Inclusion in New Danish Cinema

Sexuality and Transnational Belonging

AvMeryl Shriver-Rice

Häftad, Engelska, 2015

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Beskrivning

Often recognized as one of the happiest countries in the world, Denmark, like its Scandinavian neighbours, is known for its progressive culture, which is also reflected in its national cinema. It is not surprising, then, that Danish film boasts as many successful women film directors as men, uses scripts that are often co-written by both the director and the screenwriter, and produces among the highest numbers of queer films directed by and starring women. Despite all this, Danish film is not widely written about, especially in English. Inclusion in New Danish Cinema brings this vibrant culture to English-language audiences. Meryl Shriver-Rice argues that Denmark has demonstrated that film can reinforce cultural ethics and political values while also navigating the ongoing and mounting forces of digital communication and globalization.

Produktinformation

Utgivningsdatum:2015-09-15
Mått:178 x 229 x 11 mm
Vikt:331 g
Format:Häftad
Språk:Engelska
Antal sidor:272
Förlag:Intellect
ISBN:9781783201938

Utforska kategorier

Genusvetenskap inom Samhälle och politik
Film inom Kultur

Mer om författaren

Meryl Shriver-Rice is assistant professor in the Department of Arts and Philosophy at Miami Dade College.

Innehållsförteckning

IntroductionChapter 1: New Danish Cinema: An OverviewCurrent Trends in ScholarshipRemarkable Storytelling = Result of Remarkable Production StrategyMarrying Digital Aesthetic with Ethical Boundaries and Cultural ValuesChapter 2: Dogme BeginningsDogme Rules: Style and GenreEthics and Morality in Dogme and New Danish CinemaReality Aesthetic and the ‘Always On’ CultureChapter 3: Practitioner’s Agency: Women Directors Chapter 4: Heterosexual RelationshipsTriangular Desire and Dialectical IdentityFamily and Transnational BelongingGender and AgencyChapter 5: Queer RelationshipsQueer Subjectivity and New Danish CinemaPerforming Masculinity and FemininityStereotypes and Alternative Family StructuresIndividualized DesireChapter 6: Adapting National IdentityAdapting the National: ‘Truth’ and Story in New Danish CinemaTrauma, Existential Crisis and BlameAdapting the National: The ‘Hollywoodization’ of Nordic Art FilmChapter 7: In a Better World: Empathy and Ego Transnational Belonging and Digital CommunicationSolitude and Self-Reflection Empathy and Ego