This book overturns the truism that people carry objects to places. Instead, it asks how objects transport people—physically, imaginatively, and emotionally—to spaces and worlds beyond their immediate reach. It explores artworks as maps of imagined journeys or as worlds inviting inner exploration, grounded in ‘deep travel’ or psychogeography. Centered on Shanxi, China—a cultural crossroads known as West of Mountains—the book examines pivotal works that model these journeys. Highlights include China's "Stonehenge" tracking solar movements, Zoroastrian-themed sarcophagi, tomb murals depicting afterlife journeys, and Buddhist scrolls for water-land rituals. Lavishly illustrated, the volume combines essays on interconnected themes with close analyses of individual pieces, offering a rich narrative on how art shapes profound spatial and imaginative experiences.

This book overturns the truism that people carry objects to places. Instead, it asks how objects transport people—physically, imaginatively, and emotionally—to spaces and worlds beyond their immediate reach. It explores artworks as maps of imagined journeys or as worlds inviting inner exploration, grounded in ‘deep travel’ or psychogeography. Centered on Shanxi, China—a cultural crossroads known as West of Mountains—the book examines pivotal works that model these journeys. Highlights include China's "Stonehenge" tracking solar movements, Zoroastrian-themed sarcophagi, tomb murals depicting afterlife journeys, and Buddhist scrolls for water-land rituals. Lavishly illustrated, the volume combines essays on interconnected themes with close analyses of individual pieces, offering a rich narrative on how art shapes profound spatial and imaginative experiences.