Drawn & Quarterly – serie

Hello students, meet Professor Skeletor. Be on time, don t miss class, and turn off your phones. No time for introductions, we start drawing right away. The goal is more rock, less talk, and we communicate only through images. For more than five years the cartoonist Lynda Barry has been an associate professor in the University of Wisconsin Madison art department and at the Wisconsin Institute for Discovery, teaching students from all majors, both graduate and undergraduate, how to make comics, how to be creative, how to not think. There is no academic lecture in this classroom. Doodling is enthusiastically encouraged. Making Comics is the follow-up to Barry s bestselling Syllabus and this time she shares all of her comics-making exercises. In a new hand drawn syllabus detailing her creative curriculum, Barry has students drawing themselves as monsters and superheroes, convincing students who think they can t draw that they can, and most important, encouraging them to understand that a daily journal can be anything so long as it is hand drawn. Barry teaches all students and believes everyone and anyone can be creative. At the core of Making Comics is her certainty that creativity is vital to processing the world around us.

Newly homeless, a group of fairies find themselves trying to adapt to their new life in the forest. As they dodge dangers from both without and within, optimistic Aurora steps forward to organize and help build a new community. Slowly, the world around them becomes more treacherous as petty rivalries and factions form. Beautiful Darkness became a bestseller and an instant classic when it was released in 2014. This paperback edition of the modern horror classic contains added material, preparatory sketches, and unused art. While Kerascoet mix gorgeous watercolors and spritely cartoon characters, Fabien Vehlmann takes the story into bleaker territory as the seasons change and the darkness descends. As with any great horror, there are moments of calm and jarring shocks while a looming dread hangs over the forest.

How do you capture a changing world in the blink of an eye? Sacramento, California, 1870. Pioneer photographer Eadweard Muybridge becomes entangled in railroad robber baron Leland Stanford s delusions of grandeur. Tasked with proving Stanford s belief that a horse s hooves do not touch the ground while galloping at full speed, Muybridge gets to work with his camera. In doing so, he inadvertently creates one of the single most important technological advancements of our age the invention of time-lapse photography and the mechanical ability to capture motion. Critically-acclaimed cartoonist Guy Delisle (Pyongyang, Hostage) returns with another engrossing foray into nonfiction: a biography about Eadweard Muydbridge, the man who made pictures move. Despite career breakthrough after career breakthrough, Muybridge would only be hampered by betrayal, intrigue, and tragedy. Delisle s keen eye for details that often go unnoticed in search of a broader emotional truth brings this historical figure and those around him to life through an uncompromising lens. Translated from the French by Helge Dascher & Rob Aspinall, Muybridge turns a spotlight on what lives in the shadow of an individual s ambition for greatness, and proves that Eadweard Muybridge deserves to be far more than just another historical footnote.

Seeped in flamenco rhythms, a hero s journey of love and hope. Antonia is the sole inhabitant of a deserted town, with only a roaming pack of dogs and her own worn out memories to keep her company. Nothing is new in this world, the ponds are so still they are dead, and her recollections feel more vivid than her surroundings. At times, the isolation is unbearable. Until she meets her flower. Her flower gives her purpose: a reason to get up each morning, to ring the bells of the town, to wake up the fields, and to feel alive. And yet a relentless thought eats away at her what will happen once her flower dies? Her quest to save the flower begins alongside a charming traveler from the land of mirrors.The pair embark on a journey filled with music, swimming holes, and folk tales whispered late into the starry night. They march through the fields to the beat of turtledove calls, occasionally stopping to get drunk off the fruits of the strawberry tree. Slowly Antonia opens up to the world beyond her town, to the people who inhabit it and to the endless possibilities of community and friendship. One of Spain s most successful contemporary illustrators, Maria Medem s atmospheric storytelling bursts with sensorial delight brimming with engrossing sounds, flavors, and tactile sensations. With impeccable line work and an enchanting use of color, Medem spins a heartfelt meditation on loneliness, friendship, and the transformative power of love. Translated from Spanish by Aleshia Jensen and Daniela Ortiz.

