A. Victor Coonin is a leading historian, critic and reviewer of Renaissance Art. He is the author and editor of numerous books on the subject, including From Marble to Flesh: The Biography of Michelangelo’s David (2014), and has taught at Rhodes College since 1995. He lives in Memphis, Tennessee.

Readable and engaging . . . Donatello was amazingly versatile and constantly in demand, engaging in multiple projects, often simultaneously. An inventive sculptor, he worked in almost every conceivable medium — stucco, terra-cotta, and cartapesta as well as bronze, marble, and wood. In addition he was a colorful, witty character, and his eccentric behavior is preserved in anecdote. Coonin makes good use of this material to breathe fresh life into the art and biography of a supremely important genius who exerted a powerful influence on many subsequent artists, including Michelangelo, Bernini, Canova, Rodin, and Brancusi. Deftly weaving together history, anecdote, accounts of patronage, and sensitive descriptions of works of art, this accessible treatment is illustrated with 76 color plates. Highly recommended. - ChoiceCoonin’s book, which marks the first biographical publication on Donatello in twenty-five years, is an enjoyable and engaging read. The text is lucid, well-documented, and an informative source for those looking to explore the creativity and personality of one of the Renaissance’s most acclaimed artists. - Renaissance and Reformation / Renaissance et RéformeThe book laudably aims at an extensive readership including both specialists and nonspecialists . . . the text delivers many excellent exercises in ekphrasis, and the book will surely become a cherished travel companion for the many students and others who have fallen under the spell of Donatello and the life of Italian early Renaissance sculpture. - Renaissance Quarterly

A. Victor Coonin is a leading historian, critic and reviewer of Renaissance Art. He is the author and editor of numerous books on the subject, including From Marble to Flesh: The Biography of Michelangelo’s David (2014), and has taught at Rhodes College since 1995. He lives in Memphis, Tennessee.

Readable and engaging . . . Donatello was amazingly versatile and constantly in demand, engaging in multiple projects, often simultaneously. An inventive sculptor, he worked in almost every conceivable medium — stucco, terra-cotta, and cartapesta as well as bronze, marble, and wood. In addition he was a colorful, witty character, and his eccentric behavior is preserved in anecdote. Coonin makes good use of this material to breathe fresh life into the art and biography of a supremely important genius who exerted a powerful influence on many subsequent artists, including Michelangelo, Bernini, Canova, Rodin, and Brancusi. Deftly weaving together history, anecdote, accounts of patronage, and sensitive descriptions of works of art, this accessible treatment is illustrated with 76 color plates. Highly recommended. - ChoiceCoonin’s book, which marks the first biographical publication on Donatello in twenty-five years, is an enjoyable and engaging read. The text is lucid, well-documented, and an informative source for those looking to explore the creativity and personality of one of the Renaissance’s most acclaimed artists. - Renaissance and Reformation / Renaissance et RéformeThe book laudably aims at an extensive readership including both specialists and nonspecialists . . . the text delivers many excellent exercises in ekphrasis, and the book will surely become a cherished travel companion for the many students and others who have fallen under the spell of Donatello and the life of Italian early Renaissance sculpture. - Renaissance Quarterly

A. Victor Coonin is a leading historian, critic and reviewer of Renaissance Art. He is the author and editor of numerous books on the subject, including From Marble to Flesh: The Biography of Michelangelo’s David (2014), and has taught at Rhodes College since 1995. He lives in Memphis, Tennessee.

Readable and engaging . . . Donatello was amazingly versatile and constantly in demand, engaging in multiple projects, often simultaneously. An inventive sculptor, he worked in almost every conceivable medium — stucco, terra-cotta, and cartapesta as well as bronze, marble, and wood. In addition he was a colorful, witty character, and his eccentric behavior is preserved in anecdote. Coonin makes good use of this material to breathe fresh life into the art and biography of a supremely important genius who exerted a powerful influence on many subsequent artists, including Michelangelo, Bernini, Canova, Rodin, and Brancusi. Deftly weaving together history, anecdote, accounts of patronage, and sensitive descriptions of works of art, this accessible treatment is illustrated with 76 color plates. Highly recommended. - ChoiceCoonin’s book, which marks the first biographical publication on Donatello in twenty-five years, is an enjoyable and engaging read. The text is lucid, well-documented, and an informative source for those looking to explore the creativity and personality of one of the Renaissance’s most acclaimed artists. - Renaissance and Reformation / Renaissance et RéformeThe book laudably aims at an extensive readership including both specialists and nonspecialists . . . the text delivers many excellent exercises in ekphrasis, and the book will surely become a cherished travel companion for the many students and others who have fallen under the spell of Donatello and the life of Italian early Renaissance sculpture. - Renaissance Quarterly