Middle Eastern Gothics is the first scholarly volume on Gothic literature from the Middle East and North Africa (MENA). Its nine chapters consider literary expressions of the Gothic in the major Middle Eastern languages – Arabic, Hebrew, Persian and Turkish. Spanning the Maghreb, the Arabian Peninsula, Iraq, Iran, Turkey, Egypt and Palestine, the book makes a case for the transnational region – a cohesive geographic space encompassing diverse cultures, languages and histories that parallel, intersect or overlap – as a crucial locus of Gothic Studies, alongside the nation, the globe or the hyper-local. Across the MENA region, the Gothic helps express ongoing literary negotiations with modernity, leaving its distinctive mark on representations of globalisation, colonialism and nationalism. At the same time, Middle Eastern literary texts expand the boundaries of the mode on their own terms, refracting broad histories through local and indigenous forms, figures and narratives that we might associate with the Gothic.