The beloved mangaka adapts one of his country - and the world’s - great works of supernatural literatureShigeru Mizuki—Japan’s grand master of yokai comics—adapts one of the most important works of supernatural literature into comic book form. The cultural equivalent of the fairy tales of the Brothers Grimm, Tono Monogatari is a defining text of Japanese folklore and one of the country’s most important works of literature. This graphic novel was created during the later stage of Mizuki’s career, after he had retired from the daily grind of commercial comics to create personal, lasting works of art.Originally written in 1910 by folklorists and field researchers Kunio Yanagita and Kizen Sasaki, Tono Monogatari celebrates and archives legends from the Tono region. These stories were recorded as Japan’s rapid modernization led to the disappearance of traditional culture. This adaptation mingles the original text with autobiography: Mizuki attempts to retrace Yanagita and Sasaki’s path, but finds his old body is not quite up to the challenge of following in their footsteps. As Mizuki wanders through Tono he retells some of the most famous legends, manifesting a host of monsters, dragons, and foxes. In the finale, Mizuki meets Yanagita himself and they sit down to discuss their works.Translated and with additional essays by Mizuki scholar Zack Davisson, Tono Monogatari displays Mizuki at his finest, exploring the world he most cherished.

Drawn from Tom Gauld s popular comics feature in The Guardian, You're All Just Jealous of My Jetpack perfectly distills Gauld's dark humor, impeccable timing, and distinctive style. Classic strips like 'The Bronte Sisters: The Videogame' and 'The Serious Rock Critic' (who s written 32 books about Led Zeppelin) intermingle hilariously with piercing observations about politics and human behavior (see: 'The Greedy Dog Stands on the Chair of Hope to Feast on the Sausage of Hubris') and whimsical imaginings of the future (see: 'The Great Automaton Strike of 2029 Saw the Birth of the Robot Protest Song'). Again and again, Gauld reaffirms his position as a first-rank cartoonist, creating work infused with a deep understanding of both literary and cartoon history.

A LONG-OUT-OF-PRINT CLASIC BY A MASTER OF UNDERGROUND COMICSIn the late 1980s, the idiosyncratic Chester Brown (author of the muchlauded Paying for It and Louis Riel) began writing the cult classic comic book series Yummy Fur. Within its pages, he serialized the groundbreaking Ed the Happy Clown, revealing a macabre universe of parallel dimensions. Thanks to its wholly original yet disturbing story lines, Ed set the stage for Brown to become a world-renowned cartoonist.Ed the Happy Clown is a hallucinatory tale that functions simultaneously as a dark roller-coaster ride of criminal activity and a scathing condemnation of religious and political charlatanism. As the world around him devolves into madness, the eponymous Ed escapes variously from a jealous boyfriend, sewer monsters, the Royal Canadian Mounted Police, and a janitor with a Jesus complex. Brown leaves us wondering, with every twist of the plot, just how Ed will get out of this scrape.The intimate, tangled world of Ed the Happy Clown is definitively presented here, repackaged with a new foreword by the author and an extensive notes section, and is, like every Brown book, astonishingly perceptive about the zeitgeist of its time.

BEST OF THE YEAR NODS FROM AMAZON, THE WASHINGTON POST, AND USA TODAY'S POP CANDY BLOG!"For years I've encountered Lisa Hanawalt's comics and illustrations piecemeal -- in various magazines and periodicals. They're always a pleasant jolt. Now, they've been assembled into one thick, blazing bludgeon. I envy you getting walloped by them all for the first time. This is a Hanawalt assault. Succumb."–Patton Oswalt"Hanawalt's My Dirty Dumb Eyes is a fantastically vivid and whimsical playground, offering page after page of absurdity, humor, and charm. The artwork is stunning and the jokes are surprising and fresh. This book is a rare and wonderful invitation inside the surreal world of Hanawalt."--Kristen Schaal"Lisa Hanawalt is as gifted of an artist as she is a hilarious writer, which is completely upsetting and unfair considering how untalented most people in this stupid world are. Her comics are brilliantly funny, gloriously weird, and visually stunning. I worship the chair she farts on."--Julie KlausnerMy Dirty Dumb Eyes introduces Lisa Hanawalt as a first-rank cartoonist/humorist/stalker for an audience that likes its humor idiosyncratic, at times anthropomorphic or scatological, often uncomfortable, and always sharp witted. Her world vision is intricately rendered in a full spectrum of color, unapologetically gorgeous and intensely bizarre. With movie reviews, tips for her readers, laugh-out-loud lists and short pieces such as "Rumors I've Heard About Anna Wintour," and "The Secret Lives of Chefs," Hanawalt's comedy shines, making the quotidian silly and surreal, flatulent and facetious.Hanawalt's comics have appeared in the Hairpin, VanityFair.com, the New York Times, and the Believer. She lives in Brooklyn with a dog and a comedian.

