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Ralph Hanna - John Ridewall, Fulgentius metaforalis, Häftad

Häftad, Engelska, 2025

John Ridewall, Fulgentius metaforalis

Av Ralph Hanna

Del i serien Exeter Medieval Texts and Studies

664 kr

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Beskrivning
John Ridewall's Fulgencius metaforalis is a moralising commentary on Fulgentius's sixth-century Mitologiae, an introduction to the classical gods and their stories. Composed in Oxford in the 1330s and subject to almost immediate local (and broader English) use, the work was a pan-European success, and more than 100 manuscripts preserve Ridewall's text in some form. Fulgencius metaforalis has been edited before, nearly a century ago, by a great medievalist, Hans Liebeschütz; he, however, did not recognise that the manuscript he presented was a fragment, containing only about one-third of the whole. This volume provides Ridewall's entire text, as usually communicated, with a translation. In addition, it contains a substantial introduction; this outlines various difficulties in the transmission of Fulgencius and evidence for the work's extensive medieval reception. Annotation to the text identifies and indexes Ridewall's sources – most of his mythographic knowledge reflects either Remigius of Auxerre's commentary on Martianus Capella or the Third Vatican Mythographer; and offers one manuscript tabula/index, useful for seeing how readers may have accessed the work piecemeal (by manuscript consultation, not, as frequently claimed, as a set of 'memory diagrams').
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Ralph Hanna is Professor of Palaeography (Emeritus) and Emeritus Fellow at Keble College, Oxford. He is a former Guggenheim Fellow, former Fellow of the Radcliffe Institute (Harvard University), and winner of the British Academy Sir Israel Gollancz Prize for English Language 2015. His many books with Liverpool University Press include John Ridewall, Fulgentius metaforalis (2023), Looking at Medieval Books: Learning to See (2023), Robert Holcot, exegete (2021) and Malachy the Irishman, On Poison (2020).

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‘Hanna makes the case for a more extensive, albeit anonymous, circulation of Ridewall’s work than previously has been envisaged; it enjoyed, he claims, a measure of pan-European success. Now we have Ridewall’s entire text along with a highly readable English translation. Much credit is due to Hanna for having provided a long-desired edition, which will enable a fuller understanding of the development of mythographic interpretation in the later Middle Ages.’ Alastair Minnis, Medium Ævum

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