Will Eno lives in Greenpoint, New York. He is a Fellow at the Signature Theater in New York, where his play Title and Deed premiered in May 2012. His play The Realistic Joneses had its premiere at the Yale Repertory Theater, in April 2012. Both The Realistic Joneses and Title and Deed were on The New York Times' Best Plays of 2012 list. His play Middletown was a winner of the Horton Foote Award and was produced at the Vineyard Theater in New York and Steppenwolf Theater in Chicago. His play Thom Pain (based on nothing) ran for a year at the DR2 Theater, was a finalist for the 2005 Pulitzer Prize, and has been translated into over a dozen languages. He was recently awarded the PEN/Laura Pels International Foundation Award. Other work has appeared in Harper's, The Believer, and The Quarterly. He strikes me as being the real thing, a real playwright. He takes every chance. And Will keeps his voice his own: he has an awareness of the human condition I wish more people his age had. Edward Albee

Mr. Eno has studied the play closely, and the marvel of his new version is how closely it tracks the original while also being, at every moment and unmistakably, a Will Eno play - after climbing the craggy peaks of Ibsen's daunting play Mr. Eno has brought down from its dizzying heights a surprisingly crowd-pleasing (if still strange) work.

Will Eno lives in Greenpoint, New York. He is a Fellow at the Signature Theater in New York, where his play Title and Deed premiered in May 2012. His play The Realistic Joneses had its premiere at the Yale Repertory Theater, in April 2012. Both The Realistic Joneses and Title and Deed were on The New York Times' Best Plays of 2012 list. His play Middletown was a winner of the Horton Foote Award and was produced at the Vineyard Theater in New York and Steppenwolf Theater in Chicago. His play Thom Pain (based on nothing) ran for a year at the DR2 Theater, was a finalist for the 2005 Pulitzer Prize, and has been translated into over a dozen languages. He was recently awarded the PEN/Laura Pels International Foundation Award. Other work has appeared in Harper's, The Believer, and The Quarterly. He strikes me as being the real thing, a real playwright. He takes every chance. And Will keeps his voice his own: he has an awareness of the human condition I wish more people his age had. Edward Albee

Mr. Eno has studied the play closely, and the marvel of his new version is how closely it tracks the original while also being, at every moment and unmistakably, a Will Eno play - after climbing the craggy peaks of Ibsen's daunting play Mr. Eno has brought down from its dizzying heights a surprisingly crowd-pleasing (if still strange) work.