to Delisle’s nonfiction oeuvre: It shows his growing curiosity, in those formative years, both about how things function structurally and about people—and how he learned to listen to them. Its light touch makes a big impact."—Hillary Chute, New York Times"The legendary Québécois illustrator revisits the summers he spent as a teenager working at a pulp-and-paper plant. The book details the quiet (and not-so-quiet) desperation of his older co-workers, while conjuring up the fugitive pleasures of those times now long past. Its portrait of his distant father, an executive at the plant, is at once sweet and bitter."—The Globe and Mail, Best Books of 2021"Wry, illuminating... Delisle's endlessly droll observations result in a captivating, beguiling self-portrait of an artist-in-the-making as a hardworking teen."—Shelf Awareness"In this black-and-white coming-of-age graphic memoir, Delisle... recalls with poignancy and humour the class tensions that permeated the summers he spent working, starting at age 16, on the floor of the Quebec City pulp mill where his father was manager for 30 years."—The Globe and Mail"With smart use of a limited color palate, Factory Summers provides a personal history right alongside important lessons on work, climate, how we learn to navigate the world as a young adult, and, in the end, on the nature of family."—Booklist"Factory Summers evokes all the formative memories associated with that first summer job—the eclectic coworkers, the long hours and the bittersweetness of clocking out for the last time."—Maisonneuve"In his subtle, matter-of-fact way, Delisle has shown us that art and story can be an escape, for him and for us, not just as a temporary means of withdrawal from reality but as a means of survival."—The Comics Journal"Delisle’s signature greyscale line drawings, eye for architectural and mechanical details as well as his expressive caricatures bring his memories to vivid life."—Winnipeg Free Press

Born in Québec City, Canada, in 1966, Guy Delisle now lives in the south of France with his wife and two children. Delisle spent ten years working in animation, which allowed him to learn about movement and drawing. He is best known for his travelogues about life in faraway countries: Burma Chronicles, Jerusalem: Chronicles from the Holy City, Pyongyang, and Shenzhen. He has since expanded his oeuvre by telling a Doctors Without Borders acquaintance’s story as a nail-biting thriller (Hostage) and revisiting his teen years and first summer job (Factory Summers).

One of Publishers Weekly’s Most Anticipated Books of Spring 2021!"One of the greatest modern cartoonists."—The Guardian"This intimate book feels near mythic by the end: a real artist of paper emerging from the place where paper is made."—New York Times Best Graphic Novels of 2021"[Delisle's] textured drawings capture the characters with insight and gentle humor, as well as terrifying close calls with dangerous machinery. [He] pinpoints the lesson learned those summers: 'You can see the benefit of staying in school.' This should please Delisle’s loyal fans with its peek into his young adulthood."—Publishers Weekly"A carefully observed portrait of a time and place, as well as a deeply personal coming-of-age tale. Not to be missed."—Tom Batten, Library Journal, Starred Review"Factory Summers is the key to Delisle’s nonfiction oeuvre: It shows his growing curiosity, in those formative years, both about how things function structurally and about people—and how he learned to listen to them. Its light touch makes a big impact."—Hillary Chute, New York Times"The legendary Québécois illustrator revisits the summers he spent as a teenager working at a pulp-and-paper plant. The book details the quiet (and not-so-quiet) desperation of his older co-workers, while conjuring up the fugitive pleasures of those times now long past. Its portrait of his distant father, an executive at the plant, is at once sweet and bitter."—The Globe and Mail, Best Books of 2021"Wry, illuminating... Delisle's endlessly droll observations result in a captivating, beguiling self-portrait of an artist-in-the-making as a hardworking teen."—Shelf Awareness"In this black-and-white coming-of-age graphic memoir, Delisle... recalls with poignancy and humour the class tensions that permeated the summers he spent working, starting at age 16, on the floor of the Quebec City pulp mill where his father was manager for 30 years."—The Globe and Mail"With smart use of a limited color palate, Factory Summers provides a personal history right alongside important lessons on work, climate, how we learn to navigate the world as a young adult, and, in the end, on the nature of family."—Booklist"Factory Summers evokes all the formative memories associated with that first summer job—the eclectic coworkers, the long hours and the bittersweetness of clocking out for the last time."—Maisonneuve"In his subtle, matter-of-fact way, Delisle has shown us that art and story can be an escape, for him and for us, not just as a temporary means of withdrawal from reality but as a means of survival."—The Comics Journal"Delisle’s signature greyscale line drawings, eye for architectural and mechanical details as well as his expressive caricatures bring his memories to vivid life."—Winnipeg Free Press