Michael Mary Murphy – författare

What can the top of the charts in the world’s biggest music market tell us about management? This book analyses pop music successes to understand the role of managers and management. A critical study of management in the pop music industry, the book illuminates the key trends in music management and how these have changed significantly in the last 60 years. The author shows how those changes have influenced the music we hear and how it is represented. Featuring insights into equality, diversity and inclusion, the book also highlights how pop music management has contributed to consolidation in the global music industry. The book examines the management behind acts, including Taylor Swift, the Beatles, K-pop icons, hip-hip pioneers, Johnny Cash, Jay-Z, Carole King, and many others. By providing clear and concise examples of the management behind Number One albums in the US charts, the book invites the reader not only to think about real-world management but also to consider getting involved with management themselves.This practical and accessible book will prove valuable reading for students and scholars of the music business, and provide insightful lessons for music managers around the world.

What can the top of the charts in the world’s biggest music market tell us about management? This book analyses pop music successes to understand the role of managers and management. A critical study of management in the pop music industry, the book illuminates the key trends in music management and how these have changed significantly in the last 60 years. The author shows how those changes have influenced the music we hear and how it is represented. Featuring insights into equality, diversity and inclusion, the book also highlights how pop music management has contributed to consolidation in the global music industry. The book examines the management behind acts, including Taylor Swift, the Beatles, K-pop icons, hip-hip pioneers, Johnny Cash, Jay-Z, Carole King, and many others. By providing clear and concise examples of the management behind Number One albums in the US charts, the book invites the reader not only to think about real-world management but also to consider getting involved with management themselves.This practical and accessible book will prove valuable reading for students and scholars of the music business, and provide insightful lessons for music managers around the world.

Sounds Irish, Acts Global critically examines both the history of Ireland's popular music industry as well as the current music scene in the country. By placing recent industry developments in the context of that history, the authors present a new way of examining any nation state's music industry - to understand the industry, the local scene must be examined. This approach highlights the multiple and changing ways by which the local scene prepares artists for both domestic and international success. In Ireland's case the scene, with its supportive network of friends, families and fans, has developed the artists who then sign with the major transnational music firms. This book is of interest to business students as well as popular music scholars in addition to non-academic readers.