Michael Mary Murphy is a lecturer on the music industry at Dun Laoghaire Institute of Art, Design and Technology, Dublin. Jim Rogers is a lecturer in communications at Dublin City University. Michael Mary Murphy is a lecturer on the music industry at Dun Laoghaire Institute of Art, Design and Technology, Dublin. Jim Rogers is a lecturer in communications at Dublin City University.

• 1. The Irish Arrive: Early Stages in the Music IndustryMichael Mary Murphy2. 1930s Ireland: Law and Order, Business and NationalismMichael Mary Murphy3. The Global Music Industries and IrelandJim Rogers4. The 1950s: Elvis and Ireland’s Catholic PopMichael Mary Murphy5. Horslips: Advancing DIY and Enterprise in the Irish Music SceneMichael Mary Murphy6. U2: Local and GlobalMichael Mary Murphy7. How Teenagers and Students Shaped CultureMichael Mary Murphy8. Enya: “…Not Created by the Record Industry”Michael Mary Murphy9. The Corrs: “Genetically Engineer the Perfect Pop Group”Michael Mary Murphy10. Riverdance: Creating Profitable Local CultureMichael Mary Murphy11. Boyzone: “Search is on for an Irish Take That”Michael Mary Murphy12. Westlife: “He’s Got to be Kidding Me”Michael Mary Murphy13. U2, the Virgin Prunes and Graphic ArtMichael Mary MurphyConclusionMichael Mary Murphy and Jim Rogers

Michael Mary Murphy is a lecturer on the music industry at Dun Laoghaire Institute of Art, Design and Technology, Dublin. Jim Rogers is a lecturer in communications at Dublin City University. Michael Mary Murphy is a lecturer on the music industry at Dun Laoghaire Institute of Art, Design and Technology, Dublin. Jim Rogers is a lecturer in communications at Dublin City University.

• 1. The Irish Arrive: Early Stages in the Music IndustryMichael Mary Murphy2. 1930s Ireland: Law and Order, Business and NationalismMichael Mary Murphy3. The Global Music Industries and IrelandJim Rogers4. The 1950s: Elvis and Ireland’s Catholic PopMichael Mary Murphy5. Horslips: Advancing DIY and Enterprise in the Irish Music SceneMichael Mary Murphy6. U2: Local and GlobalMichael Mary Murphy7. How Teenagers and Students Shaped CultureMichael Mary Murphy8. Enya: “…Not Created by the Record Industry”Michael Mary Murphy9. The Corrs: “Genetically Engineer the Perfect Pop Group”Michael Mary Murphy10. Riverdance: Creating Profitable Local CultureMichael Mary Murphy11. Boyzone: “Search is on for an Irish Take That”Michael Mary Murphy12. Westlife: “He’s Got to be Kidding Me”Michael Mary Murphy13. U2, the Virgin Prunes and Graphic ArtMichael Mary MurphyConclusionMichael Mary Murphy and Jim Rogers

Michael Mary Murphy is a lecturer on the music industry at Dun Laoghaire Institute of Art, Design and Technology, Dublin. Jim Rogers is a lecturer in communications at Dublin City University. Michael Mary Murphy is a lecturer on the music industry at Dun Laoghaire Institute of Art, Design and Technology, Dublin. Jim Rogers is a lecturer in communications at Dublin City University.

• 1. The Irish Arrive: Early Stages in the Music IndustryMichael Mary Murphy2. 1930s Ireland: Law and Order, Business and NationalismMichael Mary Murphy3. The Global Music Industries and IrelandJim Rogers4. The 1950s: Elvis and Ireland’s Catholic PopMichael Mary Murphy5. Horslips: Advancing DIY and Enterprise in the Irish Music SceneMichael Mary Murphy6. U2: Local and GlobalMichael Mary Murphy7. How Teenagers and Students Shaped CultureMichael Mary Murphy8. Enya: “…Not Created by the Record Industry”Michael Mary Murphy9. The Corrs: “Genetically Engineer the Perfect Pop Group”Michael Mary Murphy10. Riverdance: Creating Profitable Local CultureMichael Mary Murphy11. Boyzone: “Search is on for an Irish Take That”Michael Mary Murphy12. Westlife: “He’s Got to be Kidding Me”Michael Mary Murphy13. U2, the Virgin Prunes and Graphic ArtMichael Mary MurphyConclusionMichael Mary Murphy and Jim Rogers