Inge Hill is Lecturer in Entrepreneurship, The Faculty of Business & Law, The Open University Business School, UK, a Visiting Professor at IDRAC Business School, France, and a Fellow of the Royal Society of the Arts, Manufacture and Commerce.Sara R. S. T. A. Elias is Associate Professor at the University of Victoria’s Peter B. Gustavson School of Business, Canada, and a Research Associate of the Center for Psychosocial Organization Studies.Stephen Dobson is Associate Profession in Creativity and Enterprise at the School of Performance and Cultural Industries, University of Leeds, UK.Paul Jones is Head of School and Professor of Entrepreneurship and Innovation at the School of Management, Swansea University, UK.

• Chapter 1. Creative (and Cultural) Industry Entrepreneurship in the 21st Century - State of the Art; Inge Hill, Sara R. S. T. A. Elias, Stephen Dobson, and Paul JonesConceptual Reflections on CCI EntrepreneurshipChapter 2. Entrepreneurship Research in Cultural and Creative Industries: Identifying Key Ingredients of a ‘Hodgepodge; Ellen LootsChapter 3. Cultural and Arts Entrepreneurship: The Importance of Being Aesthetic; Simony R. Marins and Eduardo DavelChapter 4. On Entrepreneurial Brainchildren: The Concept of Inditation – Towards a Theory; Ulrike PosseltChapter 5. The Slipperiness of Entrepreneurial Intention in Narratives of Cultural and Creative Industries Entrepreneurship; David SharpeResilience and Adaptation of Creative and Cultural EnterprisesChapter 6. Mask Makers as Emerging Creative Entrepreneurs During COVID-19; Hannah Grannemann, Jennifer Reis, Maggie Murphy, and Marie SegaresChapter 7. Fostering Creative Entrepreneurship through Self Help Group: Post Covid Resilience; Bhawana Bhardwaj, Balkrishan Patarwal, and Dipanker SharmaChapter 8. The Resilience and Adaptability of an Innovative Ecosystem of Creative Entrepreneurs During Crisis Times: Baltic Creative CIC – A Case Study; Fiona Armstrong-Gibbs and Jan BrownInsights into Creative SubsectorsChapter 9. Daddy or Hubby? Family and Female Entrepreneurship in the Indian Movie Industry; Rajeev Kamineni and Ruth RentschlerChapter 10. Between Professionalisation and Marginalisation in the Creative (and Cultural) Industries: A New Look of the Work of Musicians in a French Large Creative City; Nantalie Schieb-Bienfait and Sandrine EminChapter 11. A Critical Appraisal of Challenges Facing Fashion Entrepreneurs in BAME and Disadvantaged Communities; Samuel Osei-Nimo, Emmanuel Aboagye-Nimo, and Doreen Adusei MBEChapter 12. Creative Industries in Cameroon: Problems and Prospects; Ernestine NingChapter 13. An Examination of the Relationship between Creative Identity and Entrepreneurial Identity; Jacqueline Jenkins

Inge Hill is Lecturer in Entrepreneurship, The Faculty of Business & Law, The Open University Business School, UK, a Visiting Professor at IDRAC Business School, France, and a Fellow of the Royal Society of the Arts, Manufacture and Commerce.Sara R. S. T. A. Elias is Associate Professor at the University of Victoria’s Peter B. Gustavson School of Business, Canada, and a Research Associate of the Center for Psychosocial Organization Studies.Stephen Dobson is Associate Profession in Creativity and Enterprise at the School of Performance and Cultural Industries, University of Leeds, UK.Paul Jones is Head of School and Professor of Entrepreneurship and Innovation at the School of Management, Swansea University, UK.

• Chapter 1. Creative (and Cultural) Industry Entrepreneurship in the 21st Century - State of the Art; Inge Hill, Sara R. S. T. A. Elias, Stephen Dobson, and Paul JonesConceptual Reflections on CCI EntrepreneurshipChapter 2. Entrepreneurship Research in Cultural and Creative Industries: Identifying Key Ingredients of a ‘Hodgepodge; Ellen LootsChapter 3. Cultural and Arts Entrepreneurship: The Importance of Being Aesthetic; Simony R. Marins and Eduardo DavelChapter 4. On Entrepreneurial Brainchildren: The Concept of Inditation – Towards a Theory; Ulrike PosseltChapter 5. The Slipperiness of Entrepreneurial Intention in Narratives of Cultural and Creative Industries Entrepreneurship; David SharpeResilience and Adaptation of Creative and Cultural EnterprisesChapter 6. Mask Makers as Emerging Creative Entrepreneurs During COVID-19; Hannah Grannemann, Jennifer Reis, Maggie Murphy, and Marie SegaresChapter 7. Fostering Creative Entrepreneurship through Self Help Group: Post Covid Resilience; Bhawana Bhardwaj, Balkrishan Patarwal, and Dipanker SharmaChapter 8. The Resilience and Adaptability of an Innovative Ecosystem of Creative Entrepreneurs During Crisis Times: Baltic Creative CIC – A Case Study; Fiona Armstrong-Gibbs and Jan BrownInsights into Creative SubsectorsChapter 9. Daddy or Hubby? Family and Female Entrepreneurship in the Indian Movie Industry; Rajeev Kamineni and Ruth RentschlerChapter 10. Between Professionalisation and Marginalisation in the Creative (and Cultural) Industries: A New Look of the Work of Musicians in a French Large Creative City; Nantalie Schieb-Bienfait and Sandrine EminChapter 11. A Critical Appraisal of Challenges Facing Fashion Entrepreneurs in BAME and Disadvantaged Communities; Samuel Osei-Nimo, Emmanuel Aboagye-Nimo, and Doreen Adusei MBEChapter 12. Creative Industries in Cameroon: Problems and Prospects; Ernestine NingChapter 13. An Examination of the Relationship between Creative Identity and Entrepreneurial Identity; Jacqueline Jenkins

Inge Hill is Lecturer in Entrepreneurship, The Faculty of Business & Law, The Open University Business School, UK, a Visiting Professor at IDRAC Business School, France, and a Fellow of the Royal Society of the Arts, Manufacture and Commerce.Sara R. S. T. A. Elias is Associate Professor at the University of Victoria’s Peter B. Gustavson School of Business, Canada, and a Research Associate of the Center for Psychosocial Organization Studies.Stephen Dobson is Associate Profession in Creativity and Enterprise at the School of Performance and Cultural Industries, University of Leeds, UK.Paul Jones is Head of School and Professor of Entrepreneurship and Innovation at the School of Management, Swansea University, UK.

• Chapter 1. Creative (and Cultural) Industry Entrepreneurship in the 21st Century - State of the Art; Inge Hill, Sara R. S. T. A. Elias, Stephen Dobson, and Paul JonesConceptual Reflections on CCI EntrepreneurshipChapter 2. Entrepreneurship Research in Cultural and Creative Industries: Identifying Key Ingredients of a ‘Hodgepodge; Ellen LootsChapter 3. Cultural and Arts Entrepreneurship: The Importance of Being Aesthetic; Simony R. Marins and Eduardo DavelChapter 4. On Entrepreneurial Brainchildren: The Concept of Inditation – Towards a Theory; Ulrike PosseltChapter 5. The Slipperiness of Entrepreneurial Intention in Narratives of Cultural and Creative Industries Entrepreneurship; David SharpeResilience and Adaptation of Creative and Cultural EnterprisesChapter 6. Mask Makers as Emerging Creative Entrepreneurs During COVID-19; Hannah Grannemann, Jennifer Reis, Maggie Murphy, and Marie SegaresChapter 7. Fostering Creative Entrepreneurship through Self Help Group: Post Covid Resilience; Bhawana Bhardwaj, Balkrishan Patarwal, and Dipanker SharmaChapter 8. The Resilience and Adaptability of an Innovative Ecosystem of Creative Entrepreneurs During Crisis Times: Baltic Creative CIC – A Case Study; Fiona Armstrong-Gibbs and Jan BrownInsights into Creative SubsectorsChapter 9. Daddy or Hubby? Family and Female Entrepreneurship in the Indian Movie Industry; Rajeev Kamineni and Ruth RentschlerChapter 10. Between Professionalisation and Marginalisation in the Creative (and Cultural) Industries: A New Look of the Work of Musicians in a French Large Creative City; Nantalie Schieb-Bienfait and Sandrine EminChapter 11. A Critical Appraisal of Challenges Facing Fashion Entrepreneurs in BAME and Disadvantaged Communities; Samuel Osei-Nimo, Emmanuel Aboagye-Nimo, and Doreen Adusei MBEChapter 12. Creative Industries in Cameroon: Problems and Prospects; Ernestine NingChapter 13. An Examination of the Relationship between Creative Identity and Entrepreneurial Identity; Jacqueline Jenkins