Grant Arnold is the Audain Curator of British Columbia Art at the Vancouver Art Gallery where he contributes to the gallery’s exhibition and collecting programs. Monika Kin Gagnon is Professor of Communication Studies at Concordia University. She has published widely on cultural politics and the visual and media arts since the 1980s. She is the author of Other Conundrums: Race, Culture, and Canadian Art (Arsenal Pulp Press, 2000), and co-editor of the anthology Reimagining Cinema: Film at Expo 67 (McGill-Queen’s University Press, 2014). Olivia Gagnon is a PhD candidate in Performance Studies (NYU), where her work explores the intersections of feminism, archival discourses, performance, and theories of affect, embodiment and sense. Jaleh Mansoor is a historian of modern and contemporary cultural production. She is the author of Marshall Plan Modernism: Italian Postwar Abstraction and the Beginnings of Autonomia (Duke University Press, 2016) and co-editor of Communities of Sense: Rethinking Aesthetics and Politics (Duke University Press, 2010). Mansoor teaches in the faculty of Art History, Visual Art and Theory at the University of British Columbia.

Grant Arnold is the Audain Curator of British Columbia Art at the Vancouver Art Gallery where he contributes to the gallery’s exhibition and collecting programs. Monika Kin Gagnon is Professor of Communication Studies at Concordia University. She has published widely on cultural politics and the visual and media arts since the 1980s. She is the author of Other Conundrums: Race, Culture, and Canadian Art (Arsenal Pulp Press, 2000), and co-editor of the anthology Reimagining Cinema: Film at Expo 67 (McGill-Queen’s University Press, 2014). Olivia Gagnon is a PhD candidate in Performance Studies (NYU), where her work explores the intersections of feminism, archival discourses, performance, and theories of affect, embodiment and sense. Jaleh Mansoor is a historian of modern and contemporary cultural production. She is the author of Marshall Plan Modernism: Italian Postwar Abstraction and the Beginnings of Autonomia (Duke University Press, 2016) and co-editor of Communities of Sense: Rethinking Aesthetics and Politics (Duke University Press, 2010). Mansoor teaches in the faculty of Art History, Visual Art and Theory at the University of British Columbia.

Grant Arnold is the Audain Curator of British Columbia Art at the Vancouver Art Gallery where he contributes to the gallery’s exhibition and collecting programs. Monika Kin Gagnon is Professor of Communication Studies at Concordia University. She has published widely on cultural politics and the visual and media arts since the 1980s. She is the author of Other Conundrums: Race, Culture, and Canadian Art (Arsenal Pulp Press, 2000), and co-editor of the anthology Reimagining Cinema: Film at Expo 67 (McGill-Queen’s University Press, 2014). Olivia Gagnon is a PhD candidate in Performance Studies (NYU), where her work explores the intersections of feminism, archival discourses, performance, and theories of affect, embodiment and sense. Jaleh Mansoor is a historian of modern and contemporary cultural production. She is the author of Marshall Plan Modernism: Italian Postwar Abstraction and the Beginnings of Autonomia (Duke University Press, 2016) and co-editor of Communities of Sense: Rethinking Aesthetics and Politics (Duke University Press, 2010). Mansoor teaches in the faculty of Art History, Visual Art and Theory at the University of British Columbia.