Eugene Wang is the Abby Aldrich Rockefeller Professor of Asian Art at Harvard University, where he holds appointments in History of Art and Architecture, Theater, Dance, and Media, Study of Religion, and Inner Asia and Altaic Studies. A Guggenheim Fellow, he is the award-winning author of Shaping the Lotus Sutra: Buddhist Visual Culture in Medieval China and the art history editor of the Encyclopedia of Buddhism. As the founding director of Harvard CAMLab (Cognition, Aesthetics, and Multimedia Lab), he pioneers innovative approaches to transforming academic knowledge into immersive sensorial experiences.

Select Guide Rating

• 1.Introduction2.Who Roamed Around the North Star?Early Chinese creation myths and celestial mapping through art.3.Why Do Alligator-Shaped Vessels Grow Horns?The zoomorphic language of hybrid ritual objects, encoding cycles of life, death, and regeneration.4.Why Does the Drinking Vessel Have Anything to Do with a Bird-Snake Fight?The yin-yang cosmology that informs the design and symbolic function of bronze vessels.5.What Does It Take to Manufacture Forms of Life?The conceptual and technical foundations of clay molds in artifact production and their evocation of vitalization.6.Why Does the Quiet Tomb Need Thunderstorms?Cosmological processes that engender vitality and dynamism in the afterlife.7.How Can One Reach Heaven by Diving into a Well?The symbolic layers behind filial piety narratives in funerary art and architecture.8.Why Is the Cave the Best Place to Play Chess?The medieval Chinese concept of 'grotto-heaven' as a distinct experiential realm beyond ordinary life.9.Which Buddha Land Would You Choose for Your Afterlife Destination?Competing Buddhist pure lands and their visual and ideological claims on medieval Chinese imagination.10.Where Did the Europeans Go After They Died in Medieval China?Zoroastrian-influenced afterlife visions and their artistic representations in medieval China.11.What Is It Like to Go to the Buddhist Monasteries in the Deep Mountains?The origin, evolution, and conceptual significance of monastery-bound mountain treks in Chinese landscape traditions.What Is It Like to Go Inside Our Own Bodies?The symbolic and conceptual agendas underpinning the pictorial scrolls of the Water Land ritual.

Eugene Wang is the Abby Aldrich Rockefeller Professor of Asian Art at Harvard University, where he holds appointments in History of Art and Architecture, Theater, Dance, and Media, Study of Religion, and Inner Asia and Altaic Studies. A Guggenheim Fellow, he is the award-winning author of Shaping the Lotus Sutra: Buddhist Visual Culture in Medieval China and the art history editor of the Encyclopedia of Buddhism. As the founding director of Harvard CAMLab (Cognition, Aesthetics, and Multimedia Lab), he pioneers innovative approaches to transforming academic knowledge into immersive sensorial experiences.

Select Guide Rating

• 1.Introduction2.Who Roamed Around the North Star?Early Chinese creation myths and celestial mapping through art.3.Why Do Alligator-Shaped Vessels Grow Horns?The zoomorphic language of hybrid ritual objects, encoding cycles of life, death, and regeneration.4.Why Does the Drinking Vessel Have Anything to Do with a Bird-Snake Fight?The yin-yang cosmology that informs the design and symbolic function of bronze vessels.5.What Does It Take to Manufacture Forms of Life?The conceptual and technical foundations of clay molds in artifact production and their evocation of vitalization.6.Why Does the Quiet Tomb Need Thunderstorms?Cosmological processes that engender vitality and dynamism in the afterlife.7.How Can One Reach Heaven by Diving into a Well?The symbolic layers behind filial piety narratives in funerary art and architecture.8.Why Is the Cave the Best Place to Play Chess?The medieval Chinese concept of 'grotto-heaven' as a distinct experiential realm beyond ordinary life.9.Which Buddha Land Would You Choose for Your Afterlife Destination?Competing Buddhist pure lands and their visual and ideological claims on medieval Chinese imagination.10.Where Did the Europeans Go After They Died in Medieval China?Zoroastrian-influenced afterlife visions and their artistic representations in medieval China.11.What Is It Like to Go to the Buddhist Monasteries in the Deep Mountains?The origin, evolution, and conceptual significance of monastery-bound mountain treks in Chinese landscape traditions.What Is It Like to Go Inside Our Own Bodies?The symbolic and conceptual agendas underpinning the pictorial scrolls of the Water Land ritual.

Eugene Wang is the Abby Aldrich Rockefeller Professor of Asian Art at Harvard University, where he holds appointments in History of Art and Architecture, Theater, Dance, and Media, Study of Religion, and Inner Asia and Altaic Studies. A Guggenheim Fellow, he is the award-winning author of Shaping the Lotus Sutra: Buddhist Visual Culture in Medieval China and the art history editor of the Encyclopedia of Buddhism. As the founding director of Harvard CAMLab (Cognition, Aesthetics, and Multimedia Lab), he pioneers innovative approaches to transforming academic knowledge into immersive sensorial experiences.

Select Guide Rating

• 1.Introduction2.Who Roamed Around the North Star?Early Chinese creation myths and celestial mapping through art.3.Why Do Alligator-Shaped Vessels Grow Horns?The zoomorphic language of hybrid ritual objects, encoding cycles of life, death, and regeneration.4.Why Does the Drinking Vessel Have Anything to Do with a Bird-Snake Fight?The yin-yang cosmology that informs the design and symbolic function of bronze vessels.5.What Does It Take to Manufacture Forms of Life?The conceptual and technical foundations of clay molds in artifact production and their evocation of vitalization.6.Why Does the Quiet Tomb Need Thunderstorms?Cosmological processes that engender vitality and dynamism in the afterlife.7.How Can One Reach Heaven by Diving into a Well?The symbolic layers behind filial piety narratives in funerary art and architecture.8.Why Is the Cave the Best Place to Play Chess?The medieval Chinese concept of 'grotto-heaven' as a distinct experiential realm beyond ordinary life.9.Which Buddha Land Would You Choose for Your Afterlife Destination?Competing Buddhist pure lands and their visual and ideological claims on medieval Chinese imagination.10.Where Did the Europeans Go After They Died in Medieval China?Zoroastrian-influenced afterlife visions and their artistic representations in medieval China.11.What Is It Like to Go to the Buddhist Monasteries in the Deep Mountains?The origin, evolution, and conceptual significance of monastery-bound mountain treks in Chinese landscape traditions.What Is It Like to Go Inside Our Own Bodies?The symbolic and conceptual agendas underpinning the pictorial scrolls of the Water Land ritual.