Michiel Kamp is Junior Assistant Professor of Music at Utrecht University. Tim Summers is a Teaching Fellow in Music at Royal Holloway, University of London. Mark Sweeney completed his D.Phil. thesis in musicology at Hertford College, Oxford. He was previously lecturer in music at St Catherine's College, Oxford.

• 1. Introduction Michiel Kamp, Tim Summers, Mark Sweeney 2. Analyzing Video Game Music: Sources, Methods and a Case Study Tim Summers 3. Analyzing Game Musical Immersion: The ALI Model Isabella van Elferen, Kingston University, London 4. Modularity in Video Game Music Elizabeth Medina-Gray, Independent Scholar 5. Suture and Peritexts: Music Beyond Gameplay and Diegesis Michiel Kamp 6. "It's a-me, Mario!" - Playing With Video Game Music Melanie Fritsch, Independent Scholar 7. Game and Play in Music Video Games Anahid Kassabian, Independent Scholar, and Freya Jarman, University of Liverpool 8. 'Listening' Through Digital Interaction in Bjork's Biophilia Samantha Blickhan, PhD Candidate 9. Palimpsest, Pragmatism and the Aesthetics of Genre Transformation: Composing the Hybrid Score to Electronic Arts's Need for Speed Shift 2: Unleashed Stephen Baysted, University of Chichester 10. Isaac's Silence Purposive Aesthetics in Dead Space Mark Sweeney 11. Remixed Metaphors: Manipulating Classical Music and Its Meanings in Video Games

Michiel Kamp is Junior Assistant Professor of Music at Utrecht University. Tim Summers is a Teaching Fellow in Music at Royal Holloway, University of London. Mark Sweeney completed his D.Phil. thesis in musicology at Hertford College, Oxford. He was previously lecturer in music at St Catherine's College, Oxford.

• 1. Introduction Michiel Kamp, Tim Summers, Mark Sweeney 2. Analyzing Video Game Music: Sources, Methods and a Case Study Tim Summers 3. Analyzing Game Musical Immersion: The ALI Model Isabella van Elferen, Kingston University, London 4. Modularity in Video Game Music Elizabeth Medina-Gray, Independent Scholar 5. Suture and Peritexts: Music Beyond Gameplay and Diegesis Michiel Kamp 6. "It's a-me, Mario!" - Playing With Video Game Music Melanie Fritsch, Independent Scholar 7. Game and Play in Music Video Games Anahid Kassabian, Independent Scholar, and Freya Jarman, University of Liverpool 8. 'Listening' Through Digital Interaction in Bjork's Biophilia Samantha Blickhan, PhD Candidate 9. Palimpsest, Pragmatism and the Aesthetics of Genre Transformation: Composing the Hybrid Score to Electronic Arts's Need for Speed Shift 2: Unleashed Stephen Baysted, University of Chichester 10. Isaac's Silence Purposive Aesthetics in Dead Space Mark Sweeney 11. Remixed Metaphors: Manipulating Classical Music and Its Meanings in Video Games

Michiel Kamp is Junior Assistant Professor of Music at Utrecht University. Tim Summers is a Teaching Fellow in Music at Royal Holloway, University of London. Mark Sweeney completed his D.Phil. thesis in musicology at Hertford College, Oxford. He was previously lecturer in music at St Catherine's College, Oxford.

• 1. Introduction Michiel Kamp, Tim Summers, Mark Sweeney 2. Analyzing Video Game Music: Sources, Methods and a Case Study Tim Summers 3. Analyzing Game Musical Immersion: The ALI Model Isabella van Elferen, Kingston University, London 4. Modularity in Video Game Music Elizabeth Medina-Gray, Independent Scholar 5. Suture and Peritexts: Music Beyond Gameplay and Diegesis Michiel Kamp 6. "It's a-me, Mario!" - Playing With Video Game Music Melanie Fritsch, Independent Scholar 7. Game and Play in Music Video Games Anahid Kassabian, Independent Scholar, and Freya Jarman, University of Liverpool 8. 'Listening' Through Digital Interaction in Bjork's Biophilia Samantha Blickhan, PhD Candidate 9. Palimpsest, Pragmatism and the Aesthetics of Genre Transformation: Composing the Hybrid Score to Electronic Arts's Need for Speed Shift 2: Unleashed Stephen Baysted, University of Chichester 10. Isaac's Silence Purposive Aesthetics in Dead Space Mark Sweeney 11. Remixed Metaphors: Manipulating Classical Music and Its Meanings in Video Games