New York Times and New Yorker illustrator Jillian Tamaki is best known for co-creating the award-winning young adult graphic novels Skim and This One Summer -- moody and atmospheric bestsellers. SuperMutant Magic Academy, which Jillian has been serializing online for the past four years, paints a teenaged world filled with just as much ennui and uncertainty, but also with a sharp dose of humor and irreverence. Jillian deftly plays superhero and high school Hollywood tropes against what adolescence is really like: the SuperMutant Magic Academy is a prep-school for mutants and witches but their paranormal abilities take a back seat to everyday teen concerns. Science experiments go awry, bake sales are upstaged, and the new kid at school is a cat who will determine the course of human destiny. In one strip, lizard-headed Trixie frets about her non-existent modeling career; in another the immortal Everlasting Boy tries to escape this mortal coil to no avail. Throughout it all, closeted Marsha obsesses about her unrequited crushee, the cat-eared Wendy. Whether the magic is mundane or miraculous, Jillian's jokes are precise and devastating.SuperMutant Magic Academy has won two Ignatz Awards. This volume combines the most popular content from the webcomic with a selection of all-new, never-before-seen strips that conclude Jillian's account of life at the Academy.

Sarah Glidden is a progressive Jewish American twenty-some- thing who is both vocal and critical of Israeli politics in the Holy Land. When a debate with her mother prods her to sign up for a Birthright Israel tour, Glidden expects to find objective facts to support her strong opinions. During her two weeks in Israel, Glidden takes advantage of the opportunity to ask the people she meets about the fraught and complex issue of the Israeli-Palestinian conflict, but their answers only lead her to question her own take on the conflict. Simple linework and gorgeous watercolors spotlight Israel's countryside, urban landscapes, and religious landmarks. With straightforward sincerity, lovingly observed anecdotes, and a generous dose of self-deprecating humor, How to Understand Is-rael in 60 Days or Less is accessible while retaining Glidden's distinctive perspective. Over the course of this touching memoir, Glidden comes to terms with the idea that there are no easy answers to the world's problems, and that is okay.Glidden's debut book, How to Understand Israel in 60 Days or Less landed on several best of the year lists, including Entertainment Weekly; earned a YALSA Great Graphic Novels for Teens distinction; and won an Ignatz Award. Her second book, Rolling Blackouts, which documents her experience shadowing journalists in Turkey, Iraq, Lebanon, and Syria, will also come out this fall from Drawn and Quarterly

For his newest project, R. Sikoryak tackles the monstrously and infamously dense legal document, iTunes Terms and Conditions, the contract everyone agrees to but no one reads. In a word for word 94-page adaptation, Sikoryak hilariously turns the agreement on its head each page fea- tures an avatar of Apple cofounder and legendary visionary Steve Jobs juxtaposed with a different classic strip such as Mort Walker s Beetle Bailey, or a contemporary graphic novel such as Craig Thompson s Blankets or Marjane Satrapi s Persepolis. Adapting the legalese of the iTunes Terms and Conditions into another me- dium seems like an unfathomable under- taking, yet Sikoryak creates a surprisingly readable document, far different from its original, purely textual incarnation and thus proving the accessibility and flexibili- ty of comics.When Sikoryak parodies Kate Beaton s Hark A Vagrant peasant comics with Steve Jobs discussing objectionable material or Homer Simpson as Steve Jobs warning of the penalties of copyright in-fringement, Terms and Conditions serves as a surreal record of our modern digital age where technology competes with en- duringly ironclad mediums.

