Andrew James Couzens is an Australian interdisciplinary researcher whose work covers film, theatre, and cultural and media studies. Couzens’s film production experience and time working in film festivals heavily influence his scholarship, which explores intersections between creative industries and cultural expression. For Couzens, creative practice and academic research are mutually beneficial, and he is now applying his research on the bushranger legend to a series of screenplays.

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• List of Figures; Acknowledgements; Introduction: Defining the Bushranger Legend; Part 1: Establishing the Legend; 1. The First Bushranger Melodrama; 2. Alfred Dampier and the Nationalistic Melodrama; 3. Wild West Shows and Wild Australia; 4. Hippodramas and Edward Irham Cole; Part 2: Developing the Legend; 5. The Bushranger Genre from Stage to Screen; 6. The Bushranger Ban; 7. British and American Interventions in the Bushranger Legend; 8. Radical Nationalism and the Bushranger Legend; Part 3: Fragmenting the Legend; 9. Historical Revisionism and the Bushranger Legend; 10. Diversification and Inclusiveness of the Bushranger Legend; 11. Globalization of the Bushranger Legend in Outlaw Road Movies; Conclusion; Bibliography; Index.

Andrew James Couzens is an Australian interdisciplinary researcher whose work covers film, theatre, and cultural and media studies. Couzens’s film production experience and time working in film festivals heavily influence his scholarship, which explores intersections between creative industries and cultural expression. For Couzens, creative practice and academic research are mutually beneficial, and he is now applying his research on the bushranger legend to a series of screenplays.

Select Guide Rating

• List of Figures; Acknowledgements; Introduction: Defining the Bushranger Legend; Part 1: Establishing the Legend; 1. The First Bushranger Melodrama; 2. Alfred Dampier and the Nationalistic Melodrama; 3. Wild West Shows and Wild Australia; 4. Hippodramas and Edward Irham Cole; Part 2: Developing the Legend; 5. The Bushranger Genre from Stage to Screen; 6. The Bushranger Ban; 7. British and American Interventions in the Bushranger Legend; 8. Radical Nationalism and the Bushranger Legend; Part 3: Fragmenting the Legend; 9. Historical Revisionism and the Bushranger Legend; 10. Diversification and Inclusiveness of the Bushranger Legend; 11. Globalization of the Bushranger Legend in Outlaw Road Movies; Conclusion; Bibliography; Index.

Andrew James Couzens is an Australian interdisciplinary researcher whose work covers film, theatre, and cultural and media studies. Couzens’s film production experience and time working in film festivals heavily influence his scholarship, which explores intersections between creative industries and cultural expression. For Couzens, creative practice and academic research are mutually beneficial, and he is now applying his research on the bushranger legend to a series of screenplays.

Select Guide Rating

• List of Figures; Acknowledgements; Introduction: Defining the Bushranger Legend; Part 1: Establishing the Legend; 1. The First Bushranger Melodrama; 2. Alfred Dampier and the Nationalistic Melodrama; 3. Wild West Shows and Wild Australia; 4. Hippodramas and Edward Irham Cole; Part 2: Developing the Legend; 5. The Bushranger Genre from Stage to Screen; 6. The Bushranger Ban; 7. British and American Interventions in the Bushranger Legend; 8. Radical Nationalism and the Bushranger Legend; Part 3: Fragmenting the Legend; 9. Historical Revisionism and the Bushranger Legend; 10. Diversification and Inclusiveness of the Bushranger Legend; 11. Globalization of the Bushranger Legend in Outlaw Road Movies; Conclusion; Bibliography; Index.