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    ‘Taking Up Space’

    Women at Work in Contemporary France

    AvSiham Bouamer,Sonja Stojanovic

    Inbunden, Engelska, 2022

    Del i serien French and Francophone Studies

    843 kr

    Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.

    Beskrivning

    Focusing on representations of women’s experiences in contemporary France, ‘Taking Up Space’ examines how women inhabit a variety of work spaces. It also speaks to the importance of cultural productions in calling out labour issues affecting women, as well as in offering a platform that allows us to imagine a future where inclusive and equitable work spaces are the norm. Drawing on Sara Ahmed’s phenomenological use of objects, the book explores women’s experiences through different metaphors of the door related to labour. The contributors demonstrate how doors are not only closed or open, but also serve as a threshold. Taken together, the chapters convey how women’s work experiences can range from states of oppression to survival and celebration, and demonstrates how through deliberate stances and actions, various work spaces can become sites of liberation and revolution.

    Produktinformation

    • Utgivningsdatum:2022-11-15
    • Mått:138 x 216 x 28 mm
    • Vikt:574 g
    • Format:Inbunden
    • Språk:Engelska
    • Serie:French and Francophone Studies
    • Antal sidor:360
    • Förlag:University of Wales Press
    • ISBN:9781786839077

    Utforska kategorier

    • Genusvetenskap inom Samhälle och politik
    • Sociologi inom Samhälle och politik

    Mer om författaren

    This book will mainly be of interest to an academic audience, for scholarly studies and as instructional material. As the first edited volume on the representations in various cultural productions of women at work in contemporary France, it will be particularly useful to scholars writing and teaching on the question of gender and labour in post-68 France.

    Innehållsförteckning

    • AcknowledgmentsNotes on ContributorsIntroduction - Siham Bouamer and Sonja StojanovicPART IBehind Closed Doors: Work and Intimate SpacesA Transmedial and Transtemporal Reading of Labour on the Run in Albertine - Sarrazin’s L’AstragalePolly GalisGood Housekeeping: Domestic Noir and Domestic Work in Leïla Slimani’s Chanson douce - Ciara GormanA Woman’s Huis clos: Exhausted Feminism in Paule Constant’s Confidence pour confidence - Jennifer WillgingA Life’s Work: Accounting for Birth in Naissances - Amaleena DamléSexual Identity as Work in Mireille Best’s Il n’y a pas d’hommes au paradis - Blase A. ProvitolaPsychoanalytical Work in Chahdortt Djavann’s Je ne suis pas celle que je suis - Rebecca RosenbergPART IIRevolving Doors: Liminal and Precarious Spaces‘Be proud of all the Fatimas’: From Alienated Labour to Poetic Consciousness in Philippe Faucon’s Fatima - Siham BouamerChimerical Cashiers: Exposure, Ableism and the Foreign Body in Marie-Hélène Lafon’s Gordana and Nos vies - Sonja StojanovicSubterranean Space and Subjugation: ‘Being Below’ in Delphine de Vigan’s Les Heures souterraines - Dorthea Fronsman-CecilIn Concrete Terms: Gendering Labour in Anne Garréta’s Dans l’béton - Jennifer CarrWoman at Sea? Space and Work in Catherine Poulain’s Le grand marin - Amy WigelsworthFrom Cabaret to the Classroom: Bambi’s Professional Transition - Maxime FoersterPART III From Opening a Few Doors to Blowing Them OffWomen’s Bénévolat militant at the Beginning of the MLF - Sandra DarocziWomen Working – Women Rebelling. Female Community and Gender Relations in Ah!Nana - Valentina Denzel ‘Putting Us Back in Our Place’: #MeToo, Women and the Literary/Cultural Establishment - Mercédès BaillargeonBreaking Down Barriers and Advocating for Change in the French Film Industry: The Career and Activism of Actress Aïssa Maïga - Leslie Kealhofer-KempUnapologetically Visible? Representing and Reassessing Contemporary French Womanhood in Dix Pour Cent - Loïc BourdeauTracées to Black Excellence? Black Women at Work in Mariannes Noires by Mame-Fatou Niang and Kaytie Nielsen - Johanna Montlouis-GabrielConclusion - Siham Bouamer and Sonja Stojanovic
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