Canan Balan is a visiting fellow in Film at the University of Southampton, where she previously held a position as a research fellow working on post-Ottoman women in film. She has published numerous articles, book chapters, and essays on early cinema, spectatorship, early film theory, and film cultures in Istanbul and Turkey, in both English and Turkish, including articles in Film-Philosophy and Early Popular Visual Culture. She is a veteran lecturer of Istanbul Şehir University and holds a PhD in Film Studies from the University of St Andrews in the UK.

“Th[is] book offers an original and much-needed perspective on the development of early film culture and modernity in a non-Western space, and challenges Eurocentric narratives of film history and culture.” • Ana Grgić, Babeș-Bolyai University

• List of TablesAcknowledgementsIntroduction: To Draw the CurtainChapter 1. The Ottoman Polity, Urban Spectatorship and the Pre-Cinematic GazeChapter 2. A New Show in the City, 1896–1914Chapter 3. The Great War, Occupation and Dressing the Spectators as Women, 1914–1923Chapter 4. Ambivalence and the New Nation StateConclusion: Tears (and Stitches) in the CurtainBibliographyIndex