Toyin Falola is an author and editor of over one hundred and fifty books on Africa and the African Diaspora, and widely proclaimed as Africa’s preeminent scholar and one of the major intellectuals of our time. A global icon in African Studies, Toyin Falola has received sixteen honorary doctorates.

“African Memoirs and Cultural Representations presents an encyclopedic repository containing transitions of African multidimensional identities—personal, political, social, and cultural. From the politics of memory, to the nuances of everyday life, the universal and particular converge in this philosophical reflection and creative synthesis of the African memoir by Toyin Falola”—Prof Mobolanle E Sotunsa, Professor of African Oral Literature and Gender Studies, Babcock University, Nigeria.“This book is arguably about the retrieval, projection, and dissemination of African voices. As most times with Toyin Falola’s reflections, the anti-colonial stance is implicit, nuanced, and understated. But this guarded celebration of African subjectivities is far more effective than it would appear on the surface. It veers into the very real issue of African diversity, core underlying epistemological assumptions and the ability to transcend delimiting ethnic and geographical demarcations. Once again, Falola reestablishes his astonishing versatility”—Sanya Osha, University of Cape Town, South Africa.“African Memoirs and Cultural Representations by Toyin Falola presents an excellent assessment of the critical role of West African memoirs and their interconnectivity to various realms of African society, including the political, economic, social, and cultural realms. The book brilliantly interrogates the challenging work of the memoirists as they juxtapose their ideas within the much broader context of changing societal values, traditions, and expectations of the prevailing political and social orders”—Bessie House-Soremekun, Ph.D., Interim Dean and Professor of Political Science, College of Liberal Arts, Jackson State University, USA.Toyin Falola’s African Memoirs and Cultural Representations: Narrating Traditions presents a groundbreaking intervention in the study of life writing by centering African traditions of storytelling, memory, and identity ... [and] challenges dominant paradigms of autobiography rooted in Western notions of the individual self. — Biography

• List of Figures; Dedication; Acknowledgments; Preface; Chapter One Mirror Effect: Narrating the Self through, Traditions and Cultures; Chapter Two The Universal and the Particular in African Memoirs; Chapter Three The Portraiture of Womanhood in Emmanuel, Babatunde’s An African Journey through Celibate, Priesthood to Married Life; Chapter Four Politics, Philosophical Representation, and Culture in Cherno Njie’s Sweat Is Invisible in the Rain; Chapter Five The Yoruba Worldview, Meanings, and Ideals of Life in Michael Afolayan’s Fate of Our Mothers; Chapter Six The Indelibility of Igbo Tradition (Home) in Kalu Ogbaa’s Carrying my Father’s Torch; Chapter Seven Experiences, Reflections, and Refractions on the Cusp in A. B. Assensoh’s A Matter of Sharing; Chapter Eight Toward a Spatial and Identity Synthesis: Regional Peculiarities in African Memoirs; Bibliography; Index

Toyin Falola is an author and editor of over one hundred and fifty books on Africa and the African Diaspora, and widely proclaimed as Africa’s preeminent scholar and one of the major intellectuals of our time. A global icon in African Studies, Toyin Falola has received sixteen honorary doctorates.

“African Memoirs and Cultural Representations presents an encyclopedic repository containing transitions of African multidimensional identities—personal, political, social, and cultural. From the politics of memory, to the nuances of everyday life, the universal and particular converge in this philosophical reflection and creative synthesis of the African memoir by Toyin Falola”—Prof Mobolanle E Sotunsa, Professor of African Oral Literature and Gender Studies, Babcock University, Nigeria.“This book is arguably about the retrieval, projection, and dissemination of African voices. As most times with Toyin Falola’s reflections, the anti-colonial stance is implicit, nuanced, and understated. But this guarded celebration of African subjectivities is far more effective than it would appear on the surface. It veers into the very real issue of African diversity, core underlying epistemological assumptions and the ability to transcend delimiting ethnic and geographical demarcations. Once again, Falola reestablishes his astonishing versatility”—Sanya Osha, University of Cape Town, South Africa.“African Memoirs and Cultural Representations by Toyin Falola presents an excellent assessment of the critical role of West African memoirs and their interconnectivity to various realms of African society, including the political, economic, social, and cultural realms. The book brilliantly interrogates the challenging work of the memoirists as they juxtapose their ideas within the much broader context of changing societal values, traditions, and expectations of the prevailing political and social orders”—Bessie House-Soremekun, Ph.D., Interim Dean and Professor of Political Science, College of Liberal Arts, Jackson State University, USA.Toyin Falola’s African Memoirs and Cultural Representations: Narrating Traditions presents a groundbreaking intervention in the study of life writing by centering African traditions of storytelling, memory, and identity ... [and] challenges dominant paradigms of autobiography rooted in Western notions of the individual self. — Biography

• List of Figures; Dedication; Acknowledgments; Preface; Chapter One Mirror Effect: Narrating the Self through, Traditions and Cultures; Chapter Two The Universal and the Particular in African Memoirs; Chapter Three The Portraiture of Womanhood in Emmanuel, Babatunde’s An African Journey through Celibate, Priesthood to Married Life; Chapter Four Politics, Philosophical Representation, and Culture in Cherno Njie’s Sweat Is Invisible in the Rain; Chapter Five The Yoruba Worldview, Meanings, and Ideals of Life in Michael Afolayan’s Fate of Our Mothers; Chapter Six The Indelibility of Igbo Tradition (Home) in Kalu Ogbaa’s Carrying my Father’s Torch; Chapter Seven Experiences, Reflections, and Refractions on the Cusp in A. B. Assensoh’s A Matter of Sharing; Chapter Eight Toward a Spatial and Identity Synthesis: Regional Peculiarities in African Memoirs; Bibliography; Index