Inspired by a 16th-century Zen monk s painting of a hundred demons chasing each other across a long scroll, acclaimed cartoonist Lynda Barry confronts various demons from her life in seventeen full colour vignettes. In Barry s hand, demons are the life moments that haunt you, form you and stay with you: your worst boyfriend; kickball games on a warm summer night; watching your baby brother dance; the smell of various houses in the neighbourhood you grew up in; or the day you realize your childhood is long behind you and you are officially a teenager. As a cartoonist, Lynda Barry has the innate ability to zero in on the essence of truth, a magical quality that has made her book One! Hundred! Demons! an enduring classic of the early 21st century. In the book s intro, however, Barry throws the idea of truth out of the window by asking the reader to decide if fiction can have truth and if autobiography can have a fiction, a hybrid that Barry coins autobiofictionalography.As readers get to know Barry s demons, they realize that the actual truth no longer matters because the universality of Barry s comics, true or untrue reigns supreme.

A woman post-breakup becomes obsessed with the mirror Facebook of herself seeing a life that could be hers. Another woman, besieged by bed bugs, studies her relationship and the affects her recently- ended secret affair has on it. An anonymous music file surfaces on the internet and a cult springs up in its wake. A group of city animals briefly open their minds to us; A woman finds her clothes growing baggy, her shoes looser, as she shrinks the world around her recedes. Jillian Tamaki brings her combined characteristic realism and humour to her first collection of short stories. Boundless explores the lives of women and how the expectations of others influence their real and virtual selves. Mixing objective reality, speculative fiction, out-and-out fantasy, and a matter-of-fact feminism, Tamaki shows herself to be a short story talent equal to her peers Adrian Tomine and Eleanor Davis. As Tamaki experiments with art-styles, we see hyper-realist detailing duelling with thick chunky blocks of ink, each delicately setting the mood for her characters inner turmoil.

Since the 2011 release of Goliath, Tom Gauld has solidified himself as one of the world s most revered and critically- acclaimed cartoonists working today. From his weekly strips in the Guardian and New Scientist, to his lauded graphic novels You re All Just Jealous of My Jet- pack and Mooncop, Gauld s fascination with the intersection between history, literary criticism, and pop culture has become the crux of his work. Now in paperback, with a new cover and smaller size, Goliath is a retelling of the classic myth, this time from Goliath s side of the Valley of Elah. Goliath of Gath isn t much of a fighter. He would pick admin work over patrolling in a heartbeat, to say nothing of his distaste for engaging in combat. Nonetheless, at the behest of the king, he finds himself issuing a twice-daily challenge to the Israelites: Choose a man. Let him come to me that we may fight. Quiet moments in Goliath s life as an iso- lated soldier are accentuated by Gauld s trademark drawing style: minimalist scenery, geometric humans, and densely crosshatched detail.Simultaneously tragic and bleakly funny, Goliath displays a sensitive wit and a bold line - a traditional narrative reworked, remade, and revolutionized into a classic tale of Gauld s very own.

R. Sikoryak is famous for taking classic comics and mashing them with famous literature as he did in Masterpiece Comics or even using comics to visualize the iTunes Terms and Conditions contract. Now in these uncertain times, cartoonist R. Sikoryak draws upon the power of comics and satire to frame President Trump and his controversial declarations as the words and actions of the most notable villains and antagonists in comic book history. Reimagining the most famous comic covers, Sikoryak transforms Wonder Woman into Nasty Woman; Tubby Tompkins into Trump; Black Panther into the Black Voter; the Fantastic Four into the Hombres Fantasticos and Trump into Magneto fighting the Ex-Men. In perfect Trumpian fashion, The Unquotable Trump will be a 48-page treasury annual needlessly oversized and garishly colored; a throw-back to the past when both Comics and America were Great. This will be the hugest comic, truly a great comic. You won t want to miss this, trust me, you ll see!

Elise Gravel is back with a whimsical look at one of her family s most beloved pastimes: mushroom hunting! Combining her love of exploring nature with her talent for anthropomorphizing everything, she takes us on a magical tour of the forest floor and examines a handful of her favorite alien specimens up close. While the beautiful coral mushroom looks like it belongs under the sea, the peculiar Lactarius indigo may be better suited for outer space. From the fun-to-stomp puffballs to the prince of the stinkers?the stinkhorn mushroom?and the musically inclined chanterelles, Gravel shares her knowledge of this fascinating kingdom by bringing each species to life in full felt-tip-marker glory. The Governor General Award winning author Gravel s first book with Drawn and Quarterly, If Found . . . Please Return to Elise Gravel, was a Junior Library Guild selection and an instant hit among librarians, parents, and kids alike. Fostering the same spirit of creativity and curiosity, The Mushroom Fan Club promises to inspire kids to look more closely at the world around them and to seek out all of life s little treasures, stinky or not!

