Rodanthi Tzanelli is Associate Professor of Cultural Sociology and Director of the Mobilities Research Area in the Bauman Institute, University of Leeds, UK.

Tzanelli disturbs the normative premises on which much tourism and hospitality research are predicated to make space for imaginations whereby the represented can manage their representations, and destination design is co-developed with more just digital technologies.

• Introduction. Travels to Post-Truth WorldsChapter 1. Representation, Presence and Public CultureChapter 2. From Cultural Worldmaking to Structural Technomorphism in Zorba the Greek TourismChapter 3. From Borat Post-Tourism to Market Post-Truth: Kazakhstan’s New Spirit of (In)HospitalityChapter 4. Spirited Edgeworks: Breaking Bad’s (In)Hospitable Worlds of Soft CrimeConclusion. Undoing the Cinematic Tourist Provenance, Designing Viable Futures

Rodanthi Tzanelli is Associate Professor of Cultural Sociology and Director of the Mobilities Research Area in the Bauman Institute, University of Leeds, UK.

Tzanelli disturbs the normative premises on which much tourism and hospitality research are predicated to make space for imaginations whereby the represented can manage their representations, and destination design is co-developed with more just digital technologies.

• Introduction. Travels to Post-Truth WorldsChapter 1. Representation, Presence and Public CultureChapter 2. From Cultural Worldmaking to Structural Technomorphism in Zorba the Greek TourismChapter 3. From Borat Post-Tourism to Market Post-Truth: Kazakhstan’s New Spirit of (In)HospitalityChapter 4. Spirited Edgeworks: Breaking Bad’s (In)Hospitable Worlds of Soft CrimeConclusion. Undoing the Cinematic Tourist Provenance, Designing Viable Futures

Rodanthi Tzanelli is Associate Professor of Cultural Sociology and Director of the Mobilities Research Area in the Bauman Institute, University of Leeds, UK.

Tzanelli disturbs the normative premises on which much tourism and hospitality research are predicated to make space for imaginations whereby the represented can manage their representations, and destination design is co-developed with more just digital technologies.

• Introduction. Travels to Post-Truth WorldsChapter 1. Representation, Presence and Public CultureChapter 2. From Cultural Worldmaking to Structural Technomorphism in Zorba the Greek TourismChapter 3. From Borat Post-Tourism to Market Post-Truth: Kazakhstan’s New Spirit of (In)HospitalityChapter 4. Spirited Edgeworks: Breaking Bad’s (In)Hospitable Worlds of Soft CrimeConclusion. Undoing the Cinematic Tourist Provenance, Designing Viable Futures