The Culture of Photography in Public Space

Anne Marsh is a professional research fellow at the Victorian College of the Arts, University of Melbourne.Melissa Miles is an Australian Research Council Future Fellow and photography historian.Daniel Palmer is a writer and Senior Lecturer in the Art Theory Program in the Faculty of Art, Design & Architecture at Monash University. He has a long-standing involvement with the Centre for Contemporary Photography in Melbourne, as a former curator and current board member. His publications include the books Twelve Australian Photo Artists (2009), co-authored with Blair French, and the edited volume Photogenic: Essays/Photography/CCP 2000–2004 (2005). His scholarly writings on photography have appeared in journals such as Photographies, Philosophy of Photography, Angelaki and Reading Room, and he regularly contributes to art magazines including Art & Australia and Frieze. His current research focuses upon the digital image and collaboration in photography.

• Introduction – Melissa MilesChapter 1 Standing on Shifting Ground: Privacy and Photography in Public – Melissa MilesChapter 2 Tilt – Simon TerrillChapter 3 'No Credible Photographic Interest': Photography Restrictions and Surveillance in a Time of Terror – Daniel Palmer and Jessica WhyteChapter 4 Street View/Interface – Michael WolfChapter 5 Bill Henson and the Polemics of the Nude Child in Photography – Alexandra Heller-Nicholas and Anne MarshChapter 6 The Sleepers and Trafalgar Square – Cherine FahdChapter 7 Criminalizing 'Camera Fiends': Photography Restrictions in the Age of Digital Reproduction – Jessica WhyteChapter 8 In the Event of Amnesia the City will Recall – Denis BeauboisChapter 9 The Face in Digital Space – Martyn JollyChapter 10 From Sixteen Google Street Views – Jon RafmanChapter 11 Google Street View and Photography in Public Space – Daniel PalmerFurther Reading