Coyote is a dreamer and a drama queen, brazen and brave, faithful yet fiercely independent. She beats her own drum and sews her own crop tops. A gifted equestrian, she s half dog, half coyote, and all power. With the help of her trusty steed, Red, there s not much that s too big for her to bite off, chew up, and spit out right into your face, if you deserve it. But when Coyote and Red find themselves on the run from a trio of vengeful bad dogs, get clobbered by arrows, and are tragically separated, our protagonist is left fighting for her life and longing for her displaced best friend. Taken in by a wolf clan, Coyote may be wounded, but it s not long before she s back on the open road to track down Red and tackle the dogs who wronged her. An homage to and a lampoon of Westerns like Butch Cassidy and the Sundance Kid, Lisa Hanawalt s Coyote Doggirl is a self-aware, playful subversion of tropes. As our fallible hero attempts to understand the culture of the wolves, we see a journey in understanding and misunderstanding, adopting and co-opting. Uncomfortable at times but nonetheless rewarding and empowering, the story of these flawed, anthropomorphized characters is nothing if not relentlessly hilarious and heartbreakingly human. Told in Hanawalt s technicolor absurdist style, Coyote Doggirl is not just a send-up of the Western genre but a deeply personal story told by an enormously talented cartoonist.

With her startling humor, it's no surprise that Aminder Dhaliwal's web comic Woman World has a devoted audience of more than 120,000 readers, updated biweekly with each installment earning an average of 25,000 likes. Now, readers everywhere will delight in the print edition as Dhaliwal seamlessly incorporates feminist philosophical concerns into a series of perfectly-paced strips that skewer perceived notions of femininity and contemporary cultural icons. D+Q's edition of Woman World will include new and previously unpublished material. When a birth defect wipes out the planet's entire population of men, Woman World rises out of society's ashes. Dhaliwal's infectiously funny instagram comic follows the rebuilding process, tracking a group of women who have rallied together under the flag of Beyonce's Thighs. Only Grandma remembers the distant past, a civilization of segway-riding mall cops, Blockbusters movie rental shops, and That's What She Said jokes. For the most part, Woman World's residents are focused on their struggles with unrequited love and anxiety, not to mention that whole survival of humanity thing. Woman World is an uproarious and insightful graphic novel from a very talented and funny new voice.

An exquisitely drawn exploration of three lost souls' emotional terrainAs night falls in the City of Belgium, three strangers in their late twenties—a most dangerous age—arrive at a popular restaurant. Jona is about to move away; he calls his wife, who’s already settled in Berlin, before trying to make plans with friends for one last night on the town. No one bites—they’re all busy or maybe they just don’t want to party—but he’s determined to make this night something to remember. Victoria is lively and energetic, but surrounded by friends and family who are buzzkills, always worrying about what is best for her. Rodolphe glumly considers his own misery and then suddenly snaps out of it, becoming the life of the party. The three careen through the city’s nightlife spots and underbelly, getting ever deeper in the messiness of human existence as they chase pleasure—or at least a few distractions from their daily lives. Each has a series of misadventures that reveal them to be teetering on the edge of despair, of destruction, of becoming the people they’ll be for the rest of their lives. The City of Belgium occupies a place between lucid dream and tooth-grinding nightmare.

Grass is a powerful anti-war graphic novel, offering up firsthand the life story of a Korean girl named Okseon Lee who was forced into sexual slavery for the Japanese Imperial Army during the second World War a disputed chapter in 20th century Asian history. Beginning in Lee s childhood, Grass shows the leadup to World War II from a child s vulnerable perspective, detailing how one person experienced the Japanese occupation and the widespread suffering it entailed for ordinary Korean folk. Keum Suk Gendry-Kim emphasizes Lee s strength in overcoming the many forms of adversity she experienced. Grass is painted in a black ink that flows with lavish details of the beautiful fields and farmland of Korea and uses heavy brushwork on the somber interiors of Lee s memories. Cartoonist Gendry-Kim s interviews with Lee become an integral part of Grass, forming the heart and architecture of this powerful non-fiction graphic novel and offering a holistic view of how Lee s wartime suffering changed her. Grass is a landmark graphic novel that makes personal the desperate cost of war and the importance of peace.

