Inbunden, Engelska, 2021
Oral Traditions in Contemporary China
Healing a Nation
Av Juwen Zhang
Del i serien Studies in Folklore and Ethnology: Traditions, Practices, and Identities
1465 kr
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Beskrivning
In Oral Traditions in Contemporary China: Healing a Nation, Juwen Zhang provides a systematic survey of such oral traditions as folk and fairy tales, proverbs, ballads, and folksongs that are vibrantly practiced today. Zhang establishes a theoretical framework for understanding how Chinese culture has continued for thousands of years with vitality and validity, core and arbitrary identity markers, and folkloric identity. This framework, which describes a cultural self-healing mechanism, is equally applicable to the exploration of other traditions and cultures in the world. Through topics from Chinese Cinderella to the Grimms of China, from proverbs like “older ginger is spicier” to the life-views held by the Chinese, and from mountain songs and ballads to the musical instruments like the clay-vessel-flute, the author weaves these oral traditions across time and space into a mesmerizing intellectual journey. Focusing on contemporary practice, this book serves as a bridge between Chinese and international folklore scholarship and other related disciplines as well. Those interested in Chinese culture in general and Chinese folklore, literature, and oral tradition in particular will certainly delight in perusing this book.
Produktinformation
- Utgivningsdatum: 2021-11-08
- Mått: 160 x 227 x 22 mm
- Vikt: 603 g
- Format: Inbunden
- Språk: Engelska
- Serie: Studies in Folklore and Ethnology: Traditions, Practices, and Identities
- Antal sidor: 262
- Förlag: Bloomsbury Publishing Plc
- ISBN: 9781793645135
- Utmärkelser: Winner of Chicago Folklore Prize 2022
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Mer om författaren
Juwen Zhang is professor of Chinese and folklore at Willamette University, Salem, Oregon.
Recensioner i media
The book is an impressive and wide-ranging study of Chinese oral traditions. It is the first book-length work to make Chinese folkloristics available to anglophone audiences, while the concept of the “cultural self-healing mechanism” has promise for understanding folklore’s place in communities recovering from dispossessions and traumas of imperialism and globalization.
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