Glenda Youde has recently completed her doctorate at the University of York researching the neglected artistic legacy of Elizabeth Eleanor Rossetti (née Siddall).Robert Wilkes is a postdoctoral fellow in art history at the Universidade Estadual de Campinas, São Paulo, Brazil, funded by the São Paulo Research Foundation (FAPESP).Together they organised the successful conference Pre-Raphaelite Sisters: Making Art at the University of York in December 2019.

• Contents: Making Art – Sarah Hardy: Evelyn De Morgan: Visions in Gold – Christin Neubauer: New Woman in Disguise: The Art of Eleanor Fortescue-Brickdale and the Woman Question at the Fin de Siecle – Caroline E. Giddis: New Light Upon the Soul: Mary Seton Watts’s Legacy of Progressivism and Late-Pre-Raphaelitism in the Watts Cemetery Chapel – Margaretta S. Frederick: Politics and Paint: The Life Work of Barbara Leigh Smith Bodichon – Poetry and Writing – Rosalind White: «Words Came Slowly One by One from Frozen Lips Shut Still and Dumb»: A Reappraisal of the Poetry of Elizabeth Siddal – Nat Reeve: Queer Tombs and Reframing Doom: Elizabeth Siddal and Georgiana Burne-Jones’s Unfinished Collaborative Project – Glenda Youde: Christina and Elizabeth Rossetti: Poetic and Artistic Rivals – Carey Gibbons: «The Result of an Experiment»: Evelyn De Morgan and Automatic Writing – Female Agency – Laure Nermel: «Direct and Serious and Heartfelt»: Truth-to-nature in Elizabeth Siddal’s Creative Agency – Robyne Calvert: Dismantling Pre-Raphaelite Dress: Facts and Fictions in Women’s Artistic Sartorial Practices – Helena Cox: Alžbĕta Siddallova and the Czech Rossetti – Charlotte Gere: Georgiana, Lady Burne-Jones: A Self-Portrait in the «Memorials» of Her Husband – Personal Perspectives – Brian Eaton: Fanny Eaton: An Attempt to Discover the Woman behind the Images – Hannah Squire: Beyond Ophelia and Wightwick Manor: Collecting and Exhibiting Women Artists’ Work at the National Trust.

Glenda Youde has recently completed her doctorate at the University of York researching the neglected artistic legacy of Elizabeth Eleanor Rossetti (née Siddall).Robert Wilkes is a postdoctoral fellow in art history at the Universidade Estadual de Campinas, São Paulo, Brazil, funded by the São Paulo Research Foundation (FAPESP).Together they organised the successful conference Pre-Raphaelite Sisters: Making Art at the University of York in December 2019.

• Contents: Making Art – Sarah Hardy: Evelyn De Morgan: Visions in Gold – Christin Neubauer: New Woman in Disguise: The Art of Eleanor Fortescue-Brickdale and the Woman Question at the Fin de Siecle – Caroline E. Giddis: New Light Upon the Soul: Mary Seton Watts’s Legacy of Progressivism and Late-Pre-Raphaelitism in the Watts Cemetery Chapel – Margaretta S. Frederick: Politics and Paint: The Life Work of Barbara Leigh Smith Bodichon – Poetry and Writing – Rosalind White: «Words Came Slowly One by One from Frozen Lips Shut Still and Dumb»: A Reappraisal of the Poetry of Elizabeth Siddal – Nat Reeve: Queer Tombs and Reframing Doom: Elizabeth Siddal and Georgiana Burne-Jones’s Unfinished Collaborative Project – Glenda Youde: Christina and Elizabeth Rossetti: Poetic and Artistic Rivals – Carey Gibbons: «The Result of an Experiment»: Evelyn De Morgan and Automatic Writing – Female Agency – Laure Nermel: «Direct and Serious and Heartfelt»: Truth-to-nature in Elizabeth Siddal’s Creative Agency – Robyne Calvert: Dismantling Pre-Raphaelite Dress: Facts and Fictions in Women’s Artistic Sartorial Practices – Helena Cox: Alžbĕta Siddallova and the Czech Rossetti – Charlotte Gere: Georgiana, Lady Burne-Jones: A Self-Portrait in the «Memorials» of Her Husband – Personal Perspectives – Brian Eaton: Fanny Eaton: An Attempt to Discover the Woman behind the Images – Hannah Squire: Beyond Ophelia and Wightwick Manor: Collecting and Exhibiting Women Artists’ Work at the National Trust.

Glenda Youde has recently completed her doctorate at the University of York researching the neglected artistic legacy of Elizabeth Eleanor Rossetti (née Siddall).Robert Wilkes is a postdoctoral fellow in art history at the Universidade Estadual de Campinas, São Paulo, Brazil, funded by the São Paulo Research Foundation (FAPESP).Together they organised the successful conference Pre-Raphaelite Sisters: Making Art at the University of York in December 2019.

• Contents: Making Art – Sarah Hardy: Evelyn De Morgan: Visions in Gold – Christin Neubauer: New Woman in Disguise: The Art of Eleanor Fortescue-Brickdale and the Woman Question at the Fin de Siecle – Caroline E. Giddis: New Light Upon the Soul: Mary Seton Watts’s Legacy of Progressivism and Late-Pre-Raphaelitism in the Watts Cemetery Chapel – Margaretta S. Frederick: Politics and Paint: The Life Work of Barbara Leigh Smith Bodichon – Poetry and Writing – Rosalind White: «Words Came Slowly One by One from Frozen Lips Shut Still and Dumb»: A Reappraisal of the Poetry of Elizabeth Siddal – Nat Reeve: Queer Tombs and Reframing Doom: Elizabeth Siddal and Georgiana Burne-Jones’s Unfinished Collaborative Project – Glenda Youde: Christina and Elizabeth Rossetti: Poetic and Artistic Rivals – Carey Gibbons: «The Result of an Experiment»: Evelyn De Morgan and Automatic Writing – Female Agency – Laure Nermel: «Direct and Serious and Heartfelt»: Truth-to-nature in Elizabeth Siddal’s Creative Agency – Robyne Calvert: Dismantling Pre-Raphaelite Dress: Facts and Fictions in Women’s Artistic Sartorial Practices – Helena Cox: Alžbĕta Siddallova and the Czech Rossetti – Charlotte Gere: Georgiana, Lady Burne-Jones: A Self-Portrait in the «Memorials» of Her Husband – Personal Perspectives – Brian Eaton: Fanny Eaton: An Attempt to Discover the Woman behind the Images – Hannah Squire: Beyond Ophelia and Wightwick Manor: Collecting and Exhibiting Women Artists’ Work at the National Trust.