Year of the Rabbit tells the true story of one family s desperate struggle to survive the murderous reign of the Khmer Rouge in Cambodia. In 1975, the Khmer Rouge seizes power in the capital city of Phnom Penh. Immediately after declaring victory in the war, they set about evacuating the country s major cities with the brutal ruthlessness and disregard for humanity that characterized the regime ultimately responsible for the deaths of one million citizens. Cartoonist Tian Veasna was born just three days after the Khmer Rouge takeover, as his family set forth on the chaotic mass exodus from Phnom Penh. Year of the Rabbit is based on firsthand accounts, all told from the perspective of his parents and other close relatives. Stripped of any money or material possessions, Veasna s family found themselves exiled to the barren countryside along with thousands of others, where food was scarce and brutal violence a constant threat. Year of the Rabbit shows the reality of life in the work camps, where Veasna s family bartered for goods, where children were instructed to spy on their parents, and where reading was proof positive of being a class traitor. Constantly on the edge of annihilation, they realized there was only one choice they had to escape Cambodia and become refugees. Veasna has created a harrowing, deeply personal account of one of the twentieth century s greatest tragedies.

Join acclaimed author Elise Gravel on a dazzling and revelatory tour of the insect world. In The Bug Club, Elise Gravel shares all her favourite and most interesting facts about these marvelous creatures, some of which are so unique and strange, you could almost imagine them living in outer space! Most people know that spiders have eight eyes, but what about the caterpillar? These little critters have them beat with a whopping twelve! Did you know mosquitoes are attracted to smelly feet? That the honey bee has hair on her eyeballs? That butterfly feet double as noses? And grasshoppers have ears on their bellies? These are just some of the many things about bugs that make them endlessly enchanting. Elise s inquisitiveness and charm pop off the page as she takes us on a walk through her mind and the awe-inspiring natural wonders that exist right outside our doorsteps. If you re curious what the inside of a slug looks like, The Bug Club has you covered. Not only does Elise answer these burning questions, but she draws it all beautifully and brightly in her signature cartoony style. The followup to her award-winning The Mushroom Fan Club, where Elise shares her delightful and family-friendly mushroom hunting adventures, The Bug Club offers more activities and fun for the whole family. This time, the treasure is hiding just below a rock or that pile of fresh fall leaves.

"One of the most inventive and prolific cartoonists working today."—VultureIn the past ten years, Michael DeForge has released eleven books. While his style and approach have evolved, he has never wavered from taut character studies and incisive social commentary with a focus on humor. He has deeply probed subjects like identity, gentrification, fame, and sexual desire.In “No Hell,” an angel’s tour of the five tiers of heaven reveals her obsession with a haunting infidelity. In “Raising,” a couple uses an app to see what their unborn child would look like. Of course, what begins as a simple face-melding experiment becomes a nightmare of too-much-information where the young couple is forced to confront their terrible choices. “Recommended for You” is an anxious retelling of our narrator’s favorite TV show—a Purge-like societal collapse drama—as a reflection of our desire for meaning in pop culture. Each of these stories shows the inner turmoil of an ordinary person coming to grips with a world vastly different than their initial perception of it. The humor is searing and the emotional weight lingers long after the story ends.Heaven No Hell collects DeForge’s best work yet. His ability to dig into a subject and break it down with beautiful drawings and sharp writing makes him one of the finest short story writers of the past decade, in comics or beyond. Heaven No Hell is always funny, sometimes sad, and continuously innovative in its deconstruction of society.

The legendary cartoonist aims his pen and paper toward his high school summer jobFor three summers beginning when he was 16, cartoonist Guy Delisle worked at a pulp and paper factory in Quebec City. Factory Summers chronicles the daily rhythms of life in the mill, and the twelve hour shifts he spent in a hot, noisy building filled with arcane machinery. Delisle takes his noted outsider perspective and applies it domestically, this time as a boy amongst men through the universal rite of passage of the summer job. Even as a teenager, Delisle’s keen eye for hypocrisy highlights the tensions of class and the rampant sexism an all-male workplace permits.Guy works the floor doing physically strenuous tasks. He is one of the few young people on site, and furthermore gets the job through his father’s connections, a fact which rightfully earns him disdain from the lifers. Guy’s dad spends his whole career in the white collar offices, working 9 to 5 instead of the rigorous 12-hour shifts of the unionized labor. Guy and his dad aren’t close, and Factory Summers leaves Delisle reconciling whether the job led to his dad’s aloofness and unhappiness.On his days off, Guy finds refuge in art, a world far beyond the factory floor. Delisle shows himself rediscovering comics at the public library, and preparing for animation school–only to be told on the first day, “There are no jobs in animation.” Eager to pursue a job he enjoys, Guy throws caution to the wind.

A race for the Ark of the Covenant finds an exploration into the ethics and world of the international antiquities trade. When a great antiquities collector is forced to donate his entire collection to the Hebrew University in Jerusalem, Nili Broshi sees her last chance to finish an archeological expedition begun decades earlier a dig that could possibly yield the most important religious artifact in the Middle East. Motivated by the desire to reinstate her father s legacy as a great archeologist after he was marginalized by his rival, Nili enlists a ragtag crew a religious nationalist and his band of hilltop youths, her traitorous brother, and her childhood Palestinian friend, now an archeological smuggler. As Nili s father slips deeper into dementia, warring factions close in on and fight over the Ark of the Covenant! Backed by extensive research into this real-world treasure hunt, Modan sets her affecting novel at the centre of a political crisis. She posits that the history of biblical Israel lies in one of the most disputed regions in the world, occupied by Israel and contested by Palestine. Often in direct competition, Palestinians and Israelis dig alongside one another, hoping to find the sacred artifact believed to be a conduit to God. Two time Eisner Award winner Rutu Modan s third graphic novel, Tunnels, is her deepest and wildest yet. Potent and funny, Modan reveals the Middle East as no westerner could. Ishai Mishory is a longtime New York City and newly Bay Area based translator and sometimes illustrator. He is currently conducting research for a PhD dissertation on 16th century Italian printing.

Leonard Cohen opens in Los Angeles on the last night of the man s life in 2016. Alone in his final hours, the beloved writer and musician ponders his existence in a series of flashbacks that reveal the ups and downs of a storied career. A young Cohen traded in the promise of steady employment in his family s Montreal garment business for the unlikely path of a literary poet. His life took another sharp turn when, already in his thirties, he recorded his first album to widespread international acclaim. Along the way he encountered a who s who of musical luminaries, including Lou Reed, Nico, Janis Joplin, and Joni Mitchell. And then there s Phil Spector, the notorious music impresario who held a gun to Cohen s head during a coke-fueled, all-night recording session. Later in Cohen s life, there s the story of Hallelujah, one of his most famous songs, and its slow rise from relative obscurity when first recorded in the 1980s to its iconic status a decade later with covers by John Cale and Jeff Buckley. And the period when Cohen went broke after his manager embezzled his lifetime savings, which ironically sparked an unlikely career resurgence and several worldwide tours in the 2000s. Written with careful attention to detail and drawn with a palette of warm, lush colors by the Quebec-based cartoonist Philippe Girard, Leonard Cohen is an engaging portrait of a cultural icon.

A celebrated masterwork shimmering with vulnerability from one of alt-manga's most important female artists. 'Now that we ve woken from the dream, what are we going to do?' Chiharu thinks to herself, rubbing her husband s head affectionately. Set in an apartment complex on the outskirts of Tokyo, Yamada Murasaki's Talk To My Back (1981 84) explores the fraying of Japan's suburban middle-class dreams through a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada remains generous with the characters who fetter her protagonist. When her husband has an affair, Chiharu feels that she, too, has broken the marital contract by straying from the template of the happy housewife. Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family as fears of having been 'thrown away inside that empty vessel called the household' gnaw at Chiharu s soul. Yamada was the first cartoonist in Japan to use the expressive freedoms of alt-manga to address domesticity and womanhood in a realistic, critical, and sustained way. A watershed work of literary manga, Talk To My Back was serialized in the influential magazine Garo in the early 1980s, and is translated by Eisner nominated Ryan Holmberg.