Rachel Garfield is Professor of Fine Art at the Royal College of Art, UK. She an artist who works in video and also writes on contemporary art. Jenny Chamarette is Senior Research Fellow at Reading School of Art, UK. Previously published books include Guilt and Shame: Essays in French Literature, Thought and Visual Culture (co-edited with Jennifer Higgins) (2010) and Phenomenology and the Future of Film (2012).

• AcknowledgementsIntroduction1. Rachel Garfield and Jenny Chamarette Stephen Dwoskin Is… A ReappraisalPart 1: Art’s histories 2. Adrian Martin Dwoskin, or: Atonal Neo-Cubism 3. Darragh O’Donoghue Dwoskin, portraiture, surrealism 4. Rick Poynor Contextualising Dwoskin’s Graphic Design Part Two: The Archive 5. Elisa Adami Between the Archive and Repertoire: Embodied Memory in Stephen Dwoskin’s Ballet Black (1986) 6. Guy Baxter Between the Digital and the Physical: The Hybridity of the Archive “Looke Not on his Picture, but his Booke”7. Anthea Kennedy & Ian Wiblin Dream House Part Three: The Body8. Sophia Satchell-Baeza The Psychology of the Playroom: Role-playing and Sexual Alienation in Stephen Dwoskin's 1970s London Counterculture 9. Greg Hainge Dwoskin, Grandrieux and the “Cinéma du Corps”10. Cloe Masotta The Dancing Eye. Stephen Dwoskin’s desiring gaze on cinematic and kinetik bodies. 11. Paul “Fanny” Clinton Dwoskin And Disgust Part Four: Care 12. Allan Sutherland Stephen Dwoskin - Disabled Filmmaker 13. Alison Butler Femininity and its Discontents in “The Silent Cry”14. Tom Cuthbertson Community, collaboration, care: the art of letting others in Jenny Chamarette and Rachel Garfield AfterwordFilmography Bibliography

Rachel Garfield is Professor of Fine Art at the Royal College of Art, UK. She an artist who works in video and also writes on contemporary art. Jenny Chamarette is Senior Research Fellow at Reading School of Art, UK. Previously published books include Guilt and Shame: Essays in French Literature, Thought and Visual Culture (co-edited with Jennifer Higgins) (2010) and Phenomenology and the Future of Film (2012).

• AcknowledgementsIntroduction1. Rachel Garfield and Jenny Chamarette Stephen Dwoskin Is… A ReappraisalPart 1: Art’s histories 2. Adrian Martin Dwoskin, or: Atonal Neo-Cubism 3. Darragh O’Donoghue Dwoskin, portraiture, surrealism 4. Rick Poynor Contextualising Dwoskin’s Graphic Design Part Two: The Archive 5. Elisa Adami Between the Archive and Repertoire: Embodied Memory in Stephen Dwoskin’s Ballet Black (1986) 6. Guy Baxter Between the Digital and the Physical: The Hybridity of the Archive “Looke Not on his Picture, but his Booke”7. Anthea Kennedy & Ian Wiblin Dream House Part Three: The Body8. Sophia Satchell-Baeza The Psychology of the Playroom: Role-playing and Sexual Alienation in Stephen Dwoskin's 1970s London Counterculture 9. Greg Hainge Dwoskin, Grandrieux and the “Cinéma du Corps”10. Cloe Masotta The Dancing Eye. Stephen Dwoskin’s desiring gaze on cinematic and kinetik bodies. 11. Paul “Fanny” Clinton Dwoskin And Disgust Part Four: Care 12. Allan Sutherland Stephen Dwoskin - Disabled Filmmaker 13. Alison Butler Femininity and its Discontents in “The Silent Cry”14. Tom Cuthbertson Community, collaboration, care: the art of letting others in Jenny Chamarette and Rachel Garfield AfterwordFilmography Bibliography

Rachel Garfield is Professor of Fine Art at the Royal College of Art, UK. She an artist who works in video and also writes on contemporary art. Jenny Chamarette is Senior Research Fellow at Reading School of Art, UK. Previously published books include Guilt and Shame: Essays in French Literature, Thought and Visual Culture (co-edited with Jennifer Higgins) (2010) and Phenomenology and the Future of Film (2012).

• AcknowledgementsIntroduction1. Rachel Garfield and Jenny Chamarette Stephen Dwoskin Is… A ReappraisalPart 1: Art’s histories 2. Adrian Martin Dwoskin, or: Atonal Neo-Cubism 3. Darragh O’Donoghue Dwoskin, portraiture, surrealism 4. Rick Poynor Contextualising Dwoskin’s Graphic Design Part Two: The Archive 5. Elisa Adami Between the Archive and Repertoire: Embodied Memory in Stephen Dwoskin’s Ballet Black (1986) 6. Guy Baxter Between the Digital and the Physical: The Hybridity of the Archive “Looke Not on his Picture, but his Booke”7. Anthea Kennedy & Ian Wiblin Dream House Part Three: The Body8. Sophia Satchell-Baeza The Psychology of the Playroom: Role-playing and Sexual Alienation in Stephen Dwoskin's 1970s London Counterculture 9. Greg Hainge Dwoskin, Grandrieux and the “Cinéma du Corps”10. Cloe Masotta The Dancing Eye. Stephen Dwoskin’s desiring gaze on cinematic and kinetik bodies. 11. Paul “Fanny” Clinton Dwoskin And Disgust Part Four: Care 12. Allan Sutherland Stephen Dwoskin - Disabled Filmmaker 13. Alison Butler Femininity and its Discontents in “The Silent Cry”14. Tom Cuthbertson Community, collaboration, care: the art of letting others in Jenny Chamarette and Rachel Garfield AfterwordFilmography Bibliography