Mike Dines is a lecturer of music at Middlesex University.Alastair Gordon is a senior lecturer of media and communication at De Montfort University, Leicester.Paula Guerra is professor of sociology at the University of Porto.Russ Bestley is reader in graphic design at London College of Communication.

'The story of punk has long been told from the perspective of punk in the United Kingdom and the United States. The Punk Reader: Research Transmissions from the Local to the Global, edited by Russ Bestley, Mike Dines, Alastair ‘Gords’ Gordon and Paula Guerra , begins to crack that myth since, as described at the publisher’s website, this is indeed the first edited collection that looks at the influence of punk beyond the geographical constraints previously assigned to punk. Essays on this volume critically explore punk in essays covering the globe including Spain, China, Malaysia, Portugal, Holland and Mexico. [...] A great compilation of material about the global punk scene and the international network that has appeared since the 1980s.'

• IntroductionThe Punk Narrative Turned Upside Down: Research Transmissions from the Local to the GlobalRuss Bestley, Mike Dines, Alastair 'Gords' Gordon & Paula GuerraChapter 1Sell-out Bastards! Case-study Accounts of the Dilemmas of Authenticity in the UK/US Punk 1984-2001 and BeyondAlastair 'Gords' GordonChapter 2'Nothing Like the Rest of Holland': The Groningen Punk SceneKirsty LohmanChapter 3The Global and Local in Music Scenes: The Multiple Anchoring of Portuguese PunkAugusto Santos Silva & Paula GuerraChapter 4'Crack in the System'. A Bottom-up Analysis of the Anarcho-Punk Movement in MexicoAlice Poma & Tommaso GravanteChapter 5One Struggle, One Fight, All Day, All Night: Punk Cartographies in the Subway of São PauloPaula Guerra & Débora GomesChapter 6Golfos, Punkis, Alternativos, Indignados: Subterranean Tradition of Youth (Spain, 1960-2015)Carles Feixa & Paula GuerraChapter 7Narratives of Transition Within a Subculture: A Case Study of Nomadic PunksEdward Avery-NataleChapter 8Powerviolence, or, How to Play Punk with a 'Hammer' Benjamin van LoonChapter 9Making Do in "Weird" Vancouver: DIY, Underground Venues and Documenting a SceneBrian FauteuxChapter 10'We Just Make Music': Deconstructing Notions of Authenticity in the Iranian DIY UndergroundTheresa StewardChapter 11'DIY or Die': Do It Yourself Production and the Struggle for an Autonomous Community in the Bandung Hardcore Punk SceneSean Martin-IversonChapter 12A Profane Existence?: DIY Culture, Sonic Extremism and Punk Identity in 21st Century in MalaysiaMarco FerrareseChapter 13The Punk Subculture in ChinaJian XiaoIndex

Mike Dines is a lecturer of music at Middlesex University.Alastair Gordon is a senior lecturer of media and communication at De Montfort University, Leicester.Paula Guerra is professor of sociology at the University of Porto.Russ Bestley is reader in graphic design at London College of Communication.

'The story of punk has long been told from the perspective of punk in the United Kingdom and the United States. The Punk Reader: Research Transmissions from the Local to the Global, edited by Russ Bestley, Mike Dines, Alastair ‘Gords’ Gordon and Paula Guerra , begins to crack that myth since, as described at the publisher’s website, this is indeed the first edited collection that looks at the influence of punk beyond the geographical constraints previously assigned to punk. Essays on this volume critically explore punk in essays covering the globe including Spain, China, Malaysia, Portugal, Holland and Mexico. [...] A great compilation of material about the global punk scene and the international network that has appeared since the 1980s.'

• IntroductionThe Punk Narrative Turned Upside Down: Research Transmissions from the Local to the GlobalRuss Bestley, Mike Dines, Alastair 'Gords' Gordon & Paula GuerraChapter 1Sell-out Bastards! Case-study Accounts of the Dilemmas of Authenticity in the UK/US Punk 1984-2001 and BeyondAlastair 'Gords' GordonChapter 2'Nothing Like the Rest of Holland': The Groningen Punk SceneKirsty LohmanChapter 3The Global and Local in Music Scenes: The Multiple Anchoring of Portuguese PunkAugusto Santos Silva & Paula GuerraChapter 4'Crack in the System'. A Bottom-up Analysis of the Anarcho-Punk Movement in MexicoAlice Poma & Tommaso GravanteChapter 5One Struggle, One Fight, All Day, All Night: Punk Cartographies in the Subway of São PauloPaula Guerra & Débora GomesChapter 6Golfos, Punkis, Alternativos, Indignados: Subterranean Tradition of Youth (Spain, 1960-2015)Carles Feixa & Paula GuerraChapter 7Narratives of Transition Within a Subculture: A Case Study of Nomadic PunksEdward Avery-NataleChapter 8Powerviolence, or, How to Play Punk with a 'Hammer' Benjamin van LoonChapter 9Making Do in "Weird" Vancouver: DIY, Underground Venues and Documenting a SceneBrian FauteuxChapter 10'We Just Make Music': Deconstructing Notions of Authenticity in the Iranian DIY UndergroundTheresa StewardChapter 11'DIY or Die': Do It Yourself Production and the Struggle for an Autonomous Community in the Bandung Hardcore Punk SceneSean Martin-IversonChapter 12A Profane Existence?: DIY Culture, Sonic Extremism and Punk Identity in 21st Century in MalaysiaMarco FerrareseChapter 13The Punk Subculture in ChinaJian XiaoIndex