John Kenneth Paranada serves as the Curator of Art and Climate Change at the Sainsbury Centre, funded by the John Ellerman Foundation, and is a researcher at the Tyndall Centre for Climate Change Research, UEA. His interdisciplinary expertise spans museum studies, curatorial studies, art history, community engagement, climate communication and energy management. In 2023, he curated ‘Sediment Spirit’ and co-edited the publication Planet For Our Future. Specialising in international contemporary art, sustainability and planetary ecology, Ken focuses on curating art and culture to accelerate climate awareness and action. He is affiliated with international organisations such as the International Council of Museums, the Committee for Museums and Collections of Modern Art and the Association of Art Museum Curators, amongst others. Tania Moore is head of exhibitions at the Sainsbury Centre. Tania was exhibition curator for the ‘What is Truth?’ season at the Sainsbury Centre. Publications include What Is Truth? (Sainsbury Centre, 2024), and Rhythm and Geometry: Constructivist Art in Britain Since 1951 (Sainsbury Centre, 2021). She has contributed chapters on post-war and contemporary sculpture to publications including Magdalene Odundo: The Journey of Things (InOther Words, 2019), Elisabeth Frink: Humans and Other Animals (Sainsbury Centre, 2018) and Becoming Henry Moore (Henry Moore Foundation, 2017). In 2019, she received the New Collecting Award from the Art Fund to acquire sculptors’ drawings by contemporary women and non-binary artists for the Sainsbury Centre collection.

The Guardian has reviewed the exhibition for Can the Seas Survive Us? - The Guardian

• FOREWORDJago Cooper 6INTRODUCTIONJohn Kenneth Paranada 9FLUID LINES: CHARTING CHANGEAND CHANGING CHARTSDjoeke van Netten 25SOUNDING THE UNKNOWN:WATERS AND GLOBAL CHANGESoren Brothers 33REDRAWING THE LINEAndrew Watkinson 43‘THE LEAVING OF KATTEGAT SEA(OR THE MERMEN’S LAMENT)’Harun Morrison 53‘THE IMAGE OF ETERNITY’:DEEP TIME, POWERAND VULNERABILITYIN REPRESENTATIONS OFSEAS AND OCEANSCourtney Traub 56TIPPING POINTS: PAUSING THEUNSTOPPABLE IN THE WORK OFMAGGI HAMBLING, CLAIRE CANSICKAND MARGARET MELLISAntonia Blocker 68‘SELKIE SONG’Harun Morrison 77A SEA OF RESILIENCE:OCEANIC (IN)VISIBILITYKaren Jacobs 80THE EVOLUTION OFPARADISE CAMPYuki Kihara in conversation withTania Moore 95ESTUARINEPatrick Flores 105SEA INSIDE: ART ANDMARINE INTERIORITYPandora Syperek and Sarah Wade 116‘THE GHOST WHALES’Harun Morrison 132Acknowledgements 137Author Biographies 141Picture Credits 147Notes 148Index 157

John Kenneth Paranada serves as the Curator of Art and Climate Change at the Sainsbury Centre, funded by the John Ellerman Foundation, and is a researcher at the Tyndall Centre for Climate Change Research, UEA. His interdisciplinary expertise spans museum studies, curatorial studies, art history, community engagement, climate communication and energy management. In 2023, he curated ‘Sediment Spirit’ and co-edited the publication Planet For Our Future. Specialising in international contemporary art, sustainability and planetary ecology, Ken focuses on curating art and culture to accelerate climate awareness and action. He is affiliated with international organisations such as the International Council of Museums, the Committee for Museums and Collections of Modern Art and the Association of Art Museum Curators, amongst others. Tania Moore is head of exhibitions at the Sainsbury Centre. Tania was exhibition curator for the ‘What is Truth?’ season at the Sainsbury Centre. Publications include What Is Truth? (Sainsbury Centre, 2024), and Rhythm and Geometry: Constructivist Art in Britain Since 1951 (Sainsbury Centre, 2021). She has contributed chapters on post-war and contemporary sculpture to publications including Magdalene Odundo: The Journey of Things (InOther Words, 2019), Elisabeth Frink: Humans and Other Animals (Sainsbury Centre, 2018) and Becoming Henry Moore (Henry Moore Foundation, 2017). In 2019, she received the New Collecting Award from the Art Fund to acquire sculptors’ drawings by contemporary women and non-binary artists for the Sainsbury Centre collection.

The Guardian has reviewed the exhibition for Can the Seas Survive Us? - The Guardian

• FOREWORDJago Cooper 6INTRODUCTIONJohn Kenneth Paranada 9FLUID LINES: CHARTING CHANGEAND CHANGING CHARTSDjoeke van Netten 25SOUNDING THE UNKNOWN:WATERS AND GLOBAL CHANGESoren Brothers 33REDRAWING THE LINEAndrew Watkinson 43‘THE LEAVING OF KATTEGAT SEA(OR THE MERMEN’S LAMENT)’Harun Morrison 53‘THE IMAGE OF ETERNITY’:DEEP TIME, POWERAND VULNERABILITYIN REPRESENTATIONS OFSEAS AND OCEANSCourtney Traub 56TIPPING POINTS: PAUSING THEUNSTOPPABLE IN THE WORK OFMAGGI HAMBLING, CLAIRE CANSICKAND MARGARET MELLISAntonia Blocker 68‘SELKIE SONG’Harun Morrison 77A SEA OF RESILIENCE:OCEANIC (IN)VISIBILITYKaren Jacobs 80THE EVOLUTION OFPARADISE CAMPYuki Kihara in conversation withTania Moore 95ESTUARINEPatrick Flores 105SEA INSIDE: ART ANDMARINE INTERIORITYPandora Syperek and Sarah Wade 116‘THE GHOST WHALES’Harun Morrison 132Acknowledgements 137Author Biographies 141Picture Credits 147Notes 148Index 157

John Kenneth Paranada serves as the Curator of Art and Climate Change at the Sainsbury Centre, funded by the John Ellerman Foundation, and is a researcher at the Tyndall Centre for Climate Change Research, UEA. His interdisciplinary expertise spans museum studies, curatorial studies, art history, community engagement, climate communication and energy management. In 2023, he curated ‘Sediment Spirit’ and co-edited the publication Planet For Our Future. Specialising in international contemporary art, sustainability and planetary ecology, Ken focuses on curating art and culture to accelerate climate awareness and action. He is affiliated with international organisations such as the International Council of Museums, the Committee for Museums and Collections of Modern Art and the Association of Art Museum Curators, amongst others. Tania Moore is head of exhibitions at the Sainsbury Centre. Tania was exhibition curator for the ‘What is Truth?’ season at the Sainsbury Centre. Publications include What Is Truth? (Sainsbury Centre, 2024), and Rhythm and Geometry: Constructivist Art in Britain Since 1951 (Sainsbury Centre, 2021). She has contributed chapters on post-war and contemporary sculpture to publications including Magdalene Odundo: The Journey of Things (InOther Words, 2019), Elisabeth Frink: Humans and Other Animals (Sainsbury Centre, 2018) and Becoming Henry Moore (Henry Moore Foundation, 2017). In 2019, she received the New Collecting Award from the Art Fund to acquire sculptors’ drawings by contemporary women and non-binary artists for the Sainsbury Centre collection.

The Guardian has reviewed the exhibition for Can the Seas Survive Us? - The Guardian

• FOREWORDJago Cooper 6INTRODUCTIONJohn Kenneth Paranada 9FLUID LINES: CHARTING CHANGEAND CHANGING CHARTSDjoeke van Netten 25SOUNDING THE UNKNOWN:WATERS AND GLOBAL CHANGESoren Brothers 33REDRAWING THE LINEAndrew Watkinson 43‘THE LEAVING OF KATTEGAT SEA(OR THE MERMEN’S LAMENT)’Harun Morrison 53‘THE IMAGE OF ETERNITY’:DEEP TIME, POWERAND VULNERABILITYIN REPRESENTATIONS OFSEAS AND OCEANSCourtney Traub 56TIPPING POINTS: PAUSING THEUNSTOPPABLE IN THE WORK OFMAGGI HAMBLING, CLAIRE CANSICKAND MARGARET MELLISAntonia Blocker 68‘SELKIE SONG’Harun Morrison 77A SEA OF RESILIENCE:OCEANIC (IN)VISIBILITYKaren Jacobs 80THE EVOLUTION OFPARADISE CAMPYuki Kihara in conversation withTania Moore 95ESTUARINEPatrick Flores 105SEA INSIDE: ART ANDMARINE INTERIORITYPandora Syperek and Sarah Wade 116‘THE GHOST WHALES’Harun Morrison 132Acknowledgements 137Author Biographies 141Picture Credits 147Notes 148Index 157