DIANA R. HALLMAN is Professor of Musicology, University Research Professor, and Coordinator of the Opera Research Alliance at the University of Kentucky. CÉSAR A. LEAL is Assistant Professor and Director of Orchestral Activities in the Sunderman Conservatory of Music at Gettysburg College. He also served as musicology professor and conductor at the University of the South in Sewanee, TN. DIANA R. HALLMAN is Professor of Musicology, University Research Professor, and Coordinator of the Opera Research Alliance at the University of Kentucky. ANNEGRET FAUSER, Cary C. Boshamer Distinguished Professor of Music, University of North Carolina at Chapel Hill MARK A. POTTINGER is Professor of Music and Musicology and Chair of the Communication, Sound and Media Arts Department at Manhattan University, NY. CÉSAR A. LEAL is Assistant Professor and Director of Orchestral Activities in the Sunderman Conservatory of Music at Gettysburg College. He also served as musicology professor and conductor at the University of the South in Sewanee, TN.

• IntroductionPart I. American liberté, sauvagerie and esclavage 1 Between Amérique and Colonial France: Revolutionary Tales of liberté and esclavage Diana R. Hallman2 Justamant's Le Bossu and Depictions of Indigenous Americans in Nineteenth-Century French BalletMarian Smith, Sarah Gutsche-Miller and Helena Kopchick Spencer3 Louisiana Imagined: Gender, Race and Slavery in Le Planteur (1839) Helena Kopchick Spencer Part II. Myths of America and Intersecting Identities4 'Brise du Sud': American Identity and War in the Popular Sheet Music of Francophone New Orleans Charlotte Bentley5 'The Most Seductive Creole Indolence': Louis Moreau Gottschalk in the French PressLaura Moore Pruett 6 Symphonies from the New World: The Myths and Realities of American Orchestral Music in France Douglas Shadle Part III. Soundscapes and Sonic Fantasies7 Historical Acoustemology in the French Romantic Travelogue: Chateaubriand's Sonic Imagining of the New World Ruth E. Rosenberg8 La Liberté éclairant le monde: Transatlantic Soundscapes for the Statue of Liberty Annegret Fauser Part IV. America, Commodification and Race at the fin de siècle9 Buffalo Bill and the Sound of America at the 1889 World's Fair Mark A. Pottinger10 Cakewalking in Paris: New Representations and Contexts of African American Culture César A. LealBibliographyIndex

DIANA R. HALLMAN is Professor of Musicology, University Research Professor, and Coordinator of the Opera Research Alliance at the University of Kentucky. CÉSAR A. LEAL is Assistant Professor and Director of Orchestral Activities in the Sunderman Conservatory of Music at Gettysburg College. He also served as musicology professor and conductor at the University of the South in Sewanee, TN. DIANA R. HALLMAN is Professor of Musicology, University Research Professor, and Coordinator of the Opera Research Alliance at the University of Kentucky. ANNEGRET FAUSER, Cary C. Boshamer Distinguished Professor of Music, University of North Carolina at Chapel Hill MARK A. POTTINGER is Professor of Music and Musicology and Chair of the Communication, Sound and Media Arts Department at Manhattan University, NY. CÉSAR A. LEAL is Assistant Professor and Director of Orchestral Activities in the Sunderman Conservatory of Music at Gettysburg College. He also served as musicology professor and conductor at the University of the South in Sewanee, TN.

• IntroductionPart I. American liberté, sauvagerie and esclavage 1 Between Amérique and Colonial France: Revolutionary Tales of liberté and esclavage Diana R. Hallman2 Justamant's Le Bossu and Depictions of Indigenous Americans in Nineteenth-Century French BalletMarian Smith, Sarah Gutsche-Miller and Helena Kopchick Spencer3 Louisiana Imagined: Gender, Race and Slavery in Le Planteur (1839) Helena Kopchick Spencer Part II. Myths of America and Intersecting Identities4 'Brise du Sud': American Identity and War in the Popular Sheet Music of Francophone New Orleans Charlotte Bentley5 'The Most Seductive Creole Indolence': Louis Moreau Gottschalk in the French PressLaura Moore Pruett 6 Symphonies from the New World: The Myths and Realities of American Orchestral Music in France Douglas Shadle Part III. Soundscapes and Sonic Fantasies7 Historical Acoustemology in the French Romantic Travelogue: Chateaubriand's Sonic Imagining of the New World Ruth E. Rosenberg8 La Liberté éclairant le monde: Transatlantic Soundscapes for the Statue of Liberty Annegret Fauser Part IV. America, Commodification and Race at the fin de siècle9 Buffalo Bill and the Sound of America at the 1889 World's Fair Mark A. Pottinger10 Cakewalking in Paris: New Representations and Contexts of African American Culture César A. LealBibliographyIndex

DIANA R. HALLMAN is Professor of Musicology, University Research Professor, and Coordinator of the Opera Research Alliance at the University of Kentucky. CÉSAR A. LEAL is Assistant Professor and Director of Orchestral Activities in the Sunderman Conservatory of Music at Gettysburg College. He also served as musicology professor and conductor at the University of the South in Sewanee, TN. DIANA R. HALLMAN is Professor of Musicology, University Research Professor, and Coordinator of the Opera Research Alliance at the University of Kentucky. ANNEGRET FAUSER, Cary C. Boshamer Distinguished Professor of Music, University of North Carolina at Chapel Hill MARK A. POTTINGER is Professor of Music and Musicology and Chair of the Communication, Sound and Media Arts Department at Manhattan University, NY. CÉSAR A. LEAL is Assistant Professor and Director of Orchestral Activities in the Sunderman Conservatory of Music at Gettysburg College. He also served as musicology professor and conductor at the University of the South in Sewanee, TN.

• IntroductionPart I. American liberté, sauvagerie and esclavage 1 Between Amérique and Colonial France: Revolutionary Tales of liberté and esclavage Diana R. Hallman2 Justamant's Le Bossu and Depictions of Indigenous Americans in Nineteenth-Century French BalletMarian Smith, Sarah Gutsche-Miller and Helena Kopchick Spencer3 Louisiana Imagined: Gender, Race and Slavery in Le Planteur (1839) Helena Kopchick Spencer Part II. Myths of America and Intersecting Identities4 'Brise du Sud': American Identity and War in the Popular Sheet Music of Francophone New Orleans Charlotte Bentley5 'The Most Seductive Creole Indolence': Louis Moreau Gottschalk in the French PressLaura Moore Pruett 6 Symphonies from the New World: The Myths and Realities of American Orchestral Music in France Douglas Shadle Part III. Soundscapes and Sonic Fantasies7 Historical Acoustemology in the French Romantic Travelogue: Chateaubriand's Sonic Imagining of the New World Ruth E. Rosenberg8 La Liberté éclairant le monde: Transatlantic Soundscapes for the Statue of Liberty Annegret Fauser Part IV. America, Commodification and Race at the fin de siècle9 Buffalo Bill and the Sound of America at the 1889 World's Fair Mark A. Pottinger10 Cakewalking in Paris: New Representations and Contexts of African American Culture César A. LealBibliographyIndex