Emily Wright is assistant professor of dance at Boston Conservatory at Berklee College of Music. She holds a Ph.D. in dance from Texas Woman's University and an MFA in dance from Arizona State University. She has contributed chapters to the edited volumes Fields in Motion: Ethnography in the Worlds of Dance (2011) and Perspectives in Performing Arts Medicine Practice (2020) and her work has been published in Dance, Movement & Spiritualities and the Journal of Emerging Dance Scholarship.

'Bubbling over with rich insights, Wright’s book marks an important contribution to dance studies and religious studies. Her revisionist framework articulates Christianity’s stance on dance with nuance and verve.... Wright’s text has sufficient theoretical sophistication to engage a scholarly audience, but it remains accessible enough for undergraduates and the general populace.Dancing to Transform expands our conception of dance and the sacred in ways that provoke and enrapture.'

• IntroductionMaking Christian Movements: Differentiation and Adaptation in Christianity from the Patristic Era to the Middle AgesAmerican Christianity from the Seventeenth to the Nineteenth CenturyDancing as American and/or Christian in the Twentieth Century‘Let Us Praise His Name with Dancing’: Ballet Magnificat! and the Transformation of Concert into ChurchServant Artists: Ad Deum Dance Company and the Transformation of SufferingBefriending the Both/And: Dishman + Co. Choreography and the Transformation of the Choreographic ProcessDancing Divine Love: Karin Stevens Dance and the Transformation of the Spiritual JourneyConclusion

Emily Wright is assistant professor of dance at Boston Conservatory at Berklee College of Music. She holds a Ph.D. in dance from Texas Woman's University and an MFA in dance from Arizona State University. She has contributed chapters to the edited volumes Fields in Motion: Ethnography in the Worlds of Dance (2011) and Perspectives in Performing Arts Medicine Practice (2020) and her work has been published in Dance, Movement & Spiritualities and the Journal of Emerging Dance Scholarship.

'Bubbling over with rich insights, Wright’s book marks an important contribution to dance studies and religious studies. Her revisionist framework articulates Christianity’s stance on dance with nuance and verve.... Wright’s text has sufficient theoretical sophistication to engage a scholarly audience, but it remains accessible enough for undergraduates and the general populace.Dancing to Transform expands our conception of dance and the sacred in ways that provoke and enrapture.'

• IntroductionMaking Christian Movements: Differentiation and Adaptation in Christianity from the Patristic Era to the Middle AgesAmerican Christianity from the Seventeenth to the Nineteenth CenturyDancing as American and/or Christian in the Twentieth Century‘Let Us Praise His Name with Dancing’: Ballet Magnificat! and the Transformation of Concert into ChurchServant Artists: Ad Deum Dance Company and the Transformation of SufferingBefriending the Both/And: Dishman + Co. Choreography and the Transformation of the Choreographic ProcessDancing Divine Love: Karin Stevens Dance and the Transformation of the Spiritual JourneyConclusion

Emily Wright is assistant professor of dance at Boston Conservatory at Berklee College of Music. She holds a Ph.D. in dance from Texas Woman's University and an MFA in dance from Arizona State University. She has contributed chapters to the edited volumes Fields in Motion: Ethnography in the Worlds of Dance (2011) and Perspectives in Performing Arts Medicine Practice (2020) and her work has been published in Dance, Movement & Spiritualities and the Journal of Emerging Dance Scholarship.

'Bubbling over with rich insights, Wright’s book marks an important contribution to dance studies and religious studies. Her revisionist framework articulates Christianity’s stance on dance with nuance and verve.... Wright’s text has sufficient theoretical sophistication to engage a scholarly audience, but it remains accessible enough for undergraduates and the general populace.Dancing to Transform expands our conception of dance and the sacred in ways that provoke and enrapture.'

• IntroductionMaking Christian Movements: Differentiation and Adaptation in Christianity from the Patristic Era to the Middle AgesAmerican Christianity from the Seventeenth to the Nineteenth CenturyDancing as American and/or Christian in the Twentieth Century‘Let Us Praise His Name with Dancing’: Ballet Magnificat! and the Transformation of Concert into ChurchServant Artists: Ad Deum Dance Company and the Transformation of SufferingBefriending the Both/And: Dishman + Co. Choreography and the Transformation of the Choreographic ProcessDancing Divine Love: Karin Stevens Dance and the Transformation of the Spiritual JourneyConclusion