Will Eno – författare

Is laziness the opposite of love? Is the search for the Self for total nobodies? These are questions posed through the prolific pen of Will Eno one of America's leading contemporary playwrights whose talents for playful idiosyncratic language shine through in Gnit. Watch closely as Peter Gnit a funny-enough but so-so specimen of humanity makes a lifetime of bad decisions on the search for his True Self which is disintegrating while he searches. A rollicking and very cautionary tale

WINNER! of the inaugural Horton Foote Award for Most Promising New Play of 2010Middletown is a deeply moving and funny new play exploring the universe of a small American town. As a friendship develops between longtime resident John Dodge and new arrival Mary Swanson the lives of the inhabitants of Middletown intersect in strange and poignant ways in a journey that takes them from the local library to outer space and points between.

"Behold the newest nobody of the funniest century yet. He's almost Christ-like from a distance in terms of height and weight. Listen closely or drift off uncontrollably as he speaks to you directly about the notion of home about the notion of the world. All of it delivered with the authority that is the special province of the unsure and the un-homed which is a word he made up accidentally. The running time if he doesn't die or think of anything else is roughly one hour. Title and Deed

"Is it now? I thought I had more time."These first words in Will Eno's play are spoken by Guy a man who knows like all of us on some level that he is about to die. The play questions why we are here and the journeys that everyone takes to eventually get to the same place. Eno challenges what is worth celebrating in life and what is worth treasuring in this moving and funny play.

A moving mysterious at times hilarious story of a tiny plot of land and some people with grand and incompatible designs on it.

The Underlying Chris is a life-affirming and high-spirited look at how a person comes into their identity and how sometimes it's life's tiniest moments that most profoundly change our lives. In these divided times The Underlying Chris serves as a celebration of our differences our individuality and the many mysterious difficult and beautiful things we share simply by being alive.

Is the search for the Self for total nobodies? Watch closely as Peter Gnit, a funny-enough but so-so specimen of humanity, makes a lifetime of bad decisions, on the search for his True Self, which is disintegrating while he searches.A rollicking and very cautionary tale about, among other things, how the opposite of love is laziness. Gnit is a faithful, unfaithful, and willfully American misreading of Henrik Ibsen’s Peer Gynt, a 19th century Norwegian play which is famous for all the wrong reasons, written by Will Eno, who has never been to Norway.

In The Realistic Joneses, we meet Bob and Jennifer and their new neighbours, John and Pony, two suburban couples who have even more in common thantheir identical homes and their shared last names. As their relationships begin to irrevocably intertwine, the Joneses must decide between their idyllic fantasies and their imperfect realities. This contemporary comedy explores how our joys and sorrows - and how we choose to face them - can come to define our lives.

People have been born into families since people started getting born at all. Playwrights have been trying to write Family Plays for a long time, too. And typically these plays try to answer endlessly complicated questions of blood and duty and inheritance and responsibility. They try to answer the question, "Can things really change?" People have been trying nobly for years and years to have plays solve in two hours what hasn't been solved in many lifetimes. This has to stop. The Open House is an hour and twenty minutes, with no intermission.

This funny, moving, and thought-provoking new play, written and directed by Lucille Lortel and Obie Award-winner Will Eno, challenges the notion of what really matters and recognizes the importance of life’s simple pleasures. (All of which might sound dreary, but there’s a chance this will be a really good experience.)

The sun has set over streets of houses, government buildings and American backyards everywhere. The world is dark. A news team is on the scene. Their report: someone left the lawn sprinklers on; someone's horse is loose; a seashell is lying in the grass; dogs run by. The Governor issues excited statements appealing for calm. It is night-time in the world. Everyone's afraid. Everyone doesn't know if the sun, once down, will ever rise again. But there is a witness, and the witness will speak.

No one in the middle of being in love ever sat down to write a love story. It's only after the belongings are sorted and the shirts returned that the pencils are sharpened and the notebooks opened. So, in a serious way, love stories are never love stories. Love is their inspiration, yes, but the end of love is the reason for their existence. This is a problem. It proposes anti-journeys where we saw only journeys, directs things toward a new negative we hadn't intended. The Flu Season tries to be a love story, anyway. It has a strategy. The play revels in it's ambivalence, lives in fits and starts, and derives a flailing energy from its doubts about itself. But these come at a price, which is paid by the characters in the play. A kind of clarity finally comes. In the end, is the end.

From the dark corners of Western civilisation, here comes Thom Pain, telling it like it is, like it isn't, like it should be. A nobody, an Everyman, hey, he's just like you. This is for the faint heart, this is for the wounded, for the average, the uneducated masses, the living, for those who have not had enough. Published with another, as yet untitled monologue. Thom Pain opens at the Edinburg Fringe, produced by the Soho Theatre, in August 2004.

Includes: Behold the Coach, in a Blazer, Uninsured; Ladies and Gentlemen, the Rain; Enter the Spokeswoman, Gently; The Bully Composition; and Oh, the HumanityFive short plays about being alive.We’d like you to meet a bunch of people with something on their mind. There’s a coach with an awkward confession to make and a spokeswoman who doesn’t know what to say. This man and that woman want to fall in love, but they’re not quite sure how. Oh, and these people want to take your picture, so just act natural, ok? Witty, charming and playful, Oh, The Humanity exposes the terrible hope and hilarious uncertainty of our lives, through the eyes of one of New York’s hottest playwrights.

Mary Swanson just moved to Middletown. About to have her first child, she is eager to enjoy the neighbourly bonds a small town promises. But life in Middletown is complicated: neighbors are near strangers and moments of connection are fleeting. Middletown is a playful, poignant portrait of a town with two lives, one ordinary and visible, the other epic and mysterious.Middletown was awarded the prestigious Horton Foote Prize for Promising New American Play in 2010.“The strange beauty of life and its sometimes unbearable weight are both considered with a screwball lyricism… pitch-perfect… delicate, moving and wry” - New York Times

This new series brings together some of the best new writing from contemporary American playwrights.Volume One is introduced by Andre Bishop, Artistic Director of the Lincoln CenterTheater, the most prestigious theatre in the USA. Each play is introduced by critically acclaimed writers themselves.The volume includes:KIN by Bathsheba Doran, (with an introduction by Chris Durang)Kin sheds a sharp light on the changing face of kinship in the expansive landscape of the modern world.'Simply terrific. Perhaps the finest new play of the season. Funny andaudacious, haunting, and exquisitely wrought.' Charles Isherwood, New York TimesMIDDLETOWN by Will Eno (with an introduction by Gordon Lish)Middletown was awarded the prestigious Horton Foote Prize for Promising New American Play in 2010.'Middletown glimmers from start to finish with tart, funny, gorgeous little comments on big things: the need for love and forgiveness, the search for meaning in life, the long, lonely ache of disappointment.' Charles Isherwood, New York TimesCOMPLETENESS by Itamar Moses (with an introduction by Doug Wright)Completeness is a 21st-century romantic comedy about the timeless confusions of love.'A funny, ridiculously smart new play. I haven’t seen another play recentlythat so perfectly captured love – hot-blooded, fearless, fi ckle – at this stagein life. I was left with nothing but admiration.' Jeremy Gerard, Bloomberg NewsGOD'S EAR by Jenny Schwartz (with an introduction by Edward Albee)'This ode to love, loss and the routines of life has the economy and drywit of a Sondheim love song … Schwartz is a real talent and she is trying something ambitious … In [her] very modern way, [she is] making a rather old-fashioned case for the power of the written word.' Jason Zinoman, New York Times