Meryl Shriver-Rice is assistant professor in the Department of Arts and Philosophy at Miami Dade College.

• IntroductionChapter 1: New Danish Cinema: An OverviewCurrent Trends in ScholarshipRemarkable Storytelling = Result of Remarkable Production StrategyMarrying Digital Aesthetic with Ethical Boundaries and Cultural ValuesChapter 2: Dogme BeginningsDogme Rules: Style and GenreEthics and Morality in Dogme and New Danish CinemaReality Aesthetic and the ‘Always On’ CultureChapter 3: Practitioner’s Agency: Women Directors Chapter 4: Heterosexual RelationshipsTriangular Desire and Dialectical IdentityFamily and Transnational BelongingGender and AgencyChapter 5: Queer RelationshipsQueer Subjectivity and New Danish CinemaPerforming Masculinity and FemininityStereotypes and Alternative Family StructuresIndividualized DesireChapter 6: Adapting National IdentityAdapting the National: ‘Truth’ and Story in New Danish CinemaTrauma, Existential Crisis and BlameAdapting the National: The ‘Hollywoodization’ of Nordic Art FilmChapter 7: In a Better World: Empathy and Ego Transnational Belonging and Digital CommunicationSolitude and Self-Reflection Empathy and Ego

Meryl Shriver-Rice is assistant professor in the Department of Arts and Philosophy at Miami Dade College.

• IntroductionChapter 1: New Danish Cinema: An OverviewCurrent Trends in ScholarshipRemarkable Storytelling = Result of Remarkable Production StrategyMarrying Digital Aesthetic with Ethical Boundaries and Cultural ValuesChapter 2: Dogme BeginningsDogme Rules: Style and GenreEthics and Morality in Dogme and New Danish CinemaReality Aesthetic and the ‘Always On’ CultureChapter 3: Practitioner’s Agency: Women Directors Chapter 4: Heterosexual RelationshipsTriangular Desire and Dialectical IdentityFamily and Transnational BelongingGender and AgencyChapter 5: Queer RelationshipsQueer Subjectivity and New Danish CinemaPerforming Masculinity and FemininityStereotypes and Alternative Family StructuresIndividualized DesireChapter 6: Adapting National IdentityAdapting the National: ‘Truth’ and Story in New Danish CinemaTrauma, Existential Crisis and BlameAdapting the National: The ‘Hollywoodization’ of Nordic Art FilmChapter 7: In a Better World: Empathy and Ego Transnational Belonging and Digital CommunicationSolitude and Self-Reflection Empathy and Ego

Meryl Shriver-Rice is assistant professor in the Department of Arts and Philosophy at Miami Dade College.

• IntroductionChapter 1: New Danish Cinema: An OverviewCurrent Trends in ScholarshipRemarkable Storytelling = Result of Remarkable Production StrategyMarrying Digital Aesthetic with Ethical Boundaries and Cultural ValuesChapter 2: Dogme BeginningsDogme Rules: Style and GenreEthics and Morality in Dogme and New Danish CinemaReality Aesthetic and the ‘Always On’ CultureChapter 3: Practitioner’s Agency: Women Directors Chapter 4: Heterosexual RelationshipsTriangular Desire and Dialectical IdentityFamily and Transnational BelongingGender and AgencyChapter 5: Queer RelationshipsQueer Subjectivity and New Danish CinemaPerforming Masculinity and FemininityStereotypes and Alternative Family StructuresIndividualized DesireChapter 6: Adapting National IdentityAdapting the National: ‘Truth’ and Story in New Danish CinemaTrauma, Existential Crisis and BlameAdapting the National: The ‘Hollywoodization’ of Nordic Art FilmChapter 7: In a Better World: Empathy and Ego Transnational Belonging and Digital CommunicationSolitude and Self-Reflection Empathy and Ego