NICOLÒ PALAZZETTI is a Postdoctoral Research Fellow in Music and Theatre at Sapienza University of Rome. Prior to join Sapienza, Palazzetti worked as a Teaching Fellow at the University of Birmingham, UK and as a Postdoctoral Research Fellow at the University of Strasbourg, France. He obtained his PhD in 2017 at the École des Hautes Études en Sciences Sociales, Paris.

Palazzetti's work is of very high quality indeed; thoroughly researched in multiple languages, it amasses a wealth of primary source material, shows firm control of the secondary literature on Bartók, and draws on scholarship from outside musicology. Béla Bartók in Italy is an erudite work, a major addition to Bartók studies, and a significant contribution to the field of historical musicology.

• IntroductionChapter 1: Bartók in Liberal Italy, 1911-1925 Chapter 2: Heroism and Silence: Bartók in Mussolini's Italy, 1925-1938Chapter 3: Resistance and Dictatorship, 1939-1942Chapter 4: Resistance and Democracy, 1943-1947Chapter 5: Bartók's Legacy in a Divided World, 1948-1956Chapter 6: Bartók's Influence on Italian ComposersConclusion: Bartók and the Memory of the Twentieth CenturyBibliographyAppendix: Performances of Bartók's Works in Italy between 1911 and 1950 Index

NICOLÒ PALAZZETTI is a Postdoctoral Research Fellow in Music and Theatre at Sapienza University of Rome. Prior to join Sapienza, Palazzetti worked as a Teaching Fellow at the University of Birmingham, UK and as a Postdoctoral Research Fellow at the University of Strasbourg, France. He obtained his PhD in 2017 at the École des Hautes Études en Sciences Sociales, Paris.

Palazzetti's work is of very high quality indeed; thoroughly researched in multiple languages, it amasses a wealth of primary source material, shows firm control of the secondary literature on Bartók, and draws on scholarship from outside musicology. Béla Bartók in Italy is an erudite work, a major addition to Bartók studies, and a significant contribution to the field of historical musicology.

• IntroductionChapter 1: Bartók in Liberal Italy, 1911-1925 Chapter 2: Heroism and Silence: Bartók in Mussolini's Italy, 1925-1938Chapter 3: Resistance and Dictatorship, 1939-1942Chapter 4: Resistance and Democracy, 1943-1947Chapter 5: Bartók's Legacy in a Divided World, 1948-1956Chapter 6: Bartók's Influence on Italian ComposersConclusion: Bartók and the Memory of the Twentieth CenturyBibliographyAppendix: Performances of Bartók's Works in Italy between 1911 and 1950 Index

NICOLÒ PALAZZETTI is a Postdoctoral Research Fellow in Music and Theatre at Sapienza University of Rome. Prior to join Sapienza, Palazzetti worked as a Teaching Fellow at the University of Birmingham, UK and as a Postdoctoral Research Fellow at the University of Strasbourg, France. He obtained his PhD in 2017 at the École des Hautes Études en Sciences Sociales, Paris.

Palazzetti's work is of very high quality indeed; thoroughly researched in multiple languages, it amasses a wealth of primary source material, shows firm control of the secondary literature on Bartók, and draws on scholarship from outside musicology. Béla Bartók in Italy is an erudite work, a major addition to Bartók studies, and a significant contribution to the field of historical musicology.

• IntroductionChapter 1: Bartók in Liberal Italy, 1911-1925 Chapter 2: Heroism and Silence: Bartók in Mussolini's Italy, 1925-1938Chapter 3: Resistance and Dictatorship, 1939-1942Chapter 4: Resistance and Democracy, 1943-1947Chapter 5: Bartók's Legacy in a Divided World, 1948-1956Chapter 6: Bartók's Influence on Italian ComposersConclusion: Bartók and the Memory of the Twentieth CenturyBibliographyAppendix: Performances of Bartók's Works in Italy between 1911 and 1